Such a wonderful moon and, again, many thanks to Unsplash.
The 2025 Harvest Moon so called because it is the first full moon after the Autumn Equinox.

oooo

oooo

oooo

oooo

oooo

oooo

Gorgeous beyond words.
Dogs are animals of integrity. We have much to learn from them.
Category: Environment
Such a wonderful moon and, again, many thanks to Unsplash.
The 2025 Harvest Moon so called because it is the first full moon after the Autumn Equinox.

oooo

oooo

oooo

oooo

oooo

oooo

Gorgeous beyond words.
An article published by The Conversation is offered today.
ooOOoo

Mireya Mayor, Florida International University
Anyone proposing to offer a master class on changing the world for the better, without becoming negative, cynical, angry or narrow-minded in the process, could model their advice on the life and work of pioneering animal behavior scholar Jane Goodall.
Goodall’s life journey stretches from marveling at the somewhat unremarkable creatures – though she would never call them that – in her English backyard as a wide-eyed little girl in the 1930s to challenging the very definition of what it means to be human through her research on chimpanzees in Tanzania. From there, she went on to become a global icon and a United Nations Messenger of Peace.
Until her death on Oct. 1, 2025 at age 91, Goodall retained a charm, open-mindedness, optimism and wide-eyed wonder that are more typical of children. I know this because I have been fortunate to spend time with her and to share insights from my own scientific career. To the public, she was a world-renowned scientist and icon. To me, she was Jane – my inspiring mentor and friend.
Despite the massive changes Goodall wrought in the world of science, upending the study of animal behavior, she was always cheerful, encouraging and inspiring. I think of her as a gentle disrupter. One of her greatest gifts was her ability to make everyone, at any age, feel that they have the power to change the world. https://www.youtube.com/embed/rcL4jnGTL1U?wmode=transparent&start=0 Jane Goodall documented that chimpanzees not only used tools but make them – an insight that altered thinking about animals and humans.
In her pioneering studies in the lush rainforest of Tanzania’s Gombe Stream Game Reserve, now a national park, Goodall noted that the most successful chimp leaders were gentle, caring and familial. Males that tried to rule by asserting their dominance through violence, tyranny and threat did not last.
I also am a primatologist, and Goodall’s groundbreaking observations of chimpanzees at Gombe were part of my preliminary studies. She famously recorded chimps taking long pieces of grass and inserting them into termite nests to “fish” for the insects to eat, something no one else had previously observed.
It was the first time an animal had been seen using a tool, a discovery that altered how scientists differentiated between humanity and the rest of the animal kingdom.
Renowned anthropologist Louis Leakey chose Goodall to do this work precisely because she was not formally trained. When she turned up in Leakey’s office in Tanzania in 1957, at age 23, Leakey initially hired her as his secretary, but he soon spotted her potential and encouraged her to study chimpanzees. Leakey wanted someone with a completely open mind, something he believed most scientists lost over the course of their formal training.
Because chimps are humans’ closest living relatives, Leakey hoped that understanding the animals would provide insights into early humans. In a predominantly male field, he also thought a woman would be more patient and insightful than a male observer. He wasn’t wrong.
Six months in, when Goodall wrote up her observations of chimps using tools, Leakey wrote, “Now we must redefine tool, redefine Man, or accept chimpanzees as human.”
Goodall spoke of animals as having emotions and cultures, and in the case of chimps, communities that were almost tribal. She also named the chimps she observed, an unheard-of practice at the time, garnering ridicule from scientists who had traditionally numbered their research subjects.
One of her most remarkable observations became known as the Gombe Chimp War. It was a four-year-long conflict in which eight adult males from one community killed all six males of another community, taking over their territory, only to lose it to another, bigger community with even more males.
Goodall was persuasive, powerful and determined, and she often advised me not to succumb to people’s criticisms. Her path to groundbreaking discoveries did not involve stepping on people or elbowing competitors aside.
Rather, her journey to Africa was motivated by her wonder, her love of animals and a powerful imagination. As a little girl, she was entranced by Edgar Rice Burroughs’ 1912 story “Tarzan of the Apes,” and she loved to joke that Tarzan married the wrong Jane.
When I was a 23-year-old former NFL cheerleader, with no scientific background at that time, and looked at Goodall’s work, I imagined that I, too, could be like her. In large part because of her, I became a primatologist, co-discovered a new species of lemur in Madagascar and have had an amazing life and career, in science and on TV, as a National Geographic explorer.
When it came time to write my own story, I asked Goodall to contribute the introduction. She wrote:
“Mireya Mayor reminds me a little of myself. Like me she loved being with animals when she was a child. And like me she followed her dream until it became a reality.”
In a 2023 interview, Jane Goodall answers TV host Jimmy Kimmel’s questions about chimpanzee behavior.
Goodall was an incredible storyteller and saw it as the most successful way to help people understand the true nature of animals. With compelling imagery, she shared extraordinary stories about the intelligence of animals, from apes and dolphins to rats and birds, and, of course, the octopus. She inspired me to become a wildlife correspondent for National Geographic so that I could share the stories and plights of endangered animals around the world.
Goodall inspired and advised world leaders, celebrities, scientists and conservationists. She also touched the lives of millions of children.

