Just over a week ago, Dan Gomez sent me a link to an item on StumbleUpon. It was a feature called Don’t Believe Your Eyes featuring the work of Matthew Albanese.
I am not going to reproduce all the images despite them all being on that StumbleUpon webpage simply because I haven’t had time to ask Matthew’s permission. I will just offer a few of them so you may be wowed as I was.
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Matthew Albanese is an artist who fascinates with special effects and magic. Matthew owns a stunning artwork collection of photographs that will blow your mind with their realistic presence. On the left side in the gallery you can see the final image and on the right you will be able to see how image was created using his special effects. Scroll down and enjoy today’s gallery of 15 beautiful artworks.
BOX OF LIGHTNING
Diorama for Box of Lightning.. Backlit etching in plexiglass painted black.
HOW TO BREATHE UNDERWATER
Diorama made out of walnuts, poured and cast candle wax, wire, glitter, peanut shells, flock, plaster, wire, dyed starfish, compressed moss,
Diorama made using painted parchment paper, thread, hand dyed ostrich feathers, carved chocolate, wire, raffia, masking tape, coffee, synthetic potting moss and cotton.
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OK, if you want to see the whole set you will have to go Matthew’s website.
But I will just sneak in the last one from that series of fifteen.
Paprika Mars. Made out of 12 pounds paprika, cinnamon, nutmeg, chili powder and charcoal
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Matthew Albanese’s fascination with film, special effects and movie magic—and the mechanics behind these illusions—began early. Born in northern New Jersey in 1983, Albanese spent a peripatetic childhood moving between New Jersey and upstate New York. An only child, Albanese enjoyed imaginative, solitary play. He loved miniatures and created scenarios intricately set with household objects and his extensive collection of action figures. After earning a Bachelor of Fine Arts degree in Photography at the State University of New York, Purchase, Albanese worked as a fashion photographer, training his lens on bags, designer shoes and accessories—this small-object specialization is known in the retail trade as “table top photography.” Albanese’s creative eye soon turned to tabletop sets of a more wildly eclectic nature. In 2008, a spilled canister of paprika inspired him to create his first mini Mars landscape. More minute dioramas—made of spices, food and found objects—followed. In 2011, Albanese was invited to show at the Museum of Art and Design of New York. His work has also been exhibited at the Virginia Museum of Contemporary Art, Winkleman Gallery, and Muba, Tourcoing France. Matthew is represented at Bonni Benrubi Gallery in New York
ALL IMAGES, TITLES, DESCRIPTION AND BIO ARE COPYRIGHT AND IN OWNERSHIP OF MATTHEW ALBANESE WEBSITE
There’s been a couple of posts that I want to refer to because they underline the fact that humans are so prone to forgetting that we are of the wild, from the wild and connected to the wild.
The first of those posts was a recent essay by Patrice Ayme under the title of Rewilding Us and is republished on Learning from Dogs with the kind permission of Patrice.
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Rewilding Us.
REALITY IS WILD & FEROCIOUS. IGNORING IT IS INHUMAN.
And Presents A Civilizational Risk.
Princeton is freaking out. Flesh devouring aliens are lurking out in the woods, threatening academia’s fragile thoughts. Krugman:
A growing population of coyotes in the wooded area bordering the Institute for Advanced Study has motivated the Princeton Animal Control Advisory Committee to recommend that sharpshooters be hired to help handle the problem. “There is a big pack over at the Institute Woods,” officer Johnson said this week. “I’m having a lot of complaints that they follow people around.”‘
You Can’t Always Eat Who You Want
The “Mountain Lion”, is a relative of the Cheetah (erroneously put in the cat family, felis, until last year or so). It has 40 names, in English alone, and is found from the American Arctic to Patagonia, from the sea shore to the high mountains. The weight above is that of the female. Males are heavier (typically up to 100 kilograms). The heaviest puma shot in Arizona was 300 pounds (136 kilos).
The lion/cougar/puma is capable of jumping up twenty feet from a standstill (yes, 6 meters; horizontally, 14 meters). It is capable of killing a grizzly (pumas and ‘golden bears’ were famous for their naturally occurring furious fights to death in California). The feline’s crafty method consisted into jumping on top of the bear, and blinding him with furious pawing. Top speed: 50 mph, 80 km/h. (By the way, there used to be pure cheetahs in North America, recently exterminated by man. I propose to re-install the Asian cheetah in the USA, in a sort of cheetah diplomacy with Iran.)
The philosophical question here is: what is this world all about? Is it about living on our knees, or ruling among animals and wilderness?
Why would Princeton panic about small canids? Because they don’t obey the established order?
Coyotes are totally clever, and not at all dangerous (being so clever). They have very varied voices, when in packs. Going out and shooting them is really primitive, and misses the main point of having nature around. That is: to teach humility, and teach the richness of our planet, visit hearts with emotional diversity, and minds with complexity.
