A reposting of a fascinating item regarding Ra Paulette.

As is the way of our interconnected world, I clicked on a link in a recent post over on Sue Dreamwalker’s blog that then took me to an item on a new blog site from Vision Keeper called World Metamorphosis. The item was about an American, Ra Paulette, who …

The American artist Ra Paulette has spent the last 10 years carving wondrous creations in the walls of a cave located in Northern New Mexico. For many years now, Paulette has walked to work into the hot desert, with only his faithful dog by his side. After much hard work, Paulette has finally allowed the public to view the incredible masterpiece he has been working on all of this time.

It all began with a mile long walk into the wilderness where Paulette discovered the cave. He has since transformed the everyday limestone walls into gorgeous hallways and spaces that are surprisingly full of light. Learn more about the man behind the carvings and check out the magnificent cave artwork here! (Source: Phoenix is Risen)

Then it was a ‘hop, skip and a jump’ to go across to Ra Paulette’s website, where one reads such glorious details as:

Process

Manual labor is the foundation of my self expression. To do it well, to do it beautifully, is a “whole-person” activity, engaging mental and emotional strengths as well as physical strength.

When digging and excavating the caves I break down all the movements into their simplest parts and reassemble them into the most efficient patterns and strategies that will accomplish the task while maintaining bodily ease. Like a dancer, I “feel” the body and its movement in a conscious way.

I’m fond of calling this “the dance of digging”, and it is the secret of how this old man can get so much done.

Then words that are more poem than anything else:

The Present

LUMINOUS CAVES
the world within the earth and ourselves

My final and most ambitious project is both an environmental and social art project that uses solitude and the beauty of the natural world to create an experience that fosters spiritual renewal and personal well being. It is a culmination of everything I have learned and dreamed of in creating caves.

A mile walk in the wilderness becomes a pilgrimage journey to a hand dug, elaborately sculpted cave complex illuminated by the sun through multiple tunneled windows. The cave is both a shared ecumenical shrine and an otherworldly venue for presentations and performances designed to address issues of social welfare and the art of well being.

In social art, creating the work of art is not the objective in itself, as in an exhibit, but is a means to bring about social change. The response to the artwork is not merely left to its audience as an endpoint in the process but is an element in a larger encompassing creative process. In the analogy of art being one of the colors on the social artist’s palette, the canvas would be society itself, its social conditions in a particular location. In using the aesthetic to address societal suffering, social art is not content with merely decorating the world; its intent is to change it.

Changing the world is a tall order. Art doesn’t attempt to force change through direct action but to catalyze it by affecting the emotional basis from which change can occur.

Begging the question, “How can we change what we do before we change how we feel?” Its underlying premise is that when through wonder and the sense of beauty we move from the emotional realm of our desires and fears to the more expansive and deeper feelings of thanksgiving and appreciation of life with a sense of its sacredness, our actions will automatically be modified, creating a better world – ‘like magic’.

This is the magic of art, music, theatre, and of the beauty of the natural world. We need for that magic to play a more direct role in our lives.

Please, please read the rest of these wonderful thoughts and ideas

Will close with another photograph of Ra working inside the caves.