Remembering that Monday, 22nd April is Earth day, 2013. Like many others, I subscribe to Mother Nature Network. Recently published on MNN were twelve stunningly beautiful photographs. There are reproduced below, hopefully without infringing any copyrights. I just wanted to share them with readers of Learning from Dogs ahead of next Monday.
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Earth Day photos: Celebrating the beauty of our planet
From the rolling hills of Tuscany to the surreal glacial formations of Patagonia, here are 12 stunning photos showcasing the diverse collection of landscapes found across the planet. By: Catie Leary Fri, Apr 19 2013 at 11:40 AM
So you all have a great week-end, wherever you are in the world, and do something, however small, for the one and only planet that nourishes all the life of the world.
Many months ago, I was contacted by a Peter Bloch offering to write a guest post on the subject of the healing power of dogs. Peter had read a post that I had published in July last year which prompted the email dialogue between us.
Not going to say much more at this stage except that today I am republishing that post from last July. On Monday, I will introduce Peter and his guest post. Then on Tuesday, I will speak of my own experiences both as entrepreneurial mentor and as a ‘customer’ of a wonderful psychotherapist back in Devon during 2007. Hope that works for you.
So here’s that Learning from Dogs post.
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The bond between dogs and humans
Such a beautiful and mutually-important relationship.
I didn’t plan to write more about this subject thinking that my last two posts, Woof at the Door and Prof. Pat Shipman, more than covered the theme; indeed much more.
But then a flurry of other articles conspired to pass my desk.
In no particular order there was an article on the Big Think website, Do Dogs Speak Human? As the article opened,
What’s the Big Idea?
Perhaps the better question is, do humans speak dog? Either way, the debate over whether language is unique to humans, or a faculty also possessed by wild and domestic animals from dogs to apes to dolphins, is an interesting one. The answer depends on exactly how we define “language,” and who’s doing the talking, says David Bellos, the Booker prize-winning translator.
The article includes this three-minute video,
and concludes,
Broadly, a language is a mode of expression. “The argument that only human language is language and that animal communication systems, however sophisticated they are — and some of them are quite sophisticated — are not languages because they consist of discrete signals is a circular argument,” he argues. “It’s a self-fulfilling thing. And I think we should be a little bit more interested in the complexity and the variability of animal communication systems and less rigid about this distinction between what is a language and what is not a language.”
For now, we’re happy with this:
The June 30th edition of The Economist had an article entitled, Can dogs really show empathy towards humans? (You may have to register (free) to view this.) That report ends, as follows,
As they report in Animal Cognition, “person-oriented behaviour” did sometimes take place when either the stranger or the owner hummed, but it was more than twice as likely to occur if someone was crying. This indicated that dogs were differentiating between odd behaviour and crying. And of the 15 dogs in the experiment that showed person-oriented responses when the stranger cried, all of them directed their attention towards the stranger rather than their owner.
These discoveries suggest that dogs do have the ability to express empathetic concern. But although the results are clear enough, Dr Custance argues that more work needs to be done to be sure that such behaviour is true empathy. It is possible, she points out, that the dogs were drawing on previous experiences in which they were rewarded for approaching distressed human companions. Dog-owners, however, are unlikely to need any more convincing.
It was then an easy follow-up to that Animal Cognition article which is available online here; here’s the abstract,
Empathy covers a range of phenomena from cognitive empathy involving metarepresentation to emotional contagion stemming from automatically triggered reflexes.
An experimental protocol first used with human infants was adapted to investigate empathy in domestic dogs. Dogs oriented toward their owner or a stranger more often when the person was pretending to cry than when they were talking or humming. Observers, unaware of experimental hypotheses and the condition under which dogs were responding, more often categorized dogs’ approaches as submissive as opposed to alert, playful or calm during the crying condition. When the stranger pretended to cry, rather than approaching their usual source of comfort, their owner, dogs sniffed, nuzzled and licked the stranger instead.
The dogs’ pattern of response was behaviorally consistent with an expression of empathic concern, but is most parsimoniously interpreted as emotional contagion coupled with a previous learning history in which they have been rewarded for approaching distressed human companions.
I feel very guilty as I didn’t make a note of where I came across this film. Whoever highlighted the film, thank you! It’s truly beautiful. So, please, settle yourself down and be enthralled.
