Category: Environment

There’s a bit of a smell!

The incredible power of the nose of a dog.

Young Oliver had an upset tummy during the night resulting in the bedroom carpet needing a little ‘sorting out’ after midnight. Thus I was very grateful that a human’s sense of smell is very much inferior to that of the dog!

Oliver sleeping in front of the wood-stove yesterday morning.
Oliver sleeping in front of the wood-stove yesterday morning.

I couldn’t escape the irony that today’s post was inspired by an email from friend Dan Gomez. His email included the link to an article on the Brain Links website. It was called How a Dog Actually “Sees” the World Through Smell. Here’s how the article opened:

“The world of scents is at least as rich as the world of sight.”

Even though smell is the most direct of our senses and the 23,040 breaths we take daily drag in a universe of information — from the danger alert of a burning odor to the sweet nostalgia of an emotionally memorable scent — our olfactory powers are not even mediocre compared to a dog’s. The moist, spongy canine nose is merely the gateway into a remarkable master-machine which can detect smells in concentrations one hundred-millionth of what we humans require to smell something, and then transmute them into immensely dimensional and useful information about the world. So magnificent is the dog’s olfactory brawn — including the ability to sniff out skin, breast, bladder, and lung cancers with an astounding degree of accuracy and to literally smell fear — that to our primitive human perception it appears like nothing short of magic.

The article also included this short TED Talk but I have taken the liberty of including the paragraph that preceded the YouTube video.

How that neurobiological magic happens is what cognitive scientist Alexandra Horowitz — who heads the Dog Cognition Lab at Barnard College but has also produced a canon of invaluable insight on how we humans construct our impressions of reality — explains in this short animation from TED-Ed, based on her illuminating book Inside of a Dog: What Dogs See, Smell, and Know (public library):

Do go across and read the full article.

Mind you, referring back to our overnight doggy incident, I did find one paragraph slightly at odds with my personal views on the subject. It was this one:

We humans tend not to spend a lot of time thinking about smelling. Smells are minor blips in our sensory day compared to the reams of visual information that we take in and obsess over in every moment.

I’m here to tell you that at 1am yesterday morning, my sense of smell was anything other than a minor blip!

OK, before I close, I just want to alert all you dear readers to the fact that from later today until early March my son, Alex, is visiting us.  His plans are to find somewhere in Oregon to enjoy some skiing but the very mild Winter so far may put a spanner in those works.

For obvious and natural reasons, writing posts for Learning from Dogs will not be a daily high priority. So if you read a number of posts previously published in earlier times you will understand why. Thank you.

Feeding the souls of man and dog!

A most fabulous idea of sharing poetry in the wild.

One of the great advantages of having a dog, or nine, is that there are endless opportunities to go walking with them.

The other day, Jean and I became aware of the most wonderful idea: The Stanza Stones Walk. Here’s how that walk is explained on the website:

THE STANZA STONES PROJECT

The Stanza Stones Walk: An Alternative devised by Mick Melvin.

A fifty mile upland walk from Marsden to Ilkley visiting the six Stanza Stones carved with poems written by Simon Armitage.

Why create an alternative walk?

I have created this walk as an alternative to the 47 mile trail created by the team working with the Ilkley Literature Festival, not because it is my intention to denigrate the walk which was produced by the team. Far from it, the trail which they created is a fine outing and one that will satisfy the desires of most people wishing to visit the Stanza Stones.

My purpose was to devise an upland walk linking the stones which did not stick to recognised footpaths or to existing well-known walking trails. This has not always been possible, since I felt that it was necessary to follow the Pennine way or Millennium Way on occasions, in order to visit significant places of interest i.e. Blackstone Edge.

In addition I believe that considering the walk was motivated by literature, it should visit the places that inspired some of the area’s finest writers, Haworth and Mytholmroyd. My objective is to create six more circular walks to each of the stones which will be suitable for a day’s walking. These walks will be posted on the site as I complete them.

The seven Stanza Stones, each carved with a poem written by the poet Simon Armitage, are at locations which in general follow the Pennine watershed. The Stanza Stones project, which started at Ilkley Festival in August 2010, is focused on poems specially written by Simon stirred by his response to the Pennine Watershed and the relationship between the landscape and language of Yorkshire. The seven stones will form a permanent moorland trail across the watershed from Ilkley to Marsden the home town of the poet. The Stanza Stones poems are reproduced here by kind permission of Simon Armitage.

Isn’t that an incredibly wonderful idea!

Here’s a photograph of one of the stones bearing Simon Armitage’s poetry.

stone
Cows Mouth Quarry

 

Blackstone Edge

The third Stanza Stone has now been completed at Cow’s Mouth Quarry near Blackstone Edge. The quarry is situated about 20 minutes walk along the track (Pennine Way) which starts at the White House pub. The Pub is on the A58 road between Halifax and Littleborough just beyond Blackstone Edge Reservoir. As you approach the quarry from the White House, watch for a small stone arched bridge spanning the catch water drain on you right about 75 yards before the crags. The path from the bridge affords a close up view of the face carrying the carving. The poem can also be seen from the main path if you continue along the gravelled track. A circular walk can be made if you continue on the track, taking the right turn to White Holme Reservoir returning to Blackstone edge and the White House on a good path over Byron Edge.

RAIN

Be glad of these freshwater tears,
Each pearled droplet some salty old sea-bullet
Air-lifted out of the waves, then laundered and sieved, recast as a soft bead and returned.
And no matter how much it strafes or sheets, it is no mean feat to catch one raindrop clean in the mouth,
To take one drop on the tongue, tasting cloud pollen, grain of the heavens, raw sky.
Let it teem, up here where the front of the mind distils the brunt of the world.
© Simon Armitage 2010

Whether or not you will ever have the chance to enjoy this walk, do go across to the Stanza Stones website and just revel in the poetry and the nature.

You can find out more about the poet, Simon Armitage, here on The Poetry Foundation’s website.

Surely a walk to feed the souls of both man and dog!

