Dogs are animals of integrity. We have much to learn from them.
Year: 2017
Continuing with Janet’s wonderful pictures.
(The last set from Janet were published a fortnight ago.)
oooo
oooo
oooo
oooo
oooo
oooo
oooo
Going to round off today’s picture parade with a photograph of our growing Canadian geese goslings. The photograph was taken at 7:30pm two evenings ago. I would imagine that we aren’t that far off them all taking to the wing!
Have a wonderful day all of you!
The post on Thursday exploring why dogs like to roll in smelly things prompted me to see what I could find on YouTube.
I found this one!
Now if that doesn’t win the prize for the best dog rolling in mud award then I don’t know what would.
But in my search on YouTube, I also came across the following that was too delightful not to include in today’s post.
Fondest wishes to you all.
Sound UK produces extraordinary musical encounters for all
That sub-heading is the banner statement you will read if you go across to the Sound UK website. You may recall that I featured Sound UK in a post last June under the title of Sonic Journeys. I also presented the fact that my daughter is one of two directors of Sound UK. As in:
Sound UK is run by Directors Polly Eldridge and Maija Handover. We work alongside a crack team of freelancers and consultants across production, marketing, design, participation and fundraising. These include Tim Hand (production), Becky Morris Knight at Shipshape Marketing (digital marketing), Beth Fouracre (participation), John Gilsenan at IWant (design), Sarah Coop (fundraising) plus many more.
The reason I am featuring Sound UK again is because I wanted to share with you an exciting new project. I am republishing this from the Sound UK site.
ooOOoo
We need your support to produce the first multimedia production of Royal Academy artist Tom Phillips’ Irma: an opera at South London Gallery this September. An exquisite miniature opera and audio visual installation, Irma is drawn from his masterpiece A Humument, which he recently completed after 50 years. This unique production celebrates Phillips’ extraordinary output in art and music.
Tom Phillips RA: Phillips has had major exhibitions in national galleries, painted figures such as John Gielgud and Iris Murdoch and created works for the Imperial War Museum, Westminster Abbey and Westminster Cathedral. His work can also be seen on the streets of Peckham where he has lived and worked for most of his life. You may even own one of his artworks; the Benjamin Britten 50p piece.
In the 1960s, Phillips was at the centre of the vibrant art school scene where music and art collided. He brought over key composers of that era to the UK – Morten Feldman, John Cage, performed with Cornelius Cardew – and even taught Brian Eno, who he introduced to ideas that had a great influence on Eno’s music. This landmark event recognises Phillips’ work as a composer and wider influence on the world of music.
The Creative team: Sound UK is working with one of the UK’s most gifted opera designer / directors Netia Jones and her company Lightmap, with music director Anton Lukoszevieze and his leading ensemble Apartment House.
“Netia Jones is the most imaginative director of opera working in Britain today” The Observer
“One of the most innovative and exciting chamber ensembles in Europe” Royal Philharmonic Society on Apartment House
We need YOU to be part of Irma!
We have already raised the majority of our funding with the generous support of Arts Council England and Hinrichsen Foundation. We are also grateful for major in kind support from South London Gallery, where Phillips first showed his work as a student.
YOU can play a key role in Phillips’ new artwork. We need to raise £5,000 to help pay for rehearsals and the creation of the video for this extraordinary artwork.
To thank you for your invaluable support, we have put together a selection of unique rewards based on Irma characters – view by scrolling up on the right of this page – including an exclusive limited edition print created by Tom Phillips and mementos of his work.
Please visit our website for more information on Irma
www.sounduk.net/events/tom-phillips/
Image of Tom Phillips limited edition print – Irma: Our Lamplit History
Paper size h:28.4cm x w:21cm
Limited edition of 50
A unique print created by Tom Phillips in support of the world premiere full version of his opera Irma, at South London Gallery, September 2017, directed / designed by Netia Jones, musical direction Anton Lukoszevieze, performed by Apartment House with video by Lightmap.
Digital print with silkscreen 2017
All prints are sent signed and numbered by the artist.
ooOOoo
If anyone is so moved to participate in this ‘crowdfunding’ project then the donation details may be seen here: https://payment.crowdfunder.co.uk/reward/246262
Or observing Lady Luck in great form!
We all know that so many things in life have two sides to them. As in a positive and negative side. Which ‘side’ we look at has more to do with ourselves, again as you all know.
So when I republished an essay from Patrice Ayme a little over a year ago about the loss of the ice in Antarctica I was in harmony with Patrice’s gloomy stance:
I have written for years that a runaway Antarctica was certain, with half the icy continent melting rather spectacularly on an horizon of two centuries at most, and probably much less than that. This rested on the fact that half of Antarctica rests on nothing but bedrock at the bottom of the sea. At the bottom of what should naturally be the sea, in the present circumstances of significant greenhouse gas concentrations.