In March 1940, the author John Steinbeck and his friend, marine biologist Ed Ricketts, sailed down the coast of California and Mexico to the Sea of Cortez. “The abundance of life here gives one an exuberance,” they wrote, “a feeling of fullness and richness.”
Their stated purpose was to document the creatures that inhabit shallow waters and tide pools on the margins of the Sea of Cortez. But it became much more. In these mysterious, phosphorescent waters they sought an understanding of mankind’s relationship to the natural world and a wellspring of hope for a world headed toward war.
Looking beyond the events of the day, the two friends foresaw our rising impact on the oceans and the devastating impact that over fishing would have on this rich sea. And yet, in their journey, they encountered a periodic cooling of the eastern Pacific Ocean known as La Niña that can still set off an explosion of life.
Can the story of their journey inspire new efforts to preserve the Sea of Cortez? Down along the shores of western Mexico, the wind blows hot and dry. Beyond these barren landscapes, cold currents rush up from the deep and the ocean literally boils with life.
Following their journey down to the Sea of Cortez in March of 1940, John Steinbeck and Ed Ricketts searched for a way to describe what they saw. “Trying to remember this place,” they wrote, “is like trying to re-create a dream. It is fierce and hostile and sullen. The stone mountains pile up to the sky and there is little fresh water. But we know we must go back if we live, and we don’t know why.”
The Sea of Cortez is one of the most diverse marine ecosystems on the planet. It’s shaped by the cool waters of the California Current flowing into the warm tropics and by a complex undersea terrain that rises up along a chain of islands and sea mounts. It was the shorelines, between the desert and the deep, that drew John Steinbeck, the author, and Ed Ricketts, a marine biologist and expert on coastal ecosystems.
Ricketts’ book, “Between Pacific Tides,” is a classic study of the inter-tidal zones of the California coastline and the myriad creatures that live in shallow pools, clinging to rocks to sift the rich nutrients carried in by the tides. Steinbeck and Ricketts sought to extend this work to the Sea of Cortez and to explore ideas at the core of their friendship. They shared a belief that man’s fate, like that of the animals they saw, is linked to the health of the natural world. [Ed. my emphasis]
Ricketts is said to have inspired some of Steinbeck’s most memorable characters, including Doc in Cannery Row, and the preacher Jim Casy in The Grapes of Wrath, published a year before their voyage. Set against the backdrop of drought and economic depression, the book describes the dustbowl conditions that gripped the American heartland in the 1930’s. “Now the wind grew strong and hard and it worked at the rain crust in the corn fields. Little by little the sky was darkened by the mixing dust, and carried away. The wind grew stronger. The rain crust broke and the dust lifted up out of the fields and drove gray plumes into the air like sluggish smoke.”
In most years, southerly winds carry moisture into the midsection of the country from the Gulf of Mexico. In the 1930’s, according to a recent NASA study, those winds were diverted by a build up of warm water in the Western Atlantic and by a periodic cooling of the Eastern Pacific known as La Niña. This combination robbed the region of rain.
By the time Steinbeck and Ricketts began their journey, the historic backdrop had shifted to war. Fighting had engulfed Europe and was spreading to the western Pacific. While the United States was still officially neutral, American companies had begun supplying arms to the allied effort. In early 1940, John Steinbeck used money he earned from “The Grapes of Wrath” to hire a sardine boat called the Western Flyer. From Monterrey, California, he, his wife Carol, Ed Ricketts and a four-man crew headed south, charting a course along the Mexican coastline.
By all accounts, the journey was filled with adventure, camaraderie, and a sense of wonder at the diversity of living things they encountered. Over a six-week period, the two friends wrote journal entries, took notes on conversations, and catalogued specimens they collected on the way. They compiled these writings into a book: “Sea of Cortez, A Leisurely Journal of Travel and Research,” later changed to “The Log From the Sea of Cortez.”
The work amounts to a search for a way to understand nature, and humanity at large, in a world steadily coming apart at the seams.
Ed Ricketts
The film was released last Feb 28, 2013. Directed by Thomas Lucas, the Producers were John Friday, Thomas Lucas and Adam Ravetch.
