Category: Music

Picture Parade Four Hundred and Twenty-Nine, not!

It is about Whale songs and is just a fabulous sound!

Last Friday there was an item on the BBC about whale song. It appears I can publish the article for you all. It is my choice over my regular Sunday Picture Parade. I hope you agree! Update: The track just 26 seconds long cannot be reproduced in this post.

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Whale song mystery solved by scientists

21 February 2024, By Helen Briggs and Victoria Gill,Science correspondents, BBC News

Humpback whale breaching near Bering Island, Kamchatka, Russia – Olga Filatova, University of Southern Denmark

Scientists have worked out how some of the largest whales in the ocean produce their haunting and complex songs.

Humpbacks and other baleen whales have evolved a specialised “voice box” that enables them to sing underwater. 

The discovery, published in the journal Nature, has also revealed why the noise we make in the ocean is so disruptive for these ocean giants. 

Whale song is restricted to a narrow frequency that overlaps with the noise produced by ships. 
“Sound is absolutely crucial for their survival, because it’s the only way they can find each other to mate in the ocean,” explained Prof Coen Elemans, of the University of Southern Denmark, who led the study. 

Blue whales return to ‘safe’ tropical haven
Orcas ‘learning from adults’ to target boats
Study to measure the oceans’ ‘year of quiet’

“[These are some] of the most enigmatic animals that ever lived on the planet,” he told BBC News. “They are amongst the biggest animals, they’re smart and they’re highly social.”

Humpback whale song (For whatever reason the track cannot be listened to on this blog. That is a great shame as the song is magnificent. So please go to the BBC website for this; the link is https://www.bbc.com/news/science-environment-68358414 )

Baleen whales are a group of 14 species, including the blue, humpback, right, minke and gray whale. Instead of teeth, the animals have plates of what is called baleen, through which they sieve huge mouthfuls of tiny creatures from the water.

Exactly how they produce complex, often haunting songs has been a mystery until now. Prof Elemans said it was “super-exciting” to have figured it out.

A diver descends between three juvenile humpback whales the size of buses – Karim Iliya

He and his colleagues carried out experiments using larynxes, or “voice boxes”, that had been carefully removed from three carcasses of stranded whales – a minke, a humpback and a sei whale. They then blew air through the massive structures to produce the sound. 

In humans, our voices come from vibrations when air passes over structures called vocal folds in our throat. Baleen whales, instead, have a large U-shaped structure with a cushion of fat at the top of the larynx.

This vocal anatomy allows the animals to sing by recycling air, and it prevents water from being inhaled.

Artwork indicating the cartilages of the larynx in a humpback whale – Patricia Jaqueline Matic, Vienna

The researchers produced computer models of the sounds and showed that baleen whale song is restricted to a narrow frequency which overlaps with noise produced by shipping vessels. 

“They cannot simply choose to, for example, sing higher to avoid the noise we make in the ocean,” explained Prof Elemans. 

His study demonstrated how our ocean noise could prevent whales from communicating over long distances. That knowledge could be vital for the conservation of humpbacks, blue whales and other endangered giants of the sea.

It also provides insight into questions that researchers have been asking for decades about these eerie songs, which some sailors used to attribute to ghosts or mythical sea creatures.

Whale communication expert Dr Kate Stafford, from Oregon State University, called the study “groundbreaking”. 

“The production and reception of sound is the most important sense for marine mammals, so any studies that elucidate how they make sounds has the potential to move the field forward,” she told BBC News.

Researchers say evidence of the harm ocean noise pollution can do has been building for decades –
Alamy

The research also paints an evolutionary picture – of how the ancestors of whales returned to the oceans from the land, and the adaptations that made it possible to communicate underwater.

The way so-called toothed whales produce sound is better understood, because the animals are easier to study. These marine mammals, which include dolphins, orcas, sperm whales and porpoises, blow air through a special structure in their nasal passages.

Dr Ellen Garland, from the Sea Mammal Research Unit at the University of St Andrews, said: “I’ve always wondered exactly how baleen whales – especially humpbacks, which my research is focused on – actually produce the variety of sounds they do.