Caring changes lives

Possibly the most important lesson to be learnt from dogs.

As is the way, a number of separate happenings seemed to be ‘singing from the same song sheet’ in bringing about today’s post.

Earlier yesterday morning Jean and I had a meeting with the executive director of an important charity that is helping the many homeless and disadvantaged young persons in this part of Oregon. For example, Jean and I were told that there were 300-500 homeless teenagers in Josephine County alone (Josephine County is where our home is.)

One of the ideas that was floated in the conversation was how kids are so loving to animals and whether our dogs and horses might help.

Then later, when back home, I recalled that over two years ago I published a post called Sticks and stones.

It wasn’t a long post and is republished now.

oooo

Sticks and stones

I make no apologies for today’s post being more emotional and sentimental. The phrase ‘sticks and stones may break my bones but names will never hurt me‘ is well known throughout the English-speaking world and surprisingly goes back some way.  A quick web search found that in the The Christian Recorder of March 1862, there was this comment:

Remember the old adage, ‘Sticks and stones will break my bones, but words will never harm me’. True courage consists in doing what is right, despite the jeers and sneers of our companions.

So if in 1862 the saying was referred to as an ‘old adage’ then it clearly pre-dated 1862 by some degree. A few days ago, Dusty M., here in Payson, AZ, sent me a short YouTube video called The Power of Words.  I’m as vulnerable as the next guy to needing being reminded about what’s important in this funny old world.

Then I started mulling over the tendency for all of us to be sucked into a well of doom and gloom.  Take my posts on Learning from Dogs over the last couple of days, as an example. There is no question that the world in which we all live is going through some extremely challenging times but anger and negativity is not going to be the answer.  As that old reference spelt out so clearly, “True courage consists in doing what is right, despite the jeers and sneers of our companions.” So first watch the video,

then let me close by reminding us all that courage is yet something else we can learn from dogs.

Togo the husky

In 1925, a ravaging case of diphtheria broke out in the isolated Alaskan village of Nome. No plane or ship could get the serum there, so the decision was made for multiple sled dog teams to relay the medicine across the treacherous frozen land. The dog that often gets credit for eventually saving the town is Balto, but he just happened to run the last, 55-mile leg in the race. The sled dog who did the lion’s share of the work was Togo. His journey, fraught with white-out storms, was the longest by 200 miles and included a traverse across perilous Norton Sound — where he saved his team and driver in a courageous swim through ice floes.

More about Togo another day.

oooo

 One of the comments left to that post back in November, 2012 was from Virginia Hamilton. Her website, Canine Commandos, is about just that: dogs helping youngsters. This is what Virginia wrote:

Our sermon today was about sticks and stones which is perfect timing because my sixth graders are throwing words at each other and it is hurting. So I looked up the phrase and found you. We were shown the video in a faculty meeting and since you tie into dogs I was hoping to find “the answer.” When you look at the website you’ll see out community project where I have twenty schools training in three shelters. One would think that because these kids are so loving to the animals that they could pass that kindness to each other. Any words of wisdom? Also check this out. Thank you, Virginia.

Now I would be the first to admit that there’s a difference between a homeless young person and a gifted young person. Yet the difference may not be so great. In this one sense: that caring for an animal changes lives and what young people, from all backgrounds and circumstances, need to learn is the power of unconditional love.

Not just caring for dogs, horses and cats, by the way.

Wild deer trusting Jean.
Wild deer trusting Jean.

Picture parade eighty-two

As I wrote last week:

Something a little different for this week. Mother Nature Network put out an email earlier in January that opened, thus:

Dear friend of Mother Nature, We all see the beauty in a sunset or in a gorgeous painting, but can you appreciate the art in bacteria, climate images or preserved animal remains? These beautiful examples show how for centuries, art and science have danced a well-choreographed routine. The result has been some breathtaking creativity.

The pictures were so wonderful that I have offered the first six for today and the balance in a week’s time.

So without further ado, here is the balance of those paintings.

Leonardo da Vinci

As if he wasn’t busy enough, Italian painter, architect, engineer, sculptor and inventor Leonardo da Vinci was also fascinated with anatomy. He was so intrigued by the human body that by the end of his life da Vinci claimed he had dissected more than 30 corpses. He filled pages and pages with incredibly detailed drawings of body parts, accompanied by thousands of explanatory notes. U.K. heart surgeon Frances Wells, author of “The Heart of Leonardo,” recalled seeing da Vinci’s drawings for the first time as a medical student, “I remember thinking that they were far better than anything we had in modern textbooks of anatomy,” he said. “They were beautiful, accurate, absorbing – and there was a liveliness to them that you just don’t find in modern anatomical drawings.”

oooo

sas

Earth as art

The Earth looks pretty darn cool from way, way up in the sky. Technically, NASA’s Landsat series of Earth observation satellites are critical for understanding scientific issues related to land use and natural resources. But really, they take some pretty remarkable images of mountains, valleys, islands and just general patterns in the forests and grasslands. Showing off this natural artistic sensibility, the U.S. Geological Survey created a series of “Earth as Art” images that are absolutely gorgeous. (And if you’re a fan, don’t miss NASA’s global maps, which are mesmerizing.)

oooo

asas

Climate science

Marco Tedesco, associate professor of earth and atmospheric sciences at City College of New York, sees the beauty in climate science. Coastal flooding. Cloud cover. Melting ice. To make climate work more attractive to the less weather-obsessed, he gathered colleagues from his school’s music, graphic design and video game design departments. The project, called Polarseeds, resulted in a multimedia art exhibit featuring photography, music and video, all centered on the beauty in climate science. Data on Greenland’s melting ice was transformed into music and the gallery featured photos of cracking ice.

oooo

Botanical illustrations

Centuries ago, botanical drawings were key to helping people keep records of plants that had healing properties. The incredibly detailed illustrations of herbs and other plants were designed so that botanists and doctors could recognize the species for medicinal purposes. The oldest surviving example of botanical art, the Codex Vindebonensis, dates back to 512 A.D. The illustrations became more detailed and accurate as the centuries unfolded and now have taken on an artistic rather than medical purpose. There has been a recent resurgence in the art form through groups such as the American Society of Botanical Artists.