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Will end with a couple of personal reflections. First is that when I was invited out to Mexico for Christmas 2007 by Suzann and Don, I travelled to San Carlos, Mexico on the Eastern shores of the Sea of Cortez. San Carlos is a little under 300 miles south of the Arizonan border with Mexico and was where Jean had been living for many years. Meeting Jean changed my life forever! Here’s a picture of the Sea of Cortez through the rear door of Jean’s house in San Carlos.
Not the longest walk in the world to the beach!
Second reflection is about dogs. Jean had spent many years rescuing Mexican feral dogs and finding homes for them; hundreds of them over her time in San Carlos. We brought 13 of those dogs with us when we moved to Arizona and 9 came to Oregon. Below is Hazel, one of the five remaining Mexican ‘rescue’ dogs that are still with us in Oregon.
A new animated short film from Lucas Martell, the creator of Pigeon: Impossible.
Back on the 4th December, 2011 I published a post under the title of Pigeon: Impossible. Here’s some of what I wrote:
A truly remarkable example of the level of film animation being produced.
The second item that came to me from Bob D. (yesterday’s is here) has clearly done the rounds; the YouTube video has been watched nearly 7 million times! But if you haven’t seen this short film, just over 6 minutes long, then do watch it. It shows just how close to reality film animation has become! The story behind the film is from here, reproduced below.
Pigeon: Impossible is the tale of Walter, a rookie secret agent faced with a problem seldom covered in basic training: what to do when a curious pigeon gets trapped inside your multi-million dollar, government-issued nuclear briefcase.
The film took nearly 5 years to complete and is the first attempt at animation by writer/director Lucas Martell: “When the project started, it was mostly an excuse to learn 3D animation, but by the end of the project I had spent so much time reworking and polishing the story that I just wanted people to laugh.“
The end-result is a hilarious 6-minute romp through the streets of Washington D.C. as our hero fights to save himself, and the world from the chaos reigned down by a hungry pigeon. Breathtaking visuals and a sweeping soundtrack showcase the work of nearly one-hundred talented artists and musicians, and the film stands as a testament to what can be accomplished by a team of dedicated volunteers working for the love of their craft.
Personally, I think that last sentence is still an understatement. Just watch this – and be amazed.
If you haven’t seen the film then you can watch it here.
Anyway, yesterday Lucas Martell left a comment to that post, as follows:
Lucas Martell
Hi, I’m the creator of Pigeon: Impossible and am so glad you enjoyed the film! We’re trying to finish our next animated short, and would love it if you could check it out and help us spread the word.
Thanks!
It seemed a worthwhile thing to do just that. That next animated short is called The OceanMaker. Enjoy 4 minutes of it:
This is the website associated with the venture that explains more and also gives details of the way you can financially support the project, starting from as little as $10. The website is great fun! (I couldn’t resist republishing the following)
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About the Film
The OceanMaker is a 9-minute animated short film that takes place after Earth’s oceans have disappeared. It tells the tale of one courageous pilot who fights against vicious sky pirates for control of the last remaining source of water: the clouds.
From a visual standpoint, we’re steering away from the air pirates often found in steampunk and going straight-up “Mad Max” in the sky. The film is packed with old, beat-up planes that have been cobbled together from spare parts found in airplane graveyards.
Tonally, The OceanMaker is filled with exciting action, but the ending is emotional and powerful in a way that even feature-length films rarely achieve. The film also contains no dialogue, which means that the visuals and soundtrack need to be top notch in order to tell this story properly.
Finally, this film is unique in that it’s a complete story which stands on its own as a self-contained short film, but it’s also part of a even larger, more epic tale. Contributing to this project means a double dose of good karma, as you’re not only helping us complete the short, you’re getting us one step closer to making the feature! Our sights are set high and it’s going to be an amazing ride. We hope you’ll come along and share the adventure with us!
Goals
$10,000 – We can finish the models! – At the moment we have our hero models finished, but the story requires several other assets in order to set up the world and show how the loss of the oceans has affected life on earth. At $10,000, we’ll be able to bring on two model/texture artists to finish these assets.
$20,000 – We can finish the animation! – Animation is about 70% completed, but the remaining shots are the most challenging ones in the film. We’ll need two animators to bring these awesome shots to life!
