I’ve always felt great wildlife photography mapped well to the Chinese proverb “the journey is the reward.” While I obviously enjoy seeing the end result of my wildlife photography outings I get a great deal of satisfaction in the crafting of those images. My best images often rise to the top because of one of the following maxims: –
1. Backgrounds are Equally Important as Your Subject
Pronghorn Antelope (Antilocapra americana) Portrait. Canon EOS 1Ds III, Canon 70-200mm f/2.8 IS USM + 2x teleconverter, 1/250 sec, f/8, ISO 400
It has loads of fabulous advice plus some pretty neat pictures.
Take a look at the last tip:
7. Utilize Negative Space
Alert Sea Otter and Pup. Canon EOS 1Ds III, Canon 600mm + 1.4x teleconverter, 1/1000 sec, f/8, ISO 400
Don’t have a long lens? Fear not as images taken with shorter focal length lenses can help capture areas of negative space. By employing negative space you can enhance your subject by highlighting its place/scale, its environment and/or leverage contrasting color and textures to make your subject stand out.
Finally, having ‘borrowed’ these couple of images, it seems only proper to close the post with the last two paragraphs of the article promoting both the NWF and the guest author, Jim Goldstein. If you own a camera and enjoy the great outdoors then do read the article in full.
Enter the National Wildlife Photo Contest
Be sure to read Jim’s previous post about selecting the right gear for spectacular landscape photography. And, after you’ve rented your gear, planned your trip, and taken your wonderful nature photos, remember to enter the National Wildlife Photo Contest. You could win part of $6,000 in prizes, including a Grand Prize trip for two to Churchill, Canada where you can see and photograph polar bears. There are wildlife and landscape categories, but the deadline to enter is July 15, so enter soon!
About Jim Goldstein
Jim Goldstein is a San Francisco-based professional photographer and author who has been in numerous publications, including Outdoor Photographer, Digital Photo Pro, Popular Photography and has self-published a PDF eBook Photographing the 4th Dimension – Time covering numerous slow shutter techniques. Follow Jim Goldstein on Google+ | Twitter | Facebook | 500px
And let me close with a favourite of mine – a dog photograph, of course!
A response to the many who enjoy the regular Sunday photo parade.
Jean and I have recently joined the National Wildlife Federation partly because there are times when it really does seem ‘wild’! Anyway, I was trawling the NWF website the other day and came across this very helpful advice: 7 Wildlife Photo Tips to Never Forget. In view of the popularity of Sunday’s regular Picture Parade on Learning from Dogs, it seemed appropriate to dip into that section for today’s post. [Note: you will have to go to the website to read the full article as it would be wrong to republish the entire item without permission.]
7 Wildlife Photo Tips to Never Forget
This guest post by Jim Goldstein is sponsored by BorrowLenses.com.
I’ve always felt great wildlife photography mapped well to the Chinese proverb “the journey is the reward.” While I obviously enjoy seeing the end result of my wildlife photography outings I get a great deal of satisfaction in the crafting of those images. My best images often rise to the top because of one of the following maxims:
1. Backgrounds are Equally Important as Your Subject
2. Embrace Serendipity When Photo Editing
3. Challenge Viewers with Anthropomorphism
4. Employ Non-Standard Compositions
5. Capture Your Subjects at Their Eye Level
6. Factor in Form and Pose
7. Utilize Negative Space
I am going to republish just one of these tips to give you an idea, because the advice is stunning, in my humble opinion.
2. Embrace Serendipity When Photo Editing
Arctic Hare. Canon 1D Mark II, Canon 500mm f/2.8 + 1.4x teleconverter, 1/640 sec, f/7.1, ISO 400
When behind the camera, focus carefully on your subject. But when photo editing look for unique and subtle differences that might enhance or transform the story within your image. Case in point: this example image of a mosquito biting the nose of an Arctic Hare. My attention was on obtaining a razor sharp image and composing carefully, but when photo editing I found a couple frames that captured the biting mosquito that had been invisible to me at the time I took the photo.
Arctic Hare Being Bitten By Mosquito on the Nose
Jim Goldstein is a San Francisco-based professional photographer and author who has been in numerous publications, including Outdoor Photographer, Digital Photo Pro, Popular Photography and has self-published a PDF eBook Photographing the 4th Dimension – Time covering numerous slow shutter techniques. Follow Jim Goldstein on Google+ | Twitter | Facebook | 500px
Do take a few moments and go across to the website and read the full set of tips. If you have any interest in photographing nature and wildlife this is unmissable good advice. Want to know more about the National Wildlife Federation? More information here.
Learning from Dogs 