“Studying large whales is extremely challenging at the best of times, but trying to uncover how they produce sound when you may not even be able to see them underwater while vocalising is an added level of difficulty, so these researchers have been very creative.”

Dr Stafford added that the mammals’ ability to make such complex vocal signals was “remarkable” and highlighted “how special these animals are”.

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There! I do hope you all agree that this was very worthwhile. Plus, you all got to listen to those twenty-six seconds of the very beautiful sound.

An article on loneliness

A surprising find!

I shall be 80 in November and I find myself thinking about death more often than I did a few years ago. As an example of how my mind has changed, yesterday I was contemplating renewing my subscription to the Free Inquiry magazine and wondering if I should renew it for two or three years? In other words will I still be alive in three years time? Silly but it is the truth. And that is not taking into account that I go to the Club Northwest two days a week and try and bike ride another two or three times a week.

Then let us not get into the topic of whether I will die before Jean or the reverse. That is an enormous subject and, thank goodness, where we live in Oregon one has the choice to die: “Two states, Oregon and Washington, currently have statutes providing a procedure for a terminally ill patient to request medication to end his or her life. These laws are sometimes referred to as “death with dignity” or “physician-assisted suicide” laws.“

All of which is an introduction to a recent article published in The Conversation that I republish below:

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Loneliness can kill, and new research shows middle-aged Americans are particularly vulnerable

The desire to belong is a fundamental human need. Oliver Rossi/Stone via Getty Images

Frank J. Infurna, Arizona State University

Middle-aged Americans are lonelier than their European counterparts. That’s the key finding of my team’s recent study, published in American Psychologist.

Our study identified a trend that has been evolving for multiple generations, and affects both baby boomers and Gen Xers. Middle-aged adults in England and Mediterranean Europe are not that far behind the U.S. In contrast, middle-aged adults in continental and Nordic Europe reported the lowest levels of loneliness and stability over time.

We used survey data drawn from over 53,000 middle-aged adults from the U.S. and 13 European nations from 2002 to 2020. We tracked their reported changes in loneliness every two years across the midlife years of 45 to 65. This span provided us data from the so-called silent generation of people born between 1937 and 1945; baby boomers, born between 1946 and 1964; and members of Generation X, born between 1965 and 1974.

Our study makes clear that middle-aged Americans today are experiencing more loneliness than their peers in European nations. This coincides with existing evidence that mortality rates are rising for working-age adults in the U.S.

We focused on middle-aged adults for several reasons. Middle-aged adults form the backbone of society by constituting a majority of the workforce. But they also face increasing challenges today, notably greater demands for support from both their aging parents and their children.

Following the Great Recession from late 2007 to 2009, middle-aged adults in the U.S. reported poorer mental and physical health compared to same-aged peers in the 1990s. Compared to several European nations, U.S. middle-aged adults currently report more depressive symptoms and higher rates of chronic illness, pain and disability.

Why it matters

The desire to belong is an innate and fundamental need. When this is lacking, it can have downstream consequences.

Loneliness is bad for your health. Researchers have found that loneliness is as dangerous as smoking. Loneliness increases one’s vulnerability to sickness, depression, chronic illness and premature death.

Loneliness is considered a global public health issue. The U.S. surgeon general released an advisory report in 2023 documenting an epidemic of loneliness and a pressing need to increase social connection. Other nations, such as the U.K. and Japan, have appointed ministers of loneliness to ensure relationships and loneliness are considered in policymaking.

You can be lonely even when surrounded by people.

What still isn’t known

Why are middle-aged Americans exceptional when it comes to loneliness and poorer overall mental and physical health?

We did not directly test this in our study, but in the future we hope to zero in on the factors driving these trends. We think that the loneliness Americans are reporting compared to peer nations comes down to limited social safety nets and to cultural norms that prioritize individualism over community.

Individualization carries psychological costs, such as reductions in social connections and support structures, which are correlates of loneliness. Relative to the other nations in our study, Americans have a higher tendency to relocate, which is associated with weak social and community ties.