Through the Jane Goodall Institute, which works to engage people around the world in conservation, she launched Roots & Shoots, a global youth program that operates in more than 60 countries. The program teaches children about connections between people, animals and the environment, and ways to engage locally to help all three.
Along with Goodall’s warmth, friendship and wonderful stories, I treasure this comment from her: “The greatest danger to our future is our apathy. Each one of us must take responsibility for our own lives, and above all, show respect and love for living things around us, especially each other.”
It’s a radical notion from a one-of-a-kind scientist.
This article has been updated to add the date of Goodall’s death.
Mireya Mayor, Director of Exploration and Science Communication, Florida International University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
ooOOoo
That comment by Jane that was treasured by Mireya is so important. “The greatest danger to our future is our apathy. Each one of us must take responsibility for our own lives, and above all, show respect and love for living things around us, especially each other.”
Living in a rural area has a bonus!
Every morning I go outside to feed the wild deer, as I have said before. However this morning, the 1st October, the rain had softened the ground and I saw animal footprints close to where I put out the COB for the deer.
Here’s a photograph albeit it is almost impossible to distinguish.
Anyway, to the post.
ooOOoo

Steven Sullivan, Miami University
Your neighborhood is home to all sorts of amazing animals, from racoons, squirrels and skunks to birds, bugs and snails. Even if you don’t see them, most of these creatures are leaving evidence of their activities all around you.
Paw prints in different shapes and sizes are clues to the visitors who pass through. The shapes of tunnels and mounds in your yard carry the mark of their builders.
Even the stuff animals leave behind, whether poop or skeletons, tells you something about the wilder side of the neighborhood.

I’m a zoologist and director of the Hefner Museum of Natural History at Miami University of Ohio, where we work with all kinds of wildlife specimens. With a little practice, you’ll soon notice a lot more evidence of your neighborhood friends when you step outside.
You can learn a lot from a nice, crisp paw print.
The dog family, including coyotes and foxes, can be differentiated from the cat family by the shape of their palm pads — triangular for dogs, two lobes at the peak for cats.

Both opossums and raccoons leave prints that look like those of a tiny human, but the opossum thumb is held at nearly right angles to the rest of the fingers.
Not all prints are so clear, however.
Invasive rats and native squirrels have prints that often look pretty similar to each other. Water erosion of a skunk print left in mud might connect the toe tips to the palm, making it look more like a raccoon. And prints left in winter slush by the smallest dog in the neighborhood can grow through freezing and thawing to proportions that make people wonder whether wolves have returned to their former haunts.
There are good reference books where you can learn more about track analysis, and it can be fun to go down the rabbit hole of collecting and studying prints.