$30,000 – We can finish the lighting! – Lighting and rendering are what make things pretty. It’s also a very technically challenging process, with each frame taking about an hour to render. At 24 frames per second, that’s just under 13,000 frames!
$40,000 – We can finish the film! – The last major step is the effects. In a word: clouds. They’re very tough to do right, and they’re pretty important for this whole story to work. Plus, these aren’t just static clouds in the background. We’re flying through them, scooping them up and making them grow!
$50,000 – Post Production! – This first stretch goal would allow us to hire a professional sound designer, as well as doing the final mix, color correction and output in a proper studio. This is crucial in order to submit the film to festivals and put it up on the big screen. If we reach this stretch goal, then all donors will also recieve a PDF copy of the script!
$60,000 – Live orchestra! – With this stretch goal, we could record Chris Reyman’s amazing score with a real live orchestra. This would be HUGE, as the film is extremely reliant on music, and the production value will increase dramatically. All donors at every level would receive a DRM-free copy of the score.
$70,000 – Expanded cast! – One thing that will make the film even better, is a second character. We already have a temporary version of that character in our animatic, but she’s very difficult to create and quite expensive for the few shots she’s in. However, that small addition would take the emotion and complexity of the story to a whole new level.
$80,000 – $100,000 The OceanMaker extended universe – As you can imagine, the OceanMaker is a really BIG story… too big to fit entirely within a short, but we’ve done an excellent job capturing the essence of it in a way that feels complete and stands on its own. However, if we hit $80,000, we can start to explore this broader story. This would be in the form of a graphic novel that delves deeper into the world both before and after the short film. The higher into this range we get, the longer this graphic novel could be and the more of the expanded story we could tell. Donors at every level would get a free digital copy of the graphic novel.
$100,000 and up – Feature!!! – OK, I realize we’re really reaching for the stars here, but you don’t do something like this without being a dreamer. If we somehow manage to reach the 100k mark, we’ll be able to start working on the feature film! It would be based in part on the content from the extended universe. The first step would be a treatment, then a script, then visual development and finally an animatic. Should we be able to complete any of these stages with money raised from this campaign, all donors will receive a digital copy of the completed work. You can take a sneak peek or remain unspoiled, but its the least we can do if your hard-earned dollars end up funding development of the feature.
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So I hope you can contribute whatever you can afford.
Oh, and I should make it clear that neither Jean nor I have any financial or commercial connection with the project.
We recently heard of some chickens that were facing the cooking pot unless a home could be found. We gave in. It wasn’t hard because there was an existing chicken house on our property.
The chickens are adult bantams rescued from the wild.
Which brings us to 9 dogs, 5 cats, 2 miniature horses and 4 chickens. As the old saying goes, “One doesn’t need to be mad to live here, but it helps!”
A few pictures to share with you.
Jean, meet your new chickens!
Jean learning a few details about our new arrivals.
Recent news items reinforce messages from yesterday’s book review.
In my review published yesterday of Martin Lack’s book Denial of Science, I wrote, “the continuing and accelerating loss of the Arctic ice-cap“. Back on the 22nd in More new tomorrows, I included:
A study published in 2012 showed that by changing the temperature balance between the Arctic and mid-latitudes, rapid Arctic warming is altering the course of the jet stream, which steers weather systems from west to east around the northern hemisphere. The Arctic has been warming about twice as fast as the rest of the Northern Hemisphere, due to a combination of human emissions of greenhouse gases and unique feedbacks built into the Arctic climate system. The jet stream, the study said, is becoming “wavier,” with steeper troughs and higher ridges.
A new study published in the journal Environmental Research Letters shows that reduced sea ice cover can favor colder and stormier winters in the northern midlatitudes. [my emphasis – UK readers will need no reminding of this!]
So bear those references in mind as you read:
Breaking News (Literally): NOAA Video Confirms Early Breakup
A series of intense storms in the Arctic has caused fracturing of the sea ice around the Beaufort Sea along the northern coasts of Alaska and Canada. High-resolution imagery from the Suomi NPP satellite shows the evolution of the cracks forming in the ice, called leads, from February 17 — March 18 2013. The general circulation of the area is seen moving the ice westward along the Alaskan coast
“Intense storms” are not an unheard of thing in the arctic. What’s new is that the ice is so fragile that normal storm activity is breaking it up much earlier than has been seen in the past.