Bears and Mountain Lions are a completely different matter. They are both extremely clever too, but can be very dangerous.
Running and hiking in the Sierra, I got charged by scary bears several times. I view this dangerosity as a plus, but it never loses my mind, and I got scared nearly out my wits more than once.
Once, in a national Park on the coast, I literally ran into two large lions in 30 minutes! Then I got charged by a large elk before he realized I was not a lion. Other high notes were finding a bear cub on the trail in the near vertical mountain side, on the way down, as dusk was coming.
Another high point was the large bear by the trail, who was lying like a bear rug, at 9pm, in an apparent ruse to let me approach until he could jump at his prey, as he did, before realizing that I was not a deer, something that obviously infuriated him. He was torn between making the human into dinner, and the instinct that this would turn badly for him.
In Alaska I was charged by a moose with her progeny… although I did not go as fast as an experienced mountain biker who happened to be there too, the anti-grizzly cannister in my hand emboldened me to succeed in a circuitous move to proceed towards my distant destination, something facilitated by the calf’s crash into some obstacle, drawing his mother’s concern. Mountain running often requires to proceed, no matter the obstacles in the way, when one is too far to turn around.
Bears know rocks, they have been hurt by them, and so they fear airborn rocks (throw the rock on something noisy, to impress; I had to hit, with a very large rock, a charging bear directly, once; it fled; it was killed by rangers later after he caused a flesh wound to somebody else; some will find all this very violent; well, it is, that’s part of the whole point).
Mountain Lions are better charged and/or, roared or barked at. They fear insane behavior.
In general making lots of noise helps, with bears and lions. I don’t have clever tricks to suggest for bathing safely in the murky icy Pacific. Although I assume that the presence of sea lions bobbing on the surface placidly is indicative of the absence of an obvious white shark prowling… In any case the pacific is so cold, you will probably die of cardiac arrest before you are devoured.
In Africa, there are about 500,000 elephants. 25,000 to 30,000 are killed, a year, to send the ivory to east Asia (China, Vietnam). So African elephants may disappear. This is beyond tragic, it’s irreplaceable. Elephants understand people’s gestures, without any learning (they apparently learn to use trunk gestures among themselves). One is talking about extremely intelligent animals here. (In contrast, chimpanzees have great difficulties understanding human gestures.)
Intelligence and culture are dominant among apex mammals. That’s what makes them so superior. Washington State had the smart idea to shoot full grown adult male mountain lions. Thus mountain lion society and culture collapsed, uneducated teenagers took over, and incidents with humans exploded (something about the quiet macho society!).
A Japanese specialist of chimpanzee intelligence who happens to have a bear in his lab, found that the bear did not underperform chimpanzees on mental tasks (that’s actually a problem with bears; being so clever, they can be unpredictable, one can never know what they have up their sleeve, like the one who mimicked a bear rug, above, or one who drove a car in Tahoe). A number of social mentally advanced animals (sea mammals, parrots) use advanced languages.
So what are my recommendations? The Princeton Institute for Advanced Studies ought to realize that, if it wants to become really brainy, it ought to give our fellow species a chance. They are part of what make our minds, in full.
Elephants and rhinoceroses used to be all over Europe and North America. They ought to be re-introduced right away, using Indian and African species (rare camels too; later, thanks to genetic engineering, part of those could be replaced by re-engineered ancient species, such as the Mammoth). Lions and leopard like species ought to be reintroduced too.
It can work: in the San Francisco Bay Area, there is an impressive population of mountain lions. I had many close calls (in the most recent incident, a few weeks ago, a lion peed an enormous and dreadfully smelling amount on a trail I was making a loop on, obviously to show me he owned the territory, a total wilderness reserve a few miles from Silicon Valley… especially at dusk).
However, the lions are extremely good at avoiding people (although one got killed by police in downtown Berkeley in the wee hours of the morning). They will all be collared in the next ten years, to find out what is going on. With modern technology (collars!) and sophisticated human-animal culture, there is no reason why extremely dangerous, but clever species could not live in reasonable intelligence with humans.
So rewilding is possible. It’s also necessary. Why? So we humans can recover our hearts, and our minds.
Whether we like it or not, we are made for this wild planet. By forgetting how wild it is, by shooting it into submission, we lose track of the fact human life, and civilization itself, are much more fragile than they look.
And thus, by turning our back to the wilds, we lose track of what reality really is. Worse: we never discover all what our minds can be, and how thrilling the universe is. We are actually bad students who refuse to attend the most important school, that taught by reality itself.
Rewilding is necessary, not just to instill a mood conducive to saving the planet, but also to remake us in all we are supposed to be.
Expect Evil, And Don’t Submit.