oooo

fgdfgdf

Preserved animal art

Japanese artist Iori Tomita sees beauty in death. He blends chemistry and art as he explores the natural beauty of the skeletal system in sea life. In his series “New World Transparent Specimens,” Tomita chemically bleaches and then dyes preserved animal bodies of fish, turtles, seahorses and other creatures. A chemical mix breaks down the protein and muscle, but leaves the collagen so the bodies keep their forms. Dyes then color the bones and tendons of the specimens, which are preserved in brightly lit glycerin.

oooo

bnmbnmbn

Pharaoh’s serpent

Mercury thiocyanate is an inorganic chemical compound that makes for some pretty dramatic moving art when it’s ignited. In the science world, mercury thiocyanate (typically present as a white powder) has several uses in chemical synthesis, but its real claim to fame is in pyrotechnics. When it’s lit, the compound produces a long spiraling column of ash and smoke that looks like a moving snake. These used to be sold in firework stores, but now you’re only likely to see them in a chemistry class because of claims of toxicity. The modern version is a nontoxic “black snake” that makes a less spectacular — albeit safer — presentation.

oooo

Back to wonderful photographs next Sunday.

Rain stops play.

Or, to be more precise, any form of post for today.

The weather forecast for Southern Oregon for yesterday included very significant rain.

They were not wrong.

By the time I sat down to think about Saturday’s post, around 2pm, we had already had 3.2 inches of rain (8.1 cm) and our attention, understandably, was on more important matters, such as the integrity of our driveway bridge over Bummer Creek.

So if you will forgive me, I’ll just offer a few pictures and leave it at that.

Starting with a picture that Jean expressly said I couldn’t publish!

I shall probably be denied access to the bedroom after showing you all how my wife likes to dress up!
I shall probably be denied access to the bedroom after showing you all how my wife likes to dress up!

What lucky horses to have such a devoted ‘Mum’ that feeds them every morning; whatever the weather.

Only one way in or out: over the bridge!
Only one way in or out: over the bridge!

Neighbours who have been here much longer than us say they haven’t seen so much rain fall in such a short time.

Bummer Creek in full flood - this photograph is of the Creek just 50 yards upstream of the bridge.
Bummer Creek in full flood – this photograph is of the Creek just 50 yards upstream of the bridge.

This is an old dam for irrigation purposes. One doesn’t want to reflect too long that a cubic yard of water weighs a ton!

Luckily the house and immediate surroundings are elevated.
Luckily the house (off picture to the right) and immediate surroundings are elevated.

So that’s it for today.

Another  picture parade for tomorrow assuming I haven’t been lynched by my lovely wife for showing that earlier photograph.

Oh, which reminds me! I took a couple!

She is rather cute, don't you think!
She is rather cute, don’t you think!

Voting for hope.

Considered reflections to yesterday’s post.

Yesterday, I published Bitter Lake ripples, a post that, in turn, was my response to the fabulous comments left by readers of my earlier post Oil, money, banks, guns and blood.  The overall feeling I read in those comments was one of terrible uncertainty about these present times. Or in the words of Sue Dreamwalker in response to a comment left by Patrice Ayme.

I have to say Patrice.. I agree with your comment here… And yes people are not understanding the whole of what is going on.. The Truth of it would seem unbelievable..

Patrice, in a post published on Monday entitled Arm Ukraine, Disarm Bankers sent shivers down my spine with the suggestion, the strong suggestion, that Ukraine, if not handled properly by ‘the West’ could be a tipping point into another major war between Europe (and the USA?) and Russia.  Here’s an extract from Patrice’s post:

The way it was said, in conjunction with Putin’s recent admission that Russian “volunteers” were fighting in Ukraine, is basically a declaration of war. On top of this, the head of the Eastern Ukraine rebels declared that he was raising a 100,000 men army. This means he expect tens of thousands of Russian troops (Putin’s “volunteers”) to cross the border.

This is not contained. Putin is billowing out of control, all by himself. One has to see what the combination of Putin’s dictatorial powers, media control, psychology and sinking economy leads to. Let me spell it out.

Once Putin has conquered Ukraine, he will push for more: he is already partly occupying Moldavia, WEST of Ukraine. Putin is also messing up with Hungary: there were street demonstrations about this, just yesterday, in Budapest. Putin uses the fact that Hungary is extremely dependent upon Russia’s fossil fuels. Merkel, who desperately wants to avoid war with Putin, flew to Budapest in emergency, to sort the situation out.

Patrice continues the warning of possible terrible times ahead in a subsequent post: Mental Inertia, Evil’s Friend, published yesterday.

Just as it takes a long time to erect, or change a vast building, so it is with the brain. The brain has inertia. Thus psychological inertia.

This mental inertia is why human beings tend to go on with a task, or with an attitude, once they got launched into it (a Jihadist laden with explosives just flew by).

Once a force is applied to an object, for example a propaganda to a brain, it tends to gather momentum, and develop ever more inertia.

Putin of course creates his own propaganda, and then can listen to it, reinforcing his deviance, in a self-reflective way. It’s all the more efficient if others repeat his ideas, and he listens to them. Actually that’s not just a problem with Putin, but with all Great Leaders. (And that’s one reason why Great Leadership has to be discontinued, and replaced by Direct Democracy.)

This amplifies the inertia.

By not fiercely opposing Putin, one collaborates with him. It is not just a question of sanctions. Putin is a liar, and an aggressive one, he should be publicly called for what he is.

Thus in terms of my own personal ideas, I freely admit to struggling to see things clearly.  Simply because I find it very difficult to get to the heart of these international issues through not having access to clear, impartial commentators who know what they are speaking about. As Patrice infers much of the media is corrupted by self-serving agendas.