One of the reasons why we chose countries from across Europe is that they differ dramatically from the U.S. when it comes to social and economic opportunities and social safety nets. Social and economic inequalities likely increase one’s loneliness through undermining one’s ability to meet basic needs. Generous family and work policies likely lessen midlife loneliness through reducing financial pressures and work-family conflict, as well as addressing health and gender inequities.

Our findings on loneliness in conjunction with previous studies on life expectancy, health, well-being and cognition suggest that being middle-aged in America is a risk factor for poor mental and physical health outcomes.

The Research Brief is a short take on interesting academic work.

Frank J. Infurna, Associate Professor of Psychology, Arizona State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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And on yesterday afternoon, the Sunday, I went for a bike ride of 22 miles. I loved the ride especially as I listened to music all the way; I have a portable speaker that clips near the front handlebars and plays tracks from my iPhone.

Then there was an article in March from the University of Bristol: “Happiness can be learnt, but we have to work at it – study finds.“

It reads:

Press release issued: 11 March 2024

We can learn to be happy, but only get lasting benefits if we keep practising, a first-of-its-kind study has revealed.

The team behind the University of Bristol’s ‘Science of Happiness’ course had already discovered that teaching students the latest scientific studies on happiness created a marked improvement in their wellbeing.

But their latest study found that these wellbeing boosts are short-lived unless the evidence-informed habits learnt on the course – such as gratitude, exercise, meditation or journaling – are kept up over the long-term.

Senior author Professor Bruce Hood said: “It’s like going to the gym – we can’t expect to do one class and be fit forever. Just as with physical health, we have to continuously work on our mental health, otherwise the improvements are temporary.”

Launched in 2018, the University of Bristol’s Science of Happiness course was the first of its kind in the UK. It involves no exams or coursework, and teaches students what the latest peer-reviewed studies in psychology and neuroscience say really makes us happy.

Students who took the course reported a 10 to 15% improvement in wellbeing. But only those who continued implementing the course learnings maintained that improved wellbeing when they were surveyed again two years on.

Published in the journal Higher Education, it is the first to track wellbeing of students on a happiness course long after they have left the course.

Professor Hood said: “This study shows that just doing a course – be that at the gym, a meditation retreat or on an evidence-based happiness course like ours – is just the start: you must commit to using what you learn on a regular basis.

“Much of what we teach revolves around positive psychology interventions that divert your attention away from yourself, by helping others, being with friends, gratitude or meditating.

“This is the opposite of the current ‘selfcare’ doctrine, but countless studies have shown that getting out of our own heads helps gets us away from negative ruminations which can be the basis of so many mental health problems.”

Professor Hood has distilled the Science of Happiness course into a new book, out on March 10. ‘The Science of Happiness: Seven Lessons for Living Well’ reveals an evidence-informed roadmap to better wellbeing.

The other paper authors are fellow University of Bristol academics Catherine Hobbs and Sarah Jelbert, and Laurie R Santos, a Yale academic whose course inspired Bristol’s Science of Happiness course.

Paper

‘Long‑term analysis of a psychoeducational course on university students’ mental well‑being‘ by Catherine Hobbs, Sarah Jelbert, Laurie R. Santos and Bruce Hood in Higher Education

Further information
  • Surprising take aways from the Science of Happiness course include:
    • Talking to strangers makes us happier, despite a majority of us shying away from such encounters.
    • Social media is not bad for everyone, but it can be bad for those who focus on their reputation.
    • Loneliness impacts on our health by impairing our immune systems.
    • Optimism increases life expectancy.
    • Giving gifts to others activates the reward centres in our brain – often providing more of a happiness boost than spending money on oneself.
    • Sleep deprivation impacts on how well we are liked by others.
    • Walking in nature deactivates part of the brain related to negative ruminations, which are associated with depression.
    • Kindness and happiness are correlated.

I sincerely hope you find today’s post, a long post, of interest.

Nostalgia

The final song from The Beatles!

I cannot easily put my words together about this iconic British rock band formed in 1960; I was 16 then.