To recapitulate: It is normal for the ice to crack and for leads to occur. However, this is very extensive cracking and there are some very big leads, and all of it seems to come earlier than expected. Given last year’s melting mayhem and the low amount of multi-year ice, it makes one wonder whether this early cracking will have any effect in the melting season to come.
There are still several weeks to go before this part of the Arctic is going to start melting, up till then the ice will actually thicken some more, even when the Sun’s rays start to reach the ice. But the ice is already getting broken up in smaller pieces, which means that 1) the pack becomes more mobile (like we saw last year), and 2) the thin ice that now grows to fill up the leads will go first when the melting starts, potentially leading to more open water between floes to absorb solar energy and convert it to heat.
But maybe not. Maybe this will have zero influence. We don’t know. That’s why we watch.
Nothing more to add except to ponder on what strange weather we will be experiencing this year! Actually, no need to ponder. The UK Met Office issued a weather warning last Sunday that included this sentence, “Cold easterly winds will persist through the coming week with bitterly cold conditions.” That came on the back of a blog entry from the Met Office that same day that included:
Many areas also saw strong winds, with a gust of 61 mph recorded at Shap, Cumbria and 48 mph recorded at Machrihanish, Argyll . These winds have caused even deeper drifts of snow in some areas. [my emphasis].
61mph? That’s Storm Force 10 under the Beaufort scale and 3mph under the lower boundary of a Violent Storm; Beaufort Force 11!
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The next item that caught my eye was some ‘goodish’ news from the US Senate via a recent post on 350.org.
After a very chaotic week on Capitol Hill, I wanted to write you with an update on what just happened in the Senate today.
First and foremost: the oil industry’s Senators did not manage to pass legislation that would force President Obama to build Keystone XL.
Because you — and people like you, all across the country — jumped into action this week, they backtracked and instead held a vote on a nonbinding resolution that says it would be nice to build the pipeline, but doesn’t actually do much about it. For that vote, they got the stomach-churning number of 62 Senators to vote with them. As usual, the ones who had taken the most money from the fossil fuel industry lined up to cast their votes—the cosponsors of the bill, on average, had taken $807,000 in dirty energy money.
Now, this amounts to symbolic chest thumping by the oil industry: showing just how many Senators they can get to jump when told to. It’s not the worst thing that could have happened, but it reminds everyone why, in one recent poll, congress had approval ratings lower than head lice and colonoscopies — even on the symbolic stuff, they can’t get it together to stand up to the oil industry guys cutting them checks.
In a certain way though, this vote couldn’t come at a better time. Congress is going on break, and for the next two weeks, these 62 Senators will be back in their home states, doing things like meeting with constituents — people like you.
Home states are where some of the most heroic work took place the last week — in Minneapolis, say, where 150 350MN.org activists showed up on very short notice at Sen. Klobuchar’s office in a snowstorm to tell her to vote no on Keystone (and she did, it should be added).
If you’re interested in following in the fine example of those leaders who held actions at their senators offices, you have a chance in the next two weeks.
We’re looking for people who can step up to lead, and then we’ll put the 350 network into action to get people to join you. If you want to lead an action, just click here to tell us when you’d like to do so: act.350.org/survey/kxl-senate-accountability-2013/
Look, there are two ways to react to a democracy for sale. One is to walk away in disgust, which is what the Koch Brothers count on. The other is to stand up and say: no more. If you visit your Senator, take some pictures or some video so we can share them around. It’s time to build this broader fossil fuel resistance.
And remember, Capitol Hill is not the center of the world. Around the country this week our friends at Tar Sands Blockade have been actively targeting Keystone investors; faith groups have been hauled off to jail in front of the White House to protest the pipeline; and the divestment campaign has expanded off college campuses and into municipal and state governments.
The movement is doing amazing stuff — we just need more of it. We can’t outspend the oil industry, but we can out-organize them. In fact, we have to.
Forward,
Bill McKibben
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“the cosponsors of the bill, on average, had taken $807,000 in dirty energy money.” Words utterly fail me!
Learning from Dogs 