However, on balance, despite Patrice Ayme being a ‘nom-de-plume’ and me having no idea who the person behind the label really is, I do trust his (?) writings and believe that Patrice writes from a position of having very good access to the inner workings of the US Government. (I am not privy to anything to support my proposition; just my guess.)

The other commentator whose opinions and judgements are trusted by me in equal fashion is George Monbiot. Mr. Monbiot has been gracious to grant permission to me for his essays to be republished here on Learning from Dogs.

On the 28th January, Mr. Monbiot published an essay that in words better than I could write encapsulates my response to the comments left on my Bitter Lake ripples post. Here is that post from George Mobiot.

ooOOoo

The Lamps Are Coming On All Over Europe

28th January 2015

By George Monbiot, published in the Guardian 28th January 2015

Here is the first rule of politics: if you never vote for what you want, you never get it. We are told at every election to hold our noses, forget the deficiencies and betrayals and vote Labour yet again, for fear of something worse(1). And there will, of course, always be something worse. So at what point should we vote for what we want, rather than keep choosing between two versions of market fundamentalism? Sometime this century? Or in the next? Follow the advice of the noseholders and we will be lost forever in Labour’s Bermuda triangulation.

Perhaps there was a time when this counsel of despair made sense. No longer. The lamps are coming on all over Europe. As in South America, political shifts that seemed impossible a few years earlier are now shaking the continent. We knew that another world was possible. Now, it seems, another world is here: the sudden death of the neoliberal consensus. Any party that claims to belong to the left but does not grasp this is finished.

Syriza, Podemos, Sinn Fein, the SNP; now a bright light is shining in England too, as the Green party stokes the radical flame that Labour left to gutter. On Tuesday morning, its membership in England and Wales passed 50,000(2); a year ago it was less than 15,000. A survey by the website voteforpolicies.org.uk reports that in blind tests (the 500,000 people it has polled were unaware of which positions belong to which parties), the Green Party’s policies are more popular than those of any other. If people voted for what they want, the Greens would be the party of government.

There are many reasons for this surge, but one of them must be a sense of popular ownership. Green party policies are determined democratically. Emerging from debates led mostly by younger members(3), they feel made for their time, while those of the major parties appear trapped in the 1980s.

Let me give you a flavour of the political transformation the Green Party seeks. There would be no prime minister of the kind we have today, no secretaries of state. Instead, Parliament would elect policy committees which in turn appoint convenors(4). It would also elect a First Minister, to chair the convenors’ committee. Parliament, in other words, would be sovereign rather than subject to the royal prerogative prime ministers abuse, leaders would be elected by the whole body and its various parties would be obliged to work together, rather than engage in perennial willy-waving.

Local authorities would set the taxes they chose. Local currencies, which have proved elsewhere to have transformative effects in depressed areas (see Bernard Lietaer’s book The Future of Money(5)) would become legal tender(6). Private banks would no longer be permitted to create money(7) (at the moment they issue 97% of our money supply, in the form of debt). Workers in limited companies would have the legal right, following a successful ballot, to buy them out and create cooperatives(8), with funding from a national investment bank.

The hideously unfair council tax system would be replaced by land value taxation(9), through which everyone would benefit from the speculative gains now monopolised by a few. All citizens would receive, unconditionally, a basic income(10), putting an end to insecurity and fear and to the punitive conditions attached to benefits, which have reduced recipients almost to the status of slaves.

Compare this vision of hope to Labour’s politics of fear. Compare it to a party so mesmerised by the City and the Daily Mail that it has promised to sustain the Tory cuts for “decades ahead”(11) and to “finish that task on which [the Chancellor] has failed”: eradicating the deficit.

Far too late, a former Labour minister, Peter Hain, now recognises that, inasmuch as the books need balancing, it can be done through measures like a financial transaction tax and a reform of national insurance(12), rather than through endless cuts. These opportunities have been dangling in front of Labour’s nose since 2008(13), but because appeasing the banks and the corporate press was deemed more important than preventing pain and suffering for millions, they have not been taken. Hain appears belatedly to have realised that austerity is a con, a deliberate rewriting of the social contract to divert our common wealth to the elite. There’s no evidence that the frontbench is listening.

Whether it wins or loses the general election, Labour is probably finished. It would take a generation to replace the sycophants who let Blair and Brown rip their party’s values to shreds. By then it will be history. If Labour wins in May, it is likely to destroy itself faster and more surely than if it loses, through the continued implementation of austerity. That is the lesson from Europe.

Fearful voting shifts the whole polity to the right. Tony Blair’s obeisance to corporate power enabled the vicious and destructive policies the Coalition now pursues(14). The same legacy silences Labour in opposition, as it pioneered most of the policies it should oppose. It is because we held our noses before that there is a greater stink today. So do we keep voting for a diluted version of Tory politics, for fear of the concentrate? Or do we start to vote for what we want? Had the people of this nation heeded the noseholders a century ago, we would still be waiting for the Liberal Party to deliver universal healthcare and the welfare state.

Society moves from the margins, not the centre. Those who wish for change must think of themselves as the sacrificial margin: the pioneering movement that might not succeed immediately, but that will eventually deliver sweeping change. We cannot create a successful alternative to the parties that have betrayed us until we start voting for it. Do we start walking, or just keep talking about the journey we might one day take?