Often, it’s easiest to figure out which animal left a paw print by correlating its tracks with other evidence.
If what look like squirrel prints lead to a hole in the ground, then it wasn’t a tree squirrel. Stuff a handful of leaves or newspaper in the hole. If it gets pushed out during the day, the hole is probably inhabited by a ground squirrel, such as a chipmunk. But if the plug is pushed out at night, you probably have a rat.
I once noticed a faint trail in the soil near my porch. Using the hole-stuffing method, I determined that something spent most days under the wooden stairs that people constantly, and often loudly, traversed. When I was pretty sure my newly discovered neighbor was home, I used a mirror and flashlight to investigate the opening without exposing myself to a protective resident. Sure enough, there was a cute little skunk staring back at me. https://www.youtube.com/embed/6fCFy29aHbY?wmode=transparent&start=0 Animals that excavate in search of food or to create shelter leave different types of holes. Gardening Latest.
Skunks, and many other local animals, often leave obvious excavations in lawns.
Lawns are biological deserts where few species can live, but those that can survive there often reach high numbers. Lawn grubs – the milk-white, C-shaped caterpillars of a few beetle species – particularly love the lack of competition found in a carpet of grass. Polka dots of dead thatch are one sign of these grubs, but if you have a biodiverse neighborhood, many animals will consume this high-calorie treat before you ever notice them.
Skunks and raccoons will dig up each grub individually, leaving a small hole that healthy grass can refill quickly. Moles – fist-size insectivores more closely related to bats than rodents – live underground where they virtually swim through soil, leaving slightly raised trails visible in mowed lawns. In spring and fall, moles make volcano-shaped mounds with no visible opening.
Gophers, on the other hand, are herbivorous rodents – they eat plants rather than grubs. They also leave tunnels and mounds, but the tunnels are usually very visible and their mounds are crescent-shaped, often with a visible opening.
Voles, not to be confused with moles, are also herbivorous rodents. They’re mouse-size, with tiny, furry ears and short tails. They may dig small holes, but more obviously they leave thatch-lined runways on the surface.

Even the cicadas singing loudly in the trees in my yard this summer left pinky-size holes in the ground as they emerged 17 years after hatching. The boom-bust cycle of cicadas has brought more moles, squirrels and birds to my neighborhood this year to munch on the nutrient-rich insects.
Where there is food, there is poop. Though the subject of feces is taboo among polite human society, it’s a fundamental, though understudied, communication method for many mammals.
Think about a dog marking its territory. Sometimes it seems they can’t go for more than a few feet before reading the pee-mail left on every prominent post. Urine, feces and gland oil act like social media posts, conveying each individual’s identity, health, height and reproductive status, the availability and quality of prey, and the extent of their territory. https://www.youtube.com/embed/-3JU_y-uI5E?wmode=transparent&start=0 Different types of animal feces from around the world.
Though most of the smell communication is lost on humans, the contents of the feces can tell a lot about the inhabitants of a neighborhood.
Domestic dog poop is usually just a big, homogeneous lump because they eat processed food, but wild canid feces is often full of bones and fur. Coyote feces is usually lumpy and larger than fox feces, which has pointy ends. Once it has weathered a bit, it’s easy to break open to find identifiable remains such as vole, rat and rabbit. Use care when inspecting feces, since it may transmit parasites.
Depending on time of year, the contents and shape of feces can vary considerably. Raccoon feces lacks the pointy ends and is often filled with seeds, but wild canids may eat lots of seeds, too. Deer feces is usually small, fibrous pellets, but those pellets may form clumps.
If you are lucky, you might find a pellet of bone and fur regurgitated by an owl near the base of a tree. Carefully break it apart and there’s a good chance you’ll find the skull of a vole or rat.

Look closely at living and dead trees to find evidence of even smaller neighbors. A fine, uniform, granular sawdust pushed from tiny holes in bark can indicate beetle larvae feces, or “frass.” A large mass of frass at the base of a tree likely indicates carpenter ants.
In contrast to dusty frass, aphids slurp sap so rich in sugar that their feces coats surrounding surfaces in, essentially, maple syrup.
All of these insects attract many species of birds. Woodpeckers are hard to miss as they loudly hammer holes into trees. But don’t blame them for tree decline – they eat the things that are killing the tree.
Dead trees are a key feature of wildlife habitat, like a bus stop, and host different occupants throughout the day and over the year.