‘Now and Then’
The final song from the iconic English rock band The Beatles was released yesterday, a track that relies on AI-enhanced vocals from former co-frontman John Lennon. Listen to the song, titled “Now and Then,” here.  Regarded as one of the most influential bands of all time, The Beatles are the bestselling artists in music history, having shipped more than 180 million albums. Lennon, Paul McCartney, George Harrison, and (for most of the time) Ringo Starr, were nominated for 21 Grammys in the span of six years beginning in 1965. The group broke up in 1970, and Lennon was tragically killed by an angry fan in 1980. The new song was originally written by Lennon in 1977 and surfaced in 1994 by McCartney but was shelved due to Lennon’s voice being muffled by a piano. New technology reportedly allowed Lennon’s vocals to be isolated and enhanced to the point of being usable. 

Now for some reason I cannot play that YouTube link but hopefully it will be alright when I publish it.

The James Webb telescope

Just astounding!

I was looking for something else on YouTube and came across this 8:56 video of what the James Webb has seen.

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Every Stunning Image Captured By James Webb Space Telescope So Far

21 Jul 2023

The James Webb Space Telescope has completed its first year of science operations. In its first year, the $10-billion infrared space observatory challenged our understanding of the cosmos and showed the universe in a way no other telescope in the past could. In this video, you will find every James Webb Space Telescope image released so far: From the mesmerizing images of the planets of the solar system to the gigantic galaxies seen at the edge of time.

Sunday Discovery Series: https://bit.ly/369kG4p

COSMOS in a Minute Series: https://bit.ly/470VLL8

Music 1: Ambient Piano by LukePN

Music 2: Interstellar by Stereonuts

Created by: Rishabh Nakra

Images: NASA/ESA/JWST

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Not everyone’s cup of tea but for those that cast their eyes to the stars this was astounding!

An invitation from SOUND UK.

To apply to the UK’s Sound Generator.

This is the company that my daughter helps to run. She is Maija and together with Polly and Chloe they run Sound UK. I want to promote a recent item that appeared on their website.

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WHAT IS SOUND GENERATOR?

Now in its third year, Sound Generator is Sound UK’s research and development (R & D) programme that supports artists and seeds the development of an ambitious new project.

Each year six early career music and sound artists spend six months developing and testing their project, supported by mentoring from a range of experts.

By the end of the programme artists will have thoroughly explored their initial idea and tested that they can make it work, ready for the next stage of full commissioning and public engagement.

During the process artists will be able to try out new approaches, learn from others, increase their network and develop their practice.

Projects can be:
• For indoors or outdoors
• Suitable for venue touring or site specific
• Digital, installation or live
• Music, sound or multi-disciplinary
• Designed to reach a new audience, work with a specific community or respond to the world we live in.

Following an open call, six artists will each receive an award of £2200 to research and develop their idea across six months (June to November 2023).

In addition to £2200, the programme includes access to the Sound Generator Network with support sessions from a range of exceptional mentors, plus opportunities to connect with other artists on the programme.

The R & D will culminate in the creation of a short audio or video sample of the project, and a proposal for its delivery. These will be presented by each artist at a sharing event at the end of the programme and sent out to a wide network of industry contacts.

WHO IS IT FOR?

• UK* creators that reflect the full cultural diversity and gender spectrum of the UK
• Creators with 5 – 10 years professional experience
• Creators who want to develop a new idea that extends their practice, with public interaction in mind.
• Artists pushing the boundaries of contemporary music. Working within, but not exclusively, jazz, sound, folk, classical and electronic music, plus all points in between.

*we define a UK artist as someone who has been based and working in the UK for more than 5 years.

Find out more about our 2022 Sound Generator artists and our 2021 Sound Generator artists.

“We learnt so much and mentoring + support was very helpful in furthering our ideas. I think it also puts us in a better position to get further funding and for potential future collaborations.”
Daphnellc & Ambra, Sound Generator 2022

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Hopefully this is read by some people who either want to help share the message or want to apply.

Either way it was worth sharing!