Power at the moment is lethal. Whichever major party wins this election, it is likely to destroy itself through the pursuit of policies that almost no one wants. Yes, it might mean five more years of pain, though I suspect in these fissiparous times it won’t last so long. And then it all opens up. This is what we must strive for; this is the process that begins in May by voting, regardless of tactical considerations, for parties offering a genuine alternative. Change arises from conviction. Stop voting in fear. Start voting for hope.

http://www.monbiot.com

References:

1. http://www.theguardian.com/commentisfree/2014/dec/09/labour-tories-vote-osborne

2. Green Party office, by email, 27th January 2015

3. http://bright-green.org/green-movement/how-the-green-party-changed-itself-to-make-the-greensurge-possible/

4. http://policy.greenparty.org.uk/pa.html

5. http://www.lietaer.com/writings/books/the-future-of-money/

6. http://policy.greenparty.org.uk/ec.html#EC678

7. http://policy.greenparty.org.uk/ec.html

8. http://policy.greenparty.org.uk/in.html

9. http://policy.greenparty.org.uk/ec.html

10. http://policy.greenparty.org.uk/ec.html

11. http://press.labour.org.uk/post/87284550049/long-termism-in-public-finance-speech-by-chris

12. http://www.theguardian.com/politics/2015/jan/22/labour-radical-counter-greens-peter-hain

13. I was not the first to propose these alternatives to austerity Peter Hain has just discovered, but even I had got there by 2011: http://www.theguardian.com/commentisfree/2011/mar/06/march-26-protest-aims-first-draft

14. http://www.monbiot.com/books/captive-state/

ooOOoo

I said that Mr. Monbiot’s words were much finer than my own. No better illustrated than by his closing three sentences:

“Change arises from conviction. Stop voting in fear. Start voting for hope.”

How NOT to sell beer!

Adding to the chorus of voices criticising Budweiser.

I’m going to republish in full what arrived in my ‘in-box’ yesterday from Howling For Justice.

But before I do that, let’s consider the ancient history of the wolf and the connection with our dogs of today. I shall do that by offering a small extract from something that I will be presenting at a meeting in Grants Pass on February, 10th.

Dogs are part of the Canidae species, a family including wolves, coyotes and foxes, thought to have evolved some sixty million years ago. There is no hard evidence as to when dogs and man came together but dogs were certainly around when man developed speech and set out from Africa; about fifty thousand years ago.

What is clear is that the dog represents man’s longest domesticated animal companion; by far. Some scientists believe that we have had the benefits of dogs in our lives for thirty thousand years. Indeed, some have proposed that the benefits of having tame wolves around us humans helped man be so successful a hunter and gatherer that it was instrumental, a mere ten thousand years ago, in humans first discovering how to cultivate crops and domesticate animals. Becoming the most significant single development in human history.

Because reflect that for a previous three million years Stone Age man, the hunter-gatherer, had engaged in activities as natural as the swoop of a hawk or the grazing of a horse.

ooOOoo

OK, on to that Budweiser advertisement.

Budweiser Takes Low Road – Demonizes Wolves To Sell Suds

thumbs-down

February 1, 2015

We all know about the Budweiser ad, a little lost puppy being threatened by a wolf. I won’t show the ad because it’s BS and I don’t want to give it any publicity but Budweiser should be ashamed. Are they that desperate to sell beer?

Get a grip Budweiser, very poorly played. Beer drinkers around the country should boycott Bud if the ad is not pulled. It’s a low blow to wolves, one of the most persecuted animals on the planet.

Please click the link below and sign the petition to tell Budweiser what you think of their blatant demonizing of wolves.

===

Tell Budweiser: Don’t Demonize Wolves to Sell Beer

872023-1422494607-wide

author: Center for Biological Diversity

target: Anheuser-Busch CEO, Thomas W. Sante

Purposefully demonizing an animal that is part of America’s natural heritage is no way to sell beer.

But that hasn’t stopped Budweiser from crafting a commercial for this year’s Superbowl that intentionally drums up anti-wolf sentiment to try and capitalize on our culture’s outsized fear of wolf attacks.

The ad pits a cute puppy against a snarling, evil-looking wolf. In the ad the puppy is saved from the vicious wolf by the arrival of a team of Clydesdale horses.

Here’s a reality check: 1.2 million dogs are euthanized in shelters in the United States each year while another 1.2 million dogs are hit and killed by cars on America’s roads.

By comparison, wolves are a virtually non-existent threat to our furry canine friends, only in very rare instances attacking dogs if they feel threatened or perceive them as competitors. The real threat to both dogs and wolves, as these numbers show and as Budweiser’s cynical attempt to boost sales indicates, is people.

Take action — tell Budweiser to pull its wolf-hating ad, demonizing an endangered species is no way to sell beer.

http://www.thepetitionsite.com/takeaction/872/023/837/

ooOOoo

Please feel free to share this post to spread the word that animal and nature lovers are not amused by this!

Picture parade eighty-one

Something a little different for this week.

Mother Nature Network put out an email earlier in January that opened, thus:

Dear friend of Mother Nature,

We all see the beauty in a sunset or in a gorgeous painting, but can you appreciate the art in bacteria, climate images or preserved animal remains? These beautiful examples show how for centuries, art and science have danced a well-choreographed routine. The result has been some breathtaking creativity.

The pictures were so wonderful that I have offered the first six for today and the balance in a week’s time.

Finding the link Who doesn't find beauty in nature? But can you find the art in bacteria or global warming or in the interesting forms of dead animal remains? For centuries, art and science have danced a careful routine. As each has informed the other, the result has been some spectacular creativity. (Text: Mary Jo DiLonardo)
Finding the link
Who doesn’t find beauty in nature? But can you find the art in bacteria or global warming or in the interesting forms of dead animal remains? For centuries, art and science have danced a careful routine. As each has informed the other, the result has been some spectacular creativity. (Text: Mary Jo DiLonardo)

oooo

Sonic sculptures Already known for his blown-glass microbes and bacteria, U.K. artist Luke Jerram also makes creations motivated by the science of sound. In Jerram's sonic sculptures, "invisible sound waves are visualized as silent, three-dimensional experiences," says science writer Joe Hanson, host of PBS's "It's Okay To Be Smart." One striking example is Aeolus, a giant stringed musical instrument with harp-like cables that vibrate and make music, responding to changes in the wind. The sculpture (also shown at left) was designed "to make audible the silent shifting patterns of the wind and to visually amplify the ever changing sky," says Jerram.
Sonic sculptures
Already known for his blown-glass microbes and bacteria, U.K. artist Luke Jerram also makes creations motivated by the science of sound. In Jerram’s sonic sculptures, “invisible sound waves are visualized as silent, three-dimensional experiences,” says science writer Joe Hanson, host of PBS’s “It’s Okay To Be Smart.” One striking example is Aeolus, a giant stringed musical instrument with harp-like cables that vibrate and make music, responding to changes in the wind. The sculpture (also shown at left) was designed “to make audible the silent shifting patterns of the wind and to visually amplify the ever changing sky,” says Jerram.