But Lady Luck comes into view and we have this: (Courtesy of Mother Nature Network.)
ooOOoo
At current rates, it’s not crazy to think that the Antarctic peninsula could eventually become forested again.
Bryan Nelson May 19, 2017
When you think of Antarctica, you probably imagine a frigid, windswept, icy, inhospitable domain; the whitest, most barren canvas on Earth. That’s pretty much the way the Southern continent has been for at least the last 3 million years, since the last time atmospheric carbon dioxide levels approached their current levels. But times, they are a-changing.
The effects of global warming are beginning to radically alter the Antarctic landscape in some surprising ways. Scientists say it’s like looking back in time, to an epoch when this bleached terrain was actually green. Mossy mats are rapidly spreading across the thawed, exposed soils at unprecedented rates, transforming the land from a place of desolation, to a place of viridescence.
At the very least, we’re getting a peek at Antarctica’s future, which like its past was green and filled with plant-life, reports the Washington Post.
“This is another indicator that Antarctica is moving backward in geologic time — which makes sense, considering atmospheric CO2 levels have already risen to levels that the planet hasn’t seen since the Pliocene, 3 million years ago, when the Antarctic ice sheet was smaller, and sea-levels were higher,” said Rob DeConto, a glaciologist at the University of Massachusetts, Amherst.
“If greenhouse gas emissions continue unchecked, Antarctica will head even further back in geologic time… perhaps the peninsula will even become forested again someday, like it was during the greenhouse climates of the Cretaceous and Eocene, when the continent was ice free.”
So far, the greening of Antarctica is mostly limited to the peninsula, where two different species of mosses are fanning out at a startling clip, at four to five times the rate seen just a few decades ago. They gain a footing in the summers, when the frozen ground thaws, then freeze back over in the winter. But these layers-upon-layers are thickening, generating an increasingly detailed record of Antarctica’s warming climate.
It’s perhaps only a matter of time before grasses, bushes, perhaps even trees begin to sprout. As beautiful as a forested Antarctica might be to imagine, it’s important to remember that this isn’t necessarily a good thing. Climate change is an ambiguous beast; Antarctica might be getting greener, but deserts elsewhere in the world are expanding, sea levels are rising, and weather is becoming more severe.
“These changes, combined with increased ice-free land areas from glacier retreat, will drive large-scale alteration to the biological functioning, appearance, and landscape of the [Antarctic peninsula] over the rest of the 21st century and beyond,” wrote the authors of the study, which was published in the journal Current Biology.
Lead author Matthew Amesbury added: “Even these relatively remote ecosystems, that people might think are relatively untouched by human kind, are showing the effects of human induced climate change.”
ooOOoo
Sorry to drag out this old saw of mine, but it is so perfect: “I can predict anything except those things that involve the future”!
Because I am still staying with the Lady Luck theme but this time going from the vastness of the Southern polar regions to something a little closer to home. (Again, seen on Mother Nature Network.)
ooOOoo
Leonard recently became Ohio’s first ever pit bull K-9.
Jenn Savedge May 19, 2017
When Leonard, a stout young pit bull, arrived on the doorstep of the Union County Humane Society in Ohio a few months ago, the staff had little hope for his prospects of being adopted. Leonard was deemed “aggressive,” and that meant he was more likely to be euthanized than sent home with a new family. But Jim Alloway, the center director, saw something different in the dog. And thanks to his observation, Leonard has a future that includes work, play and lots of belly rubs.
As luck would have it, Alloway has an extensive background of working with police dogs. He realized Leonard’s aggression was really a very strong desire to play. Whenever someone was holding something, Leonard wanted it and would try to grab it. As a pet in the average family, this may not be a desirable trait. But this strong “prey drive” made him a great candidate for training as a police dog.
So Alloway called Storm Dog K-9 training. After an initial round of testing, Mike Pennington, the owner of the training facility, agreed to take Leonard on and train him to sniff out narcotics. (Leonard wasn’t a good candidate for tracking and catching suspects because he loves people way too much.)
Before his training with Pennington, Leonard didn’t even know basic commands. But after a few weeks of hard work — which his trainers said he absolutely loved — Leonard was fully certified as a police dog, becoming Ohio’s first pit bull K-9 officer.
Leonard was paired with Terry Mitchell, Clay Township’s Chief of Police. Mitchell told the local ABC affiliate that he was unsure at first about the idea of using a pit bull as a K-9. But the pair bonded immediately.