These are the times when, once again, the plutocratic phenomenon is trying to take over. That’s when the few use the methods of Pluto to terrorize and subjugate the many (to constitute what is variously named an elite, oligarchy, or “nomenklatura“, or aristocracy, that is, a plutocracy).
And how is that possible? because the many have been made into a blind, stupid, meek herd (I refer to Nietzsche for the condemnation of the herd mentality).
How do we prevent that? Nietzsche advocated the mentality of the “blonde beast“. That meant the lion (and not what the Nazis claimed it was; few were as anti-Nazi as Nietzsche). Why lion? Because lions are domineering. I learned in Africa that one could go a long way with wild lions, as long as one gave them respect, and time to get out of the way. However, disrespecting a lion means death.
Lions don’t accept to live on their knees. When abominable forces from the giant Persian theocratic plutocracy put the tiny Athenian democracy in desperate military situations, Athenians fought like lions. And democracy won.
Yet, 150 years later, when fascist, plutocratic, but apparently not as abominable, Macedonian forces put Athens in a difficult situation, Athenians surrendered. They did not fight like lions. Democracy would not come back to Athens for 23 centuries (and only thanks to the European Union).
We will not defeat plutocracy if we do not rewild ourselves. First. Let there be lions.
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Patrice Ayme
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What I read in Patrice’s essay is this. Man is, by definition, part of nature. Yet man, uniquely of all the natural species on this planet, has contrived to ‘evolve’ a set of beliefs that run counter to the core integrity of nature. Perhaps more accurately put: sections of modern man have evolved this way.
I have a background piece on Learning from Dogs called Dogs and integrity. Here’s an extract:
value and cherish the ‘present’ in a way that humans can only dream of achieving
are, by eons of time, a more successful species than man.
And have poetry written for them:
Inner Peace
If you can start the day without caffeine,
If you can always be cheerful, ignoring aches and pains,
If you can resist complaining and boring people with your troubles,
If you can eat the same food every day and be grateful for it,
If you can understand when your loved ones are too busy to give you any time,
If you can take criticism and blame without resentment,
If you can conquer tension without medical help,
If you can relax without liquor,
If you can sleep without the aid of drugs,
You are probably the family dog!
Those words apply equally to all the animals on this planet; all of Nature’s animals. In other words, integrity must be and has to be the one and only framework within which we live.
I occasionally read sad stories in my local media of senseless cruelty against wildlife around my town of Colchester: the smashing of barn owl eggs; people suffocated badgers by closing their den up. People have no opportunity to expose themselves to nature, and thus connect with nature, some experts call “Nature Deficit Disorder.”
Technology, far from liberating, enslaves the individual to a relentless need for entertainment and personal validation, backed by demands of television, homework, cellphones and money earning. Many view nature as a health and safety risk, so that it is either managed or avoided. The situation is best illustrated in a satirical YouTube video called“The discovery of the last child in the woods.”
The solution is simple: expose yourself to nature.
The indigenous Native American expresses a connection to nature in this video:
Here is that video. Watch it without interruption. In less that 3 minutes it spells out everything that we humans have to relearn about the world we live in; the world we are part of. The integrous world we must fight for. Fight for as lions!
When all the trees have been cut down,
when all the animals have been hunted,
when all the waters are polluted,
when all the air is unsafe to breathe,
only then will you discover you cannot eat money. ~ Cree Prophecy ~
The sub-heading is the first line of the poem To Autumn by John Keats. The full poem closes today’s post.
Old habits from England die hard. My way of explaining my reticence to adopt a whole panoply of American words including Fall. Of course, it’s the perfect word to describe this time of the year but, nonetheless, Autumn feels like its ‘hard-wired’ into my personal vocabulary.
With the Summer heat behind us, the task-list for jobs to be done outside can no longer be fudged by “it’s too hot to work outside just now” excuse!
Frankly, the weather at the moment is so beautiful that it’s a privelege to be out in the open; to be enveloped by Nature.
Autumn colours on the trees along our Northern boundary. Mt. Sexton in the distance.
One job that we have been engaged in is installing a couple of raised vegetable beds on the flat area that used to be a tennis court. We had the asphalt base torn up a few months back. Yesterday, saw the first of the two beds filled ready for a crop of Winter vegetables to be planted in the coming weeks.
Anticipating eating our own vegetables for next year.
So many wild creatures, large and small, are storing up their body reserves for the long Winter months. Our neighbours, Dordie and Bill, regularly feed the wild deer and we have joined in as well. It’s fascinating to see how quickly they work out that we are not going to harm them. The picture below shows a young deer that allowed me to jump off the tractor, go indoors to find my camera, and return to snap the gorgeous, pretty creature.
Trusting little soul.
There’s been a couple of posts that I want to refer to because they underline the fact that humans are so prone to forgetting that we are of the wild, from the wild and connected to the wild. That’s for tomorrow.