oooo

Albrecht Dürer Albrecht Dürer was a German painter, printmaker and theorist who many say was the greatest German artist of the Northern Renaissance. Although he was most well-known for his woodcuts and watercolors, Dürer was also revered for his anatomical and cartographic work, says Harvard art historian Susan Dackerman. She says his groundbreaking terrestrial map was “the first perspectival rendering of a terrestrial hemisphere.” His other science-inspired works include a map showing how the brain works and a woodcut of a rhinoceros so detailed that until the 18th century, it was the go-to scientific reference for the animal.
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker and theorist who many say was the greatest German artist of the Northern Renaissance. Although he was most well-known for his woodcuts and watercolors, Dürer was also revered for his anatomical and cartographic work, says Harvard art historian Susan Dackerman. She says his groundbreaking terrestrial map was “the first perspectival rendering of a terrestrial hemisphere.” His other science-inspired works include a map showing how the brain works and a woodcut of a rhinoceros so detailed that until the 18th century, it was the go-to scientific reference for the animal.

oooo

Bioluminescent art Who knew bacteria could be so beautiful? In a mash-up of nature and design, bioluminescent art uses naturally glowing bacteria to create intricate designs that you can see only in the dark. Showing off these creations, BIOGLYPHS is an art and science collaboration by members of the Center for Biofilm Engineering and the Montana State University School of Art. The group "painted" bioluminescent bacterium naturally present in marine environments onto petri dishes to come up with the spectacular glow-in-the-dark creations. Read more: http://www.mnn.com/lifestyle/arts-culture/photos/11-beautiful-examples-of-art-inspired-by-science/bioluminescent-art#ixzz3QRM4dVEt
Bioluminescent art
Who knew bacteria could be so beautiful? In a mash-up of nature and design, bioluminescent art uses naturally glowing bacteria to create intricate designs that you can see only in the dark. Showing off these creations, BIOGLYPHS is an art and science collaboration by members of the Center for Biofilm Engineering and the Montana State University School of Art. The group “painted” bioluminescent bacterium naturally present in marine environments onto petri dishes to come up with the spectacular glow-in-the-dark creations.

oooo

Microscopic art It's amazing how incredible something can look when you magnify it. Florida State researcher Michael Davidson has a catalog of lovely microscopic images of beer, wine and cocktails. Davidson started his company, BevShots, as a way to raise funds for his lab. Scientific photographer Martin Oeggerli (known as Micronaut) uses scanning electron microscopy to produce images of pollen, microbes, insects and fungi with 500,000 magnification or more. An interesting combination, Oeggerli is a scientific photographer who holds a doctorate in molecular biology. His images often appear in National Geographic where he says, "I also want to broaden people’s awareness that even the smallest living organisms are perfectly 'designed' and well worth … our attention." Read more: http://www.mnn.com/lifestyle/arts-culture/photos/11-beautiful-examples-of-art-inspired-by-science/microscopic-art#ixzz3QRMHN1hO
Microscopic art
It’s amazing how incredible something can look when you magnify it. Florida State researcher Michael Davidson has a catalog of lovely microscopic images of beer, wine and cocktails. Davidson started his company, BevShots, as a way to raise funds for his lab. Scientific photographer Martin Oeggerli (known as Micronaut) uses scanning electron microscopy to produce images of pollen, microbes, insects and fungi with 500,000 magnification or more. An interesting combination, Oeggerli is a scientific photographer who holds a doctorate in molecular biology. His images often appear in National Geographic where he says, “I also want to broaden people’s awareness that even the smallest living organisms are perfectly ‘designed’ and well worth … our attention.”

oooo

Fibonacci art Math fans know the Fibonacci sequence as an important series of numbers used in all sorts of key mathematical scenarios. The first nine numbers in the Fibonacci sequence are: 0, 1, 1, 2, 3, 5, 8, 13, 21. The sequence — which ironically was explained by Fibonacci himself using the multiplication of rabbits — also appears in nature. MNN's Shea Gunther writes that the Fibonacci sequence can be found in the formation of sunflowers, galaxies, cellular structure, hurricanes and honeybees. Artists have also been intrigued by the number series. It has inspired everything from sculpture to furniture. Read more: http://www.mnn.com/lifestyle/arts-culture/photos/11-beautiful-examples-of-art-inspired-by-science/fibonacci-art#ixzz3QRMQoz1a
Fibonacci art
Math fans know the Fibonacci sequence as an important series of numbers used in all sorts of key mathematical scenarios. The first nine numbers in the Fibonacci sequence are: 0, 1, 1, 2, 3, 5, 8, 13, 21. The sequence — which ironically was explained by Fibonacci himself using the multiplication of rabbits — also appears in nature. MNN’s Shea Gunther writes that the Fibonacci sequence can be found in the formation of sunflowers, galaxies, cellular structure, hurricanes and honeybees. Artists have also been intrigued by the number series. It has inspired everything from sculpture to furniture.

The final set to be published in a week’s time.

 

Oil, money, banks, guns and blood.

The history of power, control, those who wield it, and where it has taken us all.

There is a real pain in me as I start into today’s post. A pain that comes from agonising over whether or not to write in this vein. A pain that has its roots in me being forced to accept that global politics, money and power-plays are much worse than I ever wanted to believe.

What, you must be asking, has got me plunging so far into this dark place? When just twenty-four hours ago I was writing of peace, calm and deep meditation?

Simply a film!

A film that was uploaded by the BBC a few days ago exclusively on to their BBC iPlayer platform.

The film is called Bitter Lake and here’s the trailer.