For example, a tree buzzing with cicadas in my yard this summer is quite healthy but has one big, dead branch that has been an important way station for wildlife over the past 20 years.
A decayed cavity at the base of the branch is polished smooth with the activity of generations of squirrels, while the tip is a favorite perch of all the neighborhood birds. By night, it is visited by a great horned owl, who, I somewhat sadly note, may be scanning for my porch skunk.
This brings us to the decomposers. Animal carcasses are evidence of the neighborhood’s wild population, too, but they typically don’t last long. Insects make quick work of dead animals, often consuming the soft parts of a carcass before it is even noticed by humans.
Long after most activity around the carcass has ceased, exoskeletons left behind by the decomposers will remain in the soil. Dermestids, including the carpet beetles often found in our homes, leave fuzzy larval exoskeletons. Fly pupae look like brown pills. And sometimes adult carrion beetles keep a home underneath partially buried bones for years.


Earthworms, feasting on nutrient-soaked soil, may leave a squirt of mud like a string of hot glue, while ants will leave piles of uniformly sorted sand. Snails will visit carcasses periodically to eat the bones, leaving trails that sparkle like thin, impossibly long ribbons in the morning sun.
From snails to skunks, squirrels to cicadas, most of our neighbors are quiet and seldom interact with us, but they play important roles in the world.
As we get to know them better, through their digging, eating and decomposing, and sometimes by watching them in action, we can better understand the animals that make our own lives possible and, maybe, understand ourselves a little better, too.
Steven Sullivan, Director of the Hefner Museum of Natural History, Miami University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
ooOOoo
Another super article from The Conversation.
Steven Sullivan in that last paragraph poses an interesting question “….. and sometimes by watching them in action, we can better understand the animals that make our own lives possible and, maybe, understand ourselves a little better, too.“
I wish, I wish, I wish!
Looking closely at our planet!
An amazing radio programme from the BBC.
Here is the link: https://www.bbc.co.uk/programmes/m002jscf/episodes/player
More information: http://www.parkrangerdoug.com/cave-formations
The series, broadcast on BBC Radio 4, is whether there is any spot, or place, that has not been subject to man’s effects. The series consist of five fifteen-minute programmes that were broadcast last Monday to Friday.
They are still available on BBC Sounds and if you can please listen to them.
A return to Unsplash. (And this time not dogs!)
Oregon Landscapes