“I scheduled a time to come down and see him, and after about 10 minutes, I knew this was the dog for us,” Mitchell said.
Leonard officially started work with the force this week. When he has his police vest on, Mitchell says the pup is all business and ready to tackle his narcotics-sniffing job. Off-duty though, Leonard is just a sweet, playful pup, hopping on Mitchell’s lap for evening naps. Oh, and according to Mitchell, he snores horribly.
Leonard — and Mitchell — couldn’t be happier.
ooOOoo
Wonder how long it will be before we have happy ex-rescue dogs frolicking through the forests of Antarctica!!
Of clouds and the Grand Canyon.
Saw this item on the Mother Nature Network site a week ago and thought it beautiful.
Whatever you are doing, rest up for a couple of minutes and revel in the beauty of our natural world.
ooOOoo
Angela Nelson May 16, 2017,
The creators of “SKYGLOW,” a crowd-funded project showing the impact of urban light pollution through time-lapse videos, photos and a book, have another stunning video to share. In “Kaibab Elegy,” filmmakers Gavin Heffernan and Harun Mehmedinović visit Grand Canyon National Park and capture a rare weather event.
In the mesmerizing video, clouds build inside the canyon almost like bubbling water filling a jacuzzi as the sun rises and sets in the background, creating the pinkest sky you’ve ever seen. Those clouds roll like waves in the ocean and crash against the cliffs. This phenomenon is called full cloud inversion, and it happens when cold air is trapped in the canyon and topped by a layer of warm air, which combines with moisture and condensation.
“We were extremely lucky to be there to capture it, and it’s a collection of unique footage not found anywhere else,” Mehmedinović says.
He and Heffernan, who journeyed 150,000 miles around the globe for their new book and video series, work with the International Dark-Sky Association, a nonprofit fighting to preserve the dark skies around the world.
ooOOoo
I bet that’s left you feeling wonderful!
Why can’t we leave nature to do what’s best for our world!
Now, I would be the first to ‘tut-tut’ a little over my sub-heading. For here I am sitting in front of a computer in a room in a reasonably-sized home that undoubtedly has denuded the natural world formerly underneath the present foundations.
Plus, as the property boundary shown on the above picture confirms, about 50% of our acreage is no longer wilderness.
Ergo, it is impossible for humans to live on this planet without there being consequences that conflict with the natural order of the wild.
But homes to live in are one thing. A planned madness for the Lake District in Northern England is another thing altogether.
Read this latest essay from George Monbiot, republished with Mr. Monbiot’s kind permission.
ooOOoo
The attempt to turn the Lake District into a World Heritage site would be a disaster
By George Monbiot, published in the Guardian 9th May 2017
If this bid for power succeeds, the consequences for Britain will be irreversible. It will privilege special interests over the public good, shut out the voices of opposition and damage the fabric of the nation, perhaps indefinitely. No, I’m not writing about the election.
In the next few weeks Unesco, the UN’s cultural organisation, will decide whether or not to grant World Heritage status to the Lake District. Once the decision is made, it is effectively irreversible.
Shouldn’t we be proud that this grand scenery, that plays such a prominent role in our perceptions of nationhood, will achieve official global recognition? On the contrary, we should raise our voices against it. World Heritage status would lock the Lake District into its current, shocking state, ensuring that recovery becomes almost impossible.
Stand back from the fells and valleys and try to judge this vista as you would a landscape in any other part of the world. What you will see is the great damage farming has inflicted: wet deserts grazed down to turf and rock; erosion gullies from which piles of stones spill; woods in which no new trees have grown for 80 years, as every seedling has been nibbled out by sheep; dredged and canalised rivers, empty of wildlife and dangerous to the people living downstream; tracts of bare mountainside on which every spring is a silent one. Anyone with ecological knowledge should recoil from this scene.
The documents supporting the bid for world heritage status are lavishly illustrated with photos, that inadvertently reveal what has happened to the national park. But this slow-burning disaster goes almost unmentioned in the text. On the contrary, the bid repeatedly claims that the park is in “good physical condition”, and that the relationship between grazing and wildlife is “harmonious”. Only on page 535, buried in a table, is the reality acknowledged: 75% of the sites that are meant to be protected for nature are in “unfavourable condition”.
This great national property has degenerated into a sheepwrecked wasteland. And the national park partnership, that submitted the bid, wants to keep it this way: this is the explicit purpose of its attempt to achieve world heritage status. It wants to preserve the Lake District as a “cultural landscape”. But whose culture? Whose landscape? There are only 1080 remaining farms in the district. Should the entire national park be managed for their benefit? If so, why? The question isn’t raised, let alone answered.