Burt Bacharach remembered

So many tuneful memories.

I grew up with the songs of Burt Bacharach in my heart, my mind and my ears. He was born on May 12, 1928 and lived until quite recently; namely the 8th February, 2023. This may be Valentine’s Day for 2023 but I think the obituary of Bacharach comes first.

The Conversation had a brilliant item on him, published on February 10th and I am going to republish that piece now.

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Burt Bacharach mastered the art of the perfect pop song – and that ain’t easy

A pop pioneer whose songs were performed by the great and good for decades.
Michael Ochs Archives/Getty Images

Gena R. Greher, UMass Lowell

Easy on the ear, perhaps. But the label of “easy listening” often attached to the songs of Burt Bacharach belies the mastery of his talent in crafting perfect moments in music.

Yes, Bacharach’s back catalog is filled with memorable, catchy melodies – whether they were written with longtime partner and lyricist Hal David, former wife Carole Bayer Sager or in collaboration with more contemporary artists such as Elvis Costello, Adele and Dr. Dre.

But there is a harmonic and rhythmic complexity to his music that elevates it above the sweet, often saccharine arrangements that can typify easy listening. It is full of influences from jazz chord structures and progressions, as well as rhythms.

It is why Bacharach, who died on Feb. 8, 2023, at the age of 94, appealed to generations of listeners, as well as the diverse pool of singers who chose to work with him.

Cross-generational appeal

Bacharach began his long songwriting career in the 1950s, but it was the following decade that saw him come to prominence with a series of hit songs.

But with the 1960s as a backdrop – a time of immense innovation in popular music – Bacharach may not have been taken as seriously as many of his contemporaries. It was a time when rock ‘n’ roll and the British Invasion were at the forefront, with rhythm and blues, protest music and folk rock finding their way on the musical landscape.

While Bacharach’s musical counterparts were writing and performing music that responded to and reflected the political, social and cultural upheavals that defined the era, Bacharach and David’s songs focused on different themes: Theirs was music that dealt with relationships and matters of the heart.

They also stood apart from other notable songwriting partners of the age – Lennon and McCartney, Jagger and Richards, for example – in that the songs were written for others to perform. In that way, they were a throwback to an earlier age of popular music, when the likes of Rodgers and Hart provided hit after hit for a roster of singers.

Indeed, they were a late product of Tin Pan Alley – the music industry centered around midtown Manhattan. Bacharach met David in 1957 in the storied Brill Building in New York City – a place where a young songwriter could perhaps catch a break.

Not long after they began working together, Bacharach came across a young backup singer at a recording session who seemed to have promise. The first single he produced with her, “Don’t Make Me Over,” was the first of 38 songs he and David produced with Dionne Warwick.

Her warm tones and fluid phrasing made Warwick’s voice the perfect accompaniment to Bacharach’s music.

But she was one of many collaborators. Some, like Warwick, were plucked from relative obscurity. Others, like Perry Como, were already established singers.

The list of artists who found success with Bacharach songs in that era is astonishing: Aretha Franklin, The Carpenters, Dusty Springfield, Tom Jones and The 5th Dimension, to name just a few.

Through collaborators, Bacharach’s music was able to reach a fairly diverse audience. The songs were so well written that they could easily be reworked into different genres, and break the confines of “easy listening” – a genre often maligned as unhip. In the hands of Isaac Hayes, the sweet refrains of “Walk on By” becomes a psychedelic funk classic. Years later, The White Stripes transformed “I Just Don’t Know What To Do With Myself” into a stripped-down, guitar-heavy slice of rock.

Froms Oscars to revivals

The music of David and Bacharach also worked on a different level – as the background to movie soundtracks. The 1966 Michael Caine film “Alfie” is perhaps equally known today for the title track, with versions by Cher, Warwick and British singer Cilla Black all becoming hits on the back of the film.

In 1969, Bacharach and David’s “Raindrops Keep Falling on My Head,” sung by B.J. Thomas in the western “Butch Cassidy and the Sundance Kid,” won the Academy Award for best original song. Bacharach also won the Oscar for best original score.