oooo

oooo

oooo

oooo

oooo

oooo

These are mainly mountain views but endorse the beauty of the State of Oregon.
I’m speaking of a series on BBC Radio 4.
The series is called Naturebang: “Becky Ripley and Emily Knight make sense of what it means to be human by looking to the natural world… Science meets storytelling with a philosophical twist.“
The website is: https://www.bbc.co.uk/programmes/m00060x0
There are 35 episodes. I particularly liked the episode broadcast yesterday about the Clams.
“How do we extract the maximum amount of power from the sun? Becky Ripley and Emily Knight enlist the help of a giant, thousand-year old clam. And end up in the depths of space…
Featuring Professor Alison Sweeney at Yale University, and Mike Garrett from the Jodrell Bank Centre for Astrophysics.
Produced and presented by Emily Knight and Becky Ripley“
Amazing!
It’s from The Dodo website.
This is fabulous and I don’t intend to say anymore.
ooOOoo
Published on July 23, 2025.
Earlier this month, a homeowner called Tidewater Wildlife Rescue with an urgent request. A common garter snake was hopelessly tangled in a piece of netting in their yard. Could someone come help?
Rescue volunteer Serenity Reiner quickly headed to the scene.
Reiner and her rescue partner, Daniel, used scissors to cut away big pieces of the net. Then, Daniel gently held the snake as Reiner snipped away netting closer to the animal’s body.
“We were very focused,” Reiner told The Dodo. “We wanted to be as fast as possible to limit [her] stress.”
The rescuers were almost finished when they noticed something amazing — the snake was giving birth in their hands.
Reiner hastily removed the remaining netting as the mama snake birthed two babies. Then, she took the snake and her little ones to a wooded area behind the house and released them back into the wild.
Surprisingly, despite their size, baby garter snakes don’t need to live with their mom for very long. In fact, as the rescue notes, these young snakes are completely independent from the moment they’re born and can immediately find food on their own.
According to the U.S. National Park Service, garter snakes typically give birth to 15-40 babies at a time. Reiner suspects this mama welcomed many more little ones into the world once she was safe in the forest.
The rescuer encouraged the homeowners to use animal-safe netting next time. She’s grateful that, in this case, everything turned out OK.
“I felt so much joy knowing that she was able to go back to her normal life unharmed,” Reiner said.
ooOOoo
A selection of photographs of Oregon Caves.
When my daughter, son-in-law, and grandson were with us just recently, Marius drove us to Oregon Caves and, wow, what a sight.
oooo
oooo
oooo
oooo
oooo
oooo
oooo
oooo
oooo
More photographs next Sunday.
A copy of an article published by Historic England.
As many of you know I flew during my years when I was based in England. I flew as a hobby. Very quickly I realised that looking at the ground from a few thousand feet up gave one a unique view of the landscape.
ooOOoo
Damian Grady
Damian Grady is the Historic England Aerial Reconnaissance Manager. He joined the Royal Commission on the Historical Monuments of England in 1990 to map archaeology from aerial photographs and from 1998 became responsible for managing the aerial reconnaissance programme.
Published 8 February 2017
On Wednesday 8 February 2017 Historic England celebrated 50 years of our flying programme. Since those early days in 1967 much has changed, but reconnaissance, the act of flying to record and monitor sites and landscapes of archaeological interest, is still at the heart of the work carried out by our research teams.
This article was originally written in 2017 to mark the 50th anniversary but we have kept it live as it continues to be read and enjoyed.

On a cold February afternoon in 1967 an Auster, four-seater, light aircraft took off from Fairoaks airfield on the outskirts of south west London. This was the first test flight of the Royal Commission on the Historical Monuments of England (RCHME), one of the predecessors of Historic England. On-board was the pilot, a photographer, Ron Parsons and John Hampton. John was responsible for setting up the RCHME Air Photo Library in 1965 to implement the commission’s resolution (1964) to “use air photography to build up rapidly a record of field monuments throughout England.”
In the beginning this involved acquiring aerial photographs to build up a library of images of archaeological sites. By 1967 it was felt that RCHME should take its own oblique aerial photographs in support of its field survey work. Oblique photographs are taken at an “oblique” angle to the ground, as opposed to directly from above. They are usually taken with a hand held camera through the open window of a plane. The main target at this time was cropmarks; the walls and ditches of buried archaeology can affect the rate at which plants grow over them, causing differences in colour and height. These cropmarks are not always visible on the ground, so the best way to look for them is from the air.

This first flight was very much an experiment. Flying from Fairoaks to Basingstoke, Tidbury Ring and back they photographed prehistoric sites on the chalk soils of Hampshire. Many of the sites had been ploughed recently and were seen as colour differences in the soil and germinating crops. During the 1.5 hour flight John Hampton learned a number of valuable lessons, such as the best height to fly, the best angle to use and to make sure there was plenty of film! The lessons learned from this and subsequent flights formed the foundation of 50 years of flying by the aerial reconnaissance team in RCHME, English Heritage and now Historic England.
At about the same time as this first flight the collection of aerial photographs grew with the arrival of the Crawford Collection from the Ordnance Survey. Later, in the 1970s, the Air Photo library acquired many more aerial photographs from archaeologists and private fliers keen to discover archaeological sites. One such flier was Derrick Riley who took this photograph of an Iron Age/Roman field system in Nottinghamshire.

The oblique photographs acquired and taken by RCHME were ordered by kilometre square and stored in distinctive red boxes. Then in the 1980s there was a rapid growth with the acquisition of the Department of the Environment collection of vertical aerial photos. This collection included all prints taken of England by the RAF since the start of WWII such as the image below. This shows the airfield at Biggin Hill, near London with evidence of the many bomb craters sustained during German air raids. Further expansion came in the 1990s with the acquisition of the Ordnance Survey archive and in 2007 with the Aerofilms collection.