I can see the value and beauty of the traditional shepherding culture in the Lake District. I can also see that the farming there, reliant on subsidies, quad bikes and steel barns, now bears little relationship to traditional practice. As the size of landholdings has increased, it looks ever more like ranching and ever less like the old system the bid describes. The bid’s claim that farming there is “wholly authentic in terms of … its traditions, techniques and management systems” is neither intelligible nor true. Remnants of the old shepherding culture tend to be represented ceremonially, as its customs are mostly disconnected from the farm economy.
Shepherding is not the only cultural legacy in play. The other is that the Lake District is the birthplace of the modern conservation movement. Inspired by the Picturesque and Romantic movements, much of our environmental ethic and the groups representing it, such as the National Trust, originated here. Attempts to preserve natural beauty in the district began in the mid-18th century, with complaints against the felling of trees around Derwent Water. Today, the national park cares so little for this legacy that, as the bid admits, “there are no data available” on the condition of the Lake District’s woodlands.
The small group favoured by this bid sees environmental protection as anathema. Farmers’ organisations in the Lake District have fought tooth and nail against conservation measures. They revile the National Trust and the RSPB, whose mild efforts to protect the land from overgrazing are, with the help of a lazy and compliant media, treated like bubonic plague. As one of these farming groups exults, world heritage status “gives us a powerful weapon” that they can wield against those who seek to limit their impacts. If the plan is approved, this world heritage site would be a 230,000-hectare monument to overgrazing and ecological destruction.
This is not the only sense in which the bid is unsustainable. Nowhere in its 700 pages is Brexit mentioned. It was obviously written before the referendum, and has not been updated. Yet the entire vision relies, as the bid admits, on the economic viability of the farming system, which depends in turn on subsidies from the European Union.
Without these payments, there would be no sheep farming in the Lake District: it operates at a major loss. European subsidies counteract this loss, delivering an average net farm income of £9,600. Unsurprisingly, people are leaving the industry in droves: the number of farms in the national park is declining by 2% a year. And this is before the payments cease.
What is the national park partnership, that prepared this bid, going to do – march people onto the fells at gunpoint and demand they continue farming? Or does it hope that the government, amid the massacre of public investment that will follow Brexit, will not only match but exceed the £3bn of public money currently being passed to UK farmers by the European Union? Your guess is as good as mine. This omission alone should disqualify the bid.
The failure to mention this fatal issue looks to me like one of many attempts to pull the Herdwick wool over Unesco’s eyes. The entire bid is based on a fairy tale, a pretence that the rural economy of the Lake District hasn’t changed for 200 years. If Unesco grants world heritage status on these grounds, it will inflict irreparable harm on both our natural heritage and its own good standing.
The hills, whose clothes so many profess to admire, are naked. The narrative we are being asked to support is false. The attempt to ensure that the ecological disaster zone we call the Lake District National Park can never recover from its sheepwrecking is one long exercise in woolly thinking.
ooOOoo
When one reads this one is left with a feeling of great sadness. A sadness that our ‘movers and shakers’ can’t resist the urge to meddle. Can’t understand the beauty that is found in nature in the raw.
Earlier on I illustrated how our own property has ‘interfered’ with the wilderness of this most beautiful Oregonian countryside. But as I hope to show you with the following photographs taken on our property back in 2014 that wild beauty can be hung on to in some measure.
oooo
oooo
Finally, back to that Unesco proposition.
The details may be found on the Unesco site here: http://whc.unesco.org/en/tentativelists/5673/
I have sent a message to Unesco asking if the views of the public are being taken into account and, if so, how those views are to be communicated to Unesco. If you wish to contact them then the details are on this page: http://whc.unesco.org/en/world-heritage-centre/
Any replies from Unesco will be posted here.
UPDATE 0815 PDT May 22nd.
My email yesterday to Unesco was ‘bounced back’ as an invalid email address (despite me using the email address on the Unesco website!!).
But following George Monbiot’s reply to me, giving me the name of James Bridge (jbridge@unesco.org.uk) at Unesco, I have now sent Mr. Bridge the following email:
Dear Mr. Bridge,
I write as a British citizen, born a Londoner in 1944, to protest in the strongest possible terms to the proposal to turn the English Lake District into a World Heritage Site. This is your Tentative List reference http://whc.unesco.org/en/tentativelists/5673/.
Would you please provide me with the details of where or whom within Unesco I can write setting out in detail my objections to this proposal?
Your soonest reply would be very much appreciated.
Sincerely,
Paul Handover
I won’t hold my breath over getting a quick reply.
Learning from Dogs 