Adding to success on the charts and on screen, Bacharach also won acclaim for his work on Broadway. The 1968 show “Promises, Promises” was groundbreaking in its use of amplification in the orchestra, which included a rock band. The show contained a number of songs that topped the charts, most notably Warwick’s version of the show-stopping “I’ll Never Fall in Love Again.”

A mana and woman sit at a recording desk.
Burt Bacharach and Dionne Warwick recording together in 1964.
Bela Zola/Mirrorpix/Getty Images

In an NPR “Fresh Air” interview in 2010 – when the musical was being revived on Broadway – Bacharach discusses the number of rhythmic meter changes in the title song, “Promises, Promises,” and the difficulties these rhythmic changes presented for singers and musicians in the show.

The interview is also notable in that it reunited him with David – the two had a much publicized split in 1973 after working on a failed movie. The breakdown of their successful musical partnership saw Bacharach lose interest in writing music for a spell, and affected his relationship with Warwick.

This was eventually resolved with her recording of one of Bacharach’s most memorable songs, 1985’s “That’s What Friends are For,” written with his then-wife, Carole Bayer Sager. Though the song had been first recorded by Rod Stewart for the film “Night Shift,” the Warwick & Friends’ version – the friends being none other than Elton John, Gladys Knight and Stevie Wonder – is the one that became a hit and helped revive Bacharach’s career.

Though best known for the songs he wrote in the 1960s through the 1980s, Bacharach continued to write music into his old age, collaborating with Elvis Costello, Adele and Dr. Dre.

You may have noticed the sheer number – and range – of artists Bacharach worked with. It speaks to the quality and endurance of his output. Yes, he will be remembered by some as the writer of exemplary “easy listening” songs. But Burt Bacharach’s legacy will prove that he was so much more.The Conversation

Gena R. Greher, Professor of Music, UMass Lowell

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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There are so many of his melodies on YouTube and you are free to do your own searching. But I just wanted to share one with you. It is Burt Bacharach with Barbra Streisand with Close To You and Be Aware.

Perfect!

Far, far back in time.

Nasa’s James Webb telescope is awesome beyond words.

The recent launch of this telescope, as a successor to Hubble, can see right back more than 13.5 billion years. The universe was formed 13.78 billion years ago. The reach of the James Webb telescope is therefore 98% (97.96) of the life of the universe. But the superlatives about this telescope are almost never-ending. For example it will, in time, be able to explore the tiny planetary worlds far, far away. We may in time see signs of life, as in water, vegetation, or industrialisation, connected with those planets.

The James Webb is in orbit some million miles away from Earth and will, in fact, be orbiting the sun.

One could go on and on speaking about this achievement but I will resist. I want to share a three things with you.

First the release of this early image and a portion of the associated text:

NASA’s James Webb Space Telescope has delivered the deepest and sharpest infrared image of the distant universe so far. Webb’s First Deep Field is galaxy cluster SMACS 0723, and it is teeming with thousands of galaxies – including the faintest objects ever observed in the infrared.

Webb’s image is approximately the size of a grain of sand held at arm’s length, a tiny sliver of the vast universe. The combined mass of this galaxy cluster acts as a gravitational lens, magnifying more distant galaxies, including some seen when the universe was less than a billion years old. This deep field, taken by Webb’s Near-Infrared Camera (NIRCam), is a composite made from images at different wavelengths, totaling 12.5 hours – achieving depths at infrared wavelengths beyond the Hubble Space Telescope’s deepest fields, which took weeks. And this is only the beginning. Researchers will continue to use Webb to take longer exposures, revealing more of our vast universe.

Second, why is it named after James E. Webb (1906- 1992)? James Webb was NASA’s second administrator and known for leading Apollo, the series of lunar exploration programs that landed the first humans on the Moon. (A good Q&A is here: https://www.jwst.nasa.gov/content/about/faqs/faq.html )

Last thing to share is some music! ‘Floating in Heaven’ by Graham Gouldman and Brian May

It is indeed wonderful to be alive at this time!