In the 1970s John Hampton and his team looked at various ways of interpreting and mapping from the aerial photographs taken by RCHME and acquired from local fliers. Along with others, they experimented with a variety of mapping techniques from sketch plotting to photogrammetry. An important step in the development of this process was the project to map the archaeology around the Iron Age hillfort of Danebury. This approach was scaled up by RCHME to map the prehistoric archaeology visible as cropmarks on the Yorkshire Wolds. This project used computer aided rectification of oblique aerial photographs, a process that was being developed.
In the late 1980s, as the archive acquired more aerial photographs, RCHME developed a systematic methodology to interpret, map and record all archaeological features, not just cropmarks, visible on aerial photographs. Pilot projects in Kent, Hertfordshire and the Thames Valley were set up to develop the methodology further.

In the 1990s the range of subjects photographed increased as RCHME used aerial photographs to record the large building complexes they were surveying that were undergoing major changes at the time. These included textile mills, hospitals, prisons and Cold War military sites. For some of these sites such as the textile mill below in Leeds, these photographs are the last record we have as development pressures have since led to their demolition.

The 1990s also saw new discoveries across the country especially in the hot summers of 1995 and 1996. Below is just one such site, a “banjo” enclosure, so called because of the shape; a circular enclosure with a long funnel neck leading into it. See other examples of new sites discovered in the 1990s and at other times in the gallery below.

In the 1990s the political changes and opening up of eastern Europe led to archaeologists visiting the survey and archive teams to learn from our experience of flying, mapping and archiving aerial photographs. This led to us joining forces with other aerial archaeologists from western Europe to set up training courses in Hungary and Poland. This in turn led to further work exchanges and training courses across Europe.
The late 1990s saw RCHME and EH working together to supply aerial photographs to help Field Monument Wardens monitor the condition of scheduled monuments. Following the merger of the two organisations in 1999 this became an important aspect of the flying programme. In the image below the World War Two anti-aircraft battery might appear to be safe since it has been removed from the cultivation that surrounds it. However, it is still at risk from being overgrown by scrub.

The new century saw important technological developments taken up by the flying and mapping teams. The reconnaissance teams began experimenting with digital cameras in 2003 and the archive developed standards for the long term preservation of digital data. The last negative film shot in the air was 2006. The archive now holds over 200,000 digital aerial photographs taken by the reconnaissance teams.
In 2001 English Heritage used lidar, a system of airborne laser scanning, for a review of mapping of the Stonehenge World Heritage site. Since then HE have developed our use of the data and now use it as a regular source for any mapping and interpretation projects.
The early 2010s saw more new discoveries, of which these are our favourite examples.

The discovery of new archaeological sites is still the most exciting part of the flying programme, but since the first flight in 1967 the scale, range and scope has changed. New sensors and camera technology are allowing us to look at new ways of taking aerial photographs. New software and access to other aerial data such as lidar allows us to see, map and understand the historic landscape in ways that could only have been dreamed about in 1967.
Since our systematic analysis of new and archive aerial photographs began in the late 1990s we have discovered over 122,000 new archaeological sites like the one above.
ooOOoo
I very much hope that republishing this article is in order. An email to the Press Office of Historic England requesting permission has been sent last Sunday afternoon.
This morning, 30th July, I received the following email:
To use the aerial images you have seen on our webpage ’50 Years Flying’ athttps://historicengland.org.uk/whats-new/research/50-years-flying/ , please make a note of the image reference numbers and then visit our Aerial Photography Explorer website at https://historicengland.org.uk/images-books/archive/collections/aerial-photos/ . If you then navigate to the oblique image search screen and fill in the reference number under the ‘file contains’ tab you will be taken to that image. By then hovering over that image a share/embed option will appear that will allow you to use the images free of charge on non-commercial websites and some social media sites such as X and Facebook. Our reference is 150356.
Just one from Unsplash.