The full film is 2 hours, 20 minutes long. (But note that the film is age-restricted for obvious reasons.)

I can’t encourage you to watch it. For if you do, the world may never seem the same to you.

But Jeannie and I did watch it and think it should be shared widely. And, yes, it has changed the world for us.

Here’s how it is described by Adam Curtis and the BBC.

Published on Jan 26, 2015
Shown exclusively on the BBC iPlayer service in the UK
This upload is for those outside of the UK

http://www.bbc.co.uk/blogs/adamcurtis

Politicians used to have the confidence to tell us stories that made sense of the chaos of world events.

But now there are no big stories and politicians react randomly to every new crisis – leaving us bewildered and disorientated.

And journalism – that used to tell a grand, unfurling narrative – now also just relays disjointed and often wildly contradictory fragments of information.

Events come and go like waves of a fever. We – and the journalists – live in a state of continual delirium, constantly waiting for the next news event to loom out of the fog – and then disappear again, unexplained.

And the formats – in news and documentaries – have become so rigid and repetitive that the audiences never really look at them.

In the face of this people retreat from journalism and politics. They turn away into their own worlds, and the stories they and their friends tell each other.

I think this is wrong, sad, and bad for democracy – because it means the politicians become more and more unaccountable.

I have made a film that tries to respond to this in two ways.

It tells a big story about why the stories we are told today have stopped making sense.

But it is also an experiment in a new way of reporting the world. To do this I’ve used techniques that you wouldn’t normally associate with TV journalism. My aim is to make something more emotional and involving – so it reconnects and feels more real.

BBC iPlayer has given me the opportunity to do this – because it isn’t restrained by the rigid formats and schedules of network television. It’s a place you can go to experiment and try out new ideas.

It is also liberating – both because things can be any length, and also because it allows the audience to watch the films in different ways.

The film is called Bitter Lake. It is a bit of an epic – it’s two hours twenty minutes long.

It tells a big historical narrative that interweaves America, Britain, Russia and Saudi Arabia. It shows how politicians in the west lost confidence – and began to simplify the stories they told. It explains why this happened – because they increasingly gave their power away to other forces, above all global finance.

But there is one other country at the center of the film.

Afghanistan.

This is because Afghanistan is the place that has repeatedly confronted politicians, as their power declines, with the terrible truth – that they cannot understand what is going on any longer. Let alone control it.

The film shows in detail how all the foreigners who went to Afghanistan created an almost totally fictional version of the country in their minds.

They couldn’t see the complex reality that was in front of them – because the stories they had been told about the world had become so simplified that they lacked the perceptual apparatus to see reality any longer.

And this blindness led to a terrible disaster – support for a blatantly undemocratic government, wholesale financial corruption and thousands of needless deaths.

A horrific scandal that we, in our disconnected bubble here in Britain, seem hardly aware of. And even if we are – it is dismissed as being just too complex to understand.

But it is important to try and understand what happened. And the way to do that is to try and tell a new kind of story. One that doesn’t deny the complexity and reduce it to a meaningless fable of good battling evil – but instead really tries to makes sense of it.

I have got hold of the unedited rushes of almost everything the BBC has ever shot in Afghanistan. It is thousands of hours – some of it is very dull, but large parts of it are extraordinary. Shots that record amazing moments, but also others that are touching, funny and sometimes very odd.

These complicated, fragmentary and emotional images evoke the chaos of real experience. And out of them I have tried to build a different and more emotional way of depicting what really happened in Afghanistan.

A counterpoint to the thin, narrow and increasingly destructive stories told by those in power today.

And I must include this comment from the relevant page on BBC Blogs:

Quite simply one of the best films I’ve ever watched. The theme and content made so many connections linking events of the last 40 years. It’s perhaps time to reflect on power ,control and those who wield it . The official narrative is not our narrative , we have a choice to decide what we believe . Time to reflect and make that choice.
Thanks for such an informing film.

Here is the film.

Our thoughts make us human

Serendipity strikes again!

Recently I read a post from Val Boyco over on her delightful blog Find Your Middle Ground.  Her topic was about breathing. Here’s a flavour of her post:

I’ve written before about how our breath is connected with our wellbeing and emotional state. Noticing how we are breathing is a tool that we can use to monitor how we are doing.

There is another pause that comes with our breath which is also revealing. The pause at the end of the exhale before we take in more air. When we are distracted, stressed or in an anxious state, there is no pause. We don’t trust we have enough air and we don’t allow ourself to relax and let go.

Just take a moment to tune into how you are breathing right now. Just notice without judgment.

Pausing at the end of an exhale can only happen when we are relaxed and in tune with our mind and body. When our body and mind are aligned in the present moment.

I then left a reply in the comments section:

Excellent advice. For the last few weeks I have been using a biofeedback unit that through guiding one to breathe in harmony with a musical phrase allows one to slow the whole body down. Down to about 4.8 breaths per minute. It really underlines how slow one’s breathing rate can be and, supporting your post, the glorious pauses after each inhale and exhale.

And offered to write a post about the unit and my experiences. (Coming out tomorrow.)

However, what I wanted to do as a ‘lead-in’ to that post was to discover if there was any research into the benefits, as in scientific benefits, of slowing one’s body down in this fashion. What is surely nothing more than a form of meditation. Where to start looking? Needn’t have worried; there were many items on YouTube that covered the benefits of meditation.

There was a video from the AsapSCIENCE guys Mitchell Moffit and Gregory Brown, but I found it too jazzy and irritating, rather ironically! Then there was one from physicist John Hagelin that seemed much more appropriate to my tastes (and that is featured tomorrow as well).

By now it was coming up to 4:30pm and I had a dozen other things to do, plus try and fit in a biofeedback session – I could feel the stress rising within me.