Thus will close today with a recent Autumnal picture of the early-morning mists across our open grass area.
Misty Autumnal mornings
So to that John Keats poem:
To Autumn
John Keats (1820)
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
These are a few from a collection sent to me by Cynthia Gomez. (Captions from yours truly)
Left hand not knowing right hand comes to mind.
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It’s a fair question!
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Ouch, a bit close to home!!
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Next two photographs from a weblink that Dan Gomez sent me.
Shelf clouds over Timisoara
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A world of green.
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Now a few from yours truly, all taken from here at home.
Autumn hues.
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Dhalia enjoying the Fall scents.
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Misty October morning.
The final item is a YouTube video that Dan Gomez pointed out to me. Enthralled is an understatement! Do Watch It In Fullscreen!
Oh, don’t watch it if you don’t have a head for heights!!
NOTE: When running this video at this end, it has been starting with the volume muted. The volume setting is bottom left so check before the video gets under way for you.
They are both breathtakingly wonderful to watch and listen to. So put your feet up for half-an-hour and be swept away by these incredible musicians.
The first features Darren Foreman otherwise known as Beardy Man. His bio is here.
Published on Aug 2, 2013
Frustrated by not being able to sing two notes at the same time, musical inventor Beardy Man built a machine to allow him to create loops and layers from just the sounds he makes with his voice. Given that he can effortlessly conjure the sound of everything from crying babies to buzzing flies, not to mention mimic pretty much any musical instrument imaginable, that’s a lot of different sounds. Sit back and let the wall of sound of this dazzling performance wash over you.
Beardy Man
The second features Usman Riaz and Preston Reed and demonstrates the power of this new wired-up world we live in.
Usman Riaz is a 21-year-old whiz at the percussive guitar, a style he learned to play by watching his heroes on YouTube. The TED Fellow plays onstage at TEDGlobal 2012 — followed by a jawdropping solo from the master of percussive guitar, Preston Reed. And watch these two guitarists take on a very spur-of-the-moment improvisation.
Preston Reed has his own website from where I took the following photograph.
I’ve always felt great wildlife photography mapped well to the Chinese proverb “the journey is the reward.” While I obviously enjoy seeing the end result of my wildlife photography outings I get a great deal of satisfaction in the crafting of those images. My best images often rise to the top because of one of the following maxims: –
1. Backgrounds are Equally Important as Your Subject
Pronghorn Antelope (Antilocapra americana) Portrait. Canon EOS 1Ds III, Canon 70-200mm f/2.8 IS USM + 2x teleconverter, 1/250 sec, f/8, ISO 400
It has loads of fabulous advice plus some pretty neat pictures.
Take a look at the last tip:
7. Utilize Negative Space
Alert Sea Otter and Pup. Canon EOS 1Ds III, Canon 600mm + 1.4x teleconverter, 1/1000 sec, f/8, ISO 400
Don’t have a long lens? Fear not as images taken with shorter focal length lenses can help capture areas of negative space. By employing negative space you can enhance your subject by highlighting its place/scale, its environment and/or leverage contrasting color and textures to make your subject stand out.
Finally, having ‘borrowed’ these couple of images, it seems only proper to close the post with the last two paragraphs of the article promoting both the NWF and the guest author, Jim Goldstein. If you own a camera and enjoy the great outdoors then do read the article in full.
Enter the National Wildlife Photo Contest
Be sure to read Jim’s previous post about selecting the right gear for spectacular landscape photography. And, after you’ve rented your gear, planned your trip, and taken your wonderful nature photos, remember to enter the National Wildlife Photo Contest. You could win part of $6,000 in prizes, including a Grand Prize trip for two to Churchill, Canada where you can see and photograph polar bears. There are wildlife and landscape categories, but the deadline to enter is July 15, so enter soon!
About Jim Goldstein
Jim Goldstein is a San Francisco-based professional photographer and author who has been in numerous publications, including Outdoor Photographer, Digital Photo Pro, Popular Photography and has self-published a PDF eBook Photographing the 4th Dimension – Time covering numerous slow shutter techniques. Follow Jim Goldstein on Google+ | Twitter | Facebook | 500px
And let me close with a favourite of mine – a dog photograph, of course!
I ran out of time and inspiration for today’s post; was going to republish something from earlier blogging days.
Then Suzann came to the rescue in sending me an email with a link to the following. Guess Su wanted me to keep up with some of the strange ideas of us Brits.
Published on Apr 2, 2013
Sacla’ served up a great surprise at John Lewis Foodhall from Waitrose and staged an impromptu Opera in the food aisles.
They planted five secret opera singers who were disguised as casual shoppers and store staff amongst the groceries who broke into song bringing the foodhall to a standstill with a rousing rendition of the Italian classic Funiculì, Funiculà.
I know it was an advertising stunt, but it was very well done! More please!