Recent visits to YouTube

First, Ricky Gervais, then Ella Henderson singing her latest release.

There are many videos on YouTube that are worth watching.

These two are well-worth sharing with you.

The first is Ricky Gervais, a well-known atheist, as are we, presenting an eleven-minute debate on religion.

Though it must be said that my old country has God Save The Queen and my new country has In God We Trust and I cannot see those changing in what is left of my lifetime!

The second is a fabulous rendition of Brave by Ella Henderson. Ella is a British singer and this performance is when she was invited to the UK TV programme The Graham Norton Show earlier on in the New Year.

See you all on Thursday!

More serendipity

The continuing story of Alfie.

Stop Press

Alfie has had his operation and all is well! I don’t know more than that at the moment but I do want to share the journey from New York to Minneapolis with you. Because it is such a story of love and devotion.

(And I have just heard that Prince Phillip, Duke of Edinburgh, has died – oh, dear.)

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New York to Minneapolis road trip

April 5, 2021 By Mr Coyne

The week we travelled to the US, the East Coast was experiencing one of its winter storms. Snow threatening our progress overland to our destination. With this in mind, we worked with James Gallagher at Enterprise close to Westhampton Private Airport near Maine just outside NY, we arranged for a Jeep Gladiator to be waiting on the tarmac for us. The plan was to land, walk down the steps and into the Jeep, then drive around 20 hours across 9 States (New York, New Jersey, Pennsylvania, Ohio, Michigan, Indiana, Illinois, Wisconsin, and Minnesota) taking it in turns, and stopping only when tiredness took hold to sleep. When I say drive around 20 hours, that’s just driving, not stopping to fuel, use a bathroom, eat, rest. Over 1,300 miles. A mammoth task.

At this point I’d already not slept in almost 24 hours

The plan hit the rocks as the jet approached Westhampton and were told the runway closed due to snow. We were diverted to JFK, and then Ubëred two hours back to our original airport. We could have tried to get a four wheel drive from JFK but we already knew getting something in the middle of a bad storm would be near impossible. Trying to fly internally from JFK to Minneapolis was off the table too as we had bought a lot of luggage with us, which we intended to leave in the US. Trying to get this through JFK, with all of this and a dog, a dog that potentially could have been turned away at the gate for being too big, was not worth trying to modify our plan.

Somehow our route through the Bronx is the Mayor of London’s fault

Snow on the ground we got our Jeep, and just had James had said when he sourced it for us – it looked unstoppable. He’d kindly shovelled out most of the snow from the pick-up bed. We headed out through rush hour NYC traffic towards Minnesota following the quickest route on Google Maps. Surprisingly through the Bronx. We made it through the other side and eventually stopped somewhere on the outskirts in search of a toilet and food. A Gladiator sits high off the ground, and we were already tired. As we pulled up outside a potential watering hole Renée opened the door and fell out, hitting the ground audibly so. Alfie was in her arms but had the foresight to recognise trouble and jump to safety. We went inside, one of us limping, to check ourselves over and eat. Luckily just bruising; limbs and pride. We were there a couple of hours, much longer than we intended, but the food and rest needed. It was a big, clean hotel and would have been a good place to stop, at the expense of making the next day even harder. We pushed on. Before doing so I looked at Google maps and realised I’d made a schoolboy error. Living in London and owning old cars is a constant maze avoiding paying the Congestion Charge and ULEZ (Ultra Low Emission Zone). My phone was still set to avoid these tolls, hence our route through the the centre on New York. Worse, the fastest route would now see us backtrack some of the way we’d just driven.