Then I dipped into Terry Hershey’s latest Sabbath Moment and, guess what! Here’s what I read:

Learning to let go

January 26, 2015

Hershey2

Some of us think holding on makes us strong, but sometimes it is letting go. Herman Hesse

Uncertainty is the only certainty there is, and knowing how to live with insecurity is the only security. John Allen Paulos

When you let go of trying to get more of what you don’t really need, it frees up oceans of energy to make a difference with what you have. Lynne Twist

——-

Today I am sitting in a café (and bar) in Vaison-la-Romaine, in the Provence region of France, nursing my espresso.

No, wait… that was last week.

It just sounds sexier than saying, “Today I’m looking out my window at a gloomy winter sky, here in the Pacific Northwest, with a Thesaurus in hand hoping for a gushing synonym for gray.”

Welcome home. Home for me is always awaited and valued, but still elicits a bout of scotoma (selective vision), where we end up comparing the life we have, for the “life we deserve” (the actual wording for a recent advertised e-course).

My favorite part of my recent France trip was visiting family run wineries, spending time with the owner / wine-maker, with the permission to linger, sensing a comfort grounded in story and connection. Said one (when we asked him about being a small winery–in a world where big is everything), “I am glad. I am not alone. I work with family.” (Referring to his son and three daughters.)
And it makes me wonder about this mental sleight of hand we use, thinking about the life we are destined for, as somehow different (or better) from the life we now we live.

There is a Tibetan story about an earnest young man seeking enlightenment. (Earnest people must think this quite unfair–since they play a central role in most parables and stories about enlightenment.)

A famous sage passes through the man’s village. The man asks the sage to teach him the art of meditation. The sage agrees. He tells the man, “Withdraw from the world. Mediate every day in the specific way I will teach you. Do not waver and you will attain enlightenment.”

The earnest man follows the sage’s instructions to the letter. Time passes — and no enlightenment. Two years, five, ten, twenty pass.

It happens that the sage once again passes through the man’s village. The man seeks him out, grumbling that despite his best intentions and devotion and diligent efforts, he does not achieve enlightenment. “Why?”
The sage asks, “What type of meditation did I teach you?”
The man tells him.
The sage says, “Oh, what a terrible mistake I made! That is not the right meditation for you. You should have done another kind altogether. Too bad, for now it is too late.”

Disconsolate, the man returns to his cave. Staking his life on the sage’s instructions, and now believing he is without hope, the man abandons all his wishes and efforts and need to control his road to enlightenment. He does not know what to do. So, he does what he knows best: he begins meditating. And in a short while, much to his astonishment, his confusion begins to dissolve, and his inner world comes to life. A weight falls away and he feels lighter, and regenerated. When he walks out of the cave, the sky is bluer, the snow capped mountains whiter, and the world around him more vivid.

There is no doubt that all too often, our efforts–to succeed or achieve or attain–get in the way of our living. It brings to mind my favorite Robert Capon quote, “We live life like ill-taught piano students. So inculcated with the flub that will get us in dutch, we don’t hear the music, we only play the right notes.”

I understand. I was weaned on a spirituality that predicated itself on artifice. In other words, the importance is placed upon appearance, rather that just being. (It was vital to “look spiritual.” Which begs the question, “What do spiritual people look like?” As a boy, I always thought the “spiritual people” looked as if some part of their clothing was a size too small.)

What is it we are holding on to–so rigid, so firm, white-knuckled in our determination?
At some point, we’ve got to breathe.
Just breathe.
Without realizing it (and after the sage’s disheartening news), the man in the story “let go.”

He let go of the need to see life as a problem to be solved.
He let go of the need to have the correct answers (or experiences) for his “enlightenment.”
He let go of the need to see his spiritual life in terms of a formula.
He let go of the restraints that come from public opinion.

Abandon your masterpiece, sink into the real masterpiece. Leonard Cohen

Without realizing it, he took Leonard Cohen’s advice. He abandoned his “masterpiece”–the perception of what he needed to accomplish, or how he needed to appear, or what he needed to feel–in order to allow himself to sink down into this life, this moment, even with all of its uncertainty and insecurity.

For the first many years, meditation or prayer was a requirement or compulsion. In his emptiness, meditation and prayer was an offering of thanks, freely given, and without constraint. True spiritual enlightenment, it seems, happens when you are not trying to impress anyone, or score any points with heavenly bookkeepers.
It sounds easy doesn’t it?
But here’s the deal: My best intentions to play the right notes can fabricate an armor that keeps me from the vividness of life–whether it be to pray or meditate or notice or give or mourn or dance or play or grieve or laugh or celebrate or love… or just to walk.

I never did find a good enough synonym for the gray (although I’ll keep looking). Gladly, the sun has broken through. And there is enough warmth to persuade us that spring may arrive tomorrow. Daffodil shoots everywhere–up through the leaves and debris–help the ruse. So it’s garden time this afternoon, turning manure into the vegetable garden beds, beginning to cut back and clean some of the perennial beds. Enough work for the back to call a time out and request reprieve. I’m headed to the swing under the maple, when I look up to see the sun illuminating the red-twig dogwood shrubs, 10 foot canes glowing, a bright cranberry red. It catches my breath. And I am glad to be alive.

People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think what we’re seeking is an experience of being alive… of the rapture of being alive. Joseph Campbell

Such power in those words. Then how moments later what I had read from Terry made so much sense to me. So perfectly connected with yesterday’s post Animals make us human. So relevant that quotation yesterday about animal happiness. This one:

Neuroscience key to animal happiness

“…research in neuroscience has been showing that emotions drive behavior, and my thirty-five years of experience working with animals have shown me that this is true. Emotions come first. You have to go back to the brain to understand animal welfare.”

Animals Make Us Human : Creating the best life for Animals

by Temple Grandin & Catherine Johnson

Such a close parallel with that well-known saying about us humans: ‘we are what we think‘. How our own happiness, just as it is with our animals, has its roots in our emotions.

How letting go, how staying in the present, is so good for us. How dogs do that so perfectly.

How we humans have so much to learn from our dogs.

Pure, deep peace radiating out from Hazel's loving eyes.
Pure, deep peace radiating out from Hazel’s loving eyes.