Enjoying a meal after avoiding disaster falling from the truck

The Gladiator proved its worth as the elevation climbed and snowfall increased. We kept going until tiredness eventually became too dangerous to ignore and we stopped somewhere, somewhere being my best guess at where as I was so tired. A room at a Holiday Inn. Alfie making friends with the front desk saw the $80 dog fee waved. We didn’t sleep long, maybe three hours and returned to the Jeep early around sunrise. Throughout the entire trip Alfie had sat up front on Renée’s lap as the rear seats of our crew cab style truck full of luggage (the pick up bed empty so our stuff remained dry and safe). I’d read that these Jeeps were not great over long distances, and my previous longest time in one, a Rubicon, was between Fargo and Minneapolis on roads closed due to snow. It was cold and as a passenger I got leg ache. From the driver’s seat it wasn’t too bad. I’m sure most people buy slab sided trucks like this, original Land Rover Defenders and G Wagons simply because they look good, but there is no denying when the conditions get tough they are incredibly capable. Well, maybe not the G Wagon as that’s simply a fashion accessory.

Moments before a face plant. Ouch

“Watching a sleeping poorly dog, all of us crammed up front with the heater blowing full pelt to keep warm, hour after hour, made me question my original judgement of travelling this way

Watching Alfred, a poorly dog, asleep on Renée’s lap, all of us crammed up front with the heater blowing full pelt to keep warm, hour after hour, made me question my original judgement of travelling this way. My thinking was to have Alfred in the air for the minimum time and then get him the rest of the way by road where he would not be squashed in a bag, could go pee whenever he needed, and I could deal easily with any seizures. The whole private jet decision happened very fast and I hadn’t really adjusted to the revised plan. Also the plan had been to land at Westhampton, not JFK where we could have easily boarded a domestic flight to Minneapolis. Hindsight always great, and beating yourself up over something already done when tired completely pointless. The important think was we were in the USA, and on our way to get Alfred the help he needed. Given the obstacles in our way just two days ago we really should be patting ourselves n the back.

Give us all ya got. Nothing could stop the Gladiator

Eventually, around three hours out from our destination, I could drive no more and we stopped in one of the fantastic US rest areas. These places are free from gas stations, usually have vending machines, and clean toilet facilities. They feel safe and good places to stop for a snooze. It was cold though, with a lot of snow and ice on the ground. We slept a while with the engine running and heater keeping us warm. When it is this cold, global warming is the last thing on your agenda.

Errrr, drive through donuts? I LOVE America guys
Why is there a sportsman on this packaging? Is it a race to get diabetes?

“We slept a while with the engine running and heater keeping us warm. When it is this cold, global warming is the last thing on your agenda.

I’ve been in this situation before. Driving while tired is super dangerous. I suspect more so than alcohol (within reason) and up there with texting. As a pilot once said over the tannoy of a flight to Bahrain years ago: better to get there late than not at all. But before long, Renée woke me and wanted to carry on. I managed the next hour before handing over the driving to her to get us the rest of the way. The two of us had dug really deep to make it.

Not the most economical, but fuel is cheap so we don’t care

Arriving at the Canopy in Minneapolis was a welcome sight. Alfred’s surgery was scheduled 10 days from now but we had an option to bring it forward should he deteriorate rapidly. We were where we needed to be. A huge victory and I could literally feel the stress lifting from me. 

Of course, we were only actually part way there, the real challenge was to come.

ooOOoo

And of course, as I mentioned at the beginning of this post, little Alfie has arrived in Minneapolis and has had his operation. In due coarse I will bring you the latest.

More from the family.

And it involves dogs! Well in a roundabout way!

Back on Monday I spoke of Rik and his company Ahead4Heights.

Rik then sent me another piece of news about a film that he produced at short notice for Brixham Council.

Recent projects being a the Front page of the local rag, a roof inspection in Teignmouth for one of the largest local roofing contractors who is now on board and promising more work.

More interesting was a commission from Brixham Council for a short film showing the natural beauty of an area near Brixham in order to oppose a planning application for 400 houses. I received a call on that Friday telling me they needed the film for the public inquiry the following Tuesday! With only that Sunday looking good for flying I managed to fly, edit and upload the film later that evening so they had it for Monday morning, it was played at the hearing and has become a pivotal part of the evidence and was watched over 600 times over the following few days.

 

The land in question is dog walkers heaven and used by all the local residents.

Here is that front page of the Herald Express.

I regret that it is probably far too small a file to show the details. Never mind!