Category: Culture

Good posture

Why it is so important!

We go to the local Club Northwest. Jean attends the Rock Steady class and I work for an hour with Bruce Pilgreen, one of the staff. Bruce is very knowledgeable of human bodies and, indeed, trained as a Coach some years ago.

About a month ago Bruce showed me how to lay on my back, with my legs pulled back and my head slightly raised on a small cushion. My hands were palm upwards and about forty degrees either side of my body. The point of this position was to feel my spine, particularly my lower spine, flat against the ground and practice deep breathing at the same time. It was all to do with posture and Bruce remarked how common bad posture was to be seen out in the streets.

Well I came across a MedlinePlus item on Posture and wanted to share it with you all.

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Guide to Good Posture

Summary

Good posture is about more than standing up straight so you can look your best. It is an important part of your long-term health. Making sure that you hold your body the right way, whether you are moving or still, can prevent pain, injuries, and other health problems.

What is posture?

Posture is how you hold your body. There are two types:

Dynamic posture is how you hold yourself when you are moving, like when you are walking, running, or bending over to pick up something.
Static posture is how you hold yourself when you are not moving, like when you are sitting, standing, or sleeping.

It is important to make sure that you have good dynamic and static posture.

The key to good posture is the position of your spine. Your spine has three natural curves – at your neck, mid back, and low back. Correct posture should maintain these curves, but not increase them. Your head should be above your shoulders, and the top of your shoulder should be over the hips.

How can posture affect my health?

Poor posture can be bad for your health. Slouching or slumping over can:

Misalign your musculoskeletal system
Wear away at your spine, making it more fragile and prone to injury
Cause neck, shoulder, and back pain
Decrease your flexibility
Affect how well your joints move
Affect your balance and increase your risk of falling
Make it harder to digest your food
Make it harder to breathe

How can I improve my posture in general?

Be mindful of your posture during everyday activities, like watching television, washing dishes, or walking
Stay active. Any kind of exercise may help improve your posture, but certain types of exercises can be especially helpful. They include yoga, tai chi, and other classes that focuses on body awareness. It is also a good idea to do exercises that strengthen your core (muscles around your back, abdomen, and pelvis).
Maintain a healthy weight. Extra weight can weaken your abdominal muscles, cause problems for your pelvis and spine, and contribute to low back pain. All of these can hurt your posture.
Wear comfortable, low-heeled shoes. High heels, for example, can throw off your balance and force you to walk differently. This puts more stress on your muscles and harms your posture.
Make sure work surfaces are at a comfortable height for you, whether you’re sitting in front of a computer, making dinner, or eating a meal.

How can I improve my posture when sitting?

Many Americans spend a lot of their time sitting – either at work, at school, or at home. It is important to sit properly, and to take frequent breaks:

Switch sitting positions often
Take brief walks around your office or home
Gently stretch your muscles every so often to help relieve muscle tension
Don’t cross your legs; keep your feet on the floor, with your ankles in front of your knees
Make sure that your feet touch the floor, or if that’s not possible, use a footrest
Relax your shoulders; they should not be rounded or pulled backwards
Keep your elbows in close to your body. They should be bent between 90 and 120 degrees.
Make sure that your back is fully supported. Use a back pillow or other back support if your chair does not have a backrest that can support your lower back’s curve.
Make sure that your thighs and hips are supported. You should have a well-padded seat, and your thighs and hips should be parallel to the floor.

How can I improve my posture when standing?

Stand up straight and tall
Keep your shoulders back
Pull your stomach in
Put your weight mostly on the balls of your feet
Keep your head level
Let your arms hang down naturally at your sides
Keep your feet about shoulder-width apart

With practice, you can improve your posture; you will look and feel better.

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There you are! I am sure that many, many people do not have good posture and the guidance above may just inspire you to aim for better posture.

Some less-known facts about dogs

A fascinating list!

Now I can’t recall where I saw these facts; I suspect they were emailed to me.

Whatever, it doesn’t matter, for they are amazing!

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1. Dogs have an incredible sense of smell—up to 100,000 times better than ours! They have more than 220 million olfactory receptors in their noses, while humans only have around 5 million.

2. Dogs can recognize up to 250 words and gestures, and they can even understand the tone of voice we use when we’re speaking to them.

3. Dogs can see in the dark better than us. They have a layer of cells in their eyes called the tapetum lucidum which reflects light back into the retina and helps them to see better in low light.

4. Dogs can sense when something is wrong or when you’re feeling down. They’ll often come and sit with you or give you extra cuddles when you’re feeling blue.

5. Dogs have an incredible sense of direction and can find their way back home from miles away. They use a combination of smell, sight and sound to remember the route they took.

6. Dogs can often tell when you’re about to sneeze. They have a special ability to sense subtle changes in our body language, and they can detect the slight changes that happen right before you sneeze.

7. Dogs can also tell when you’re happy or sad. They have the ability to sense changes in our breathing, body temperature, and even the amount of sweat we produce.

8. Dogs can sense when you’re getting sick. They can detect changes in your scent that you don’t even notice, and they’ll often come and comfort you when you’re feeling unwell.

9. Dogs can sense when someone is going to epileptic seizures or diabetic shock. They can detect the changes in smell, behavior and body chemistry that occur before a seizure or shock happens.

10. Dogs can detect certain types of cancer. They’re able to sniff out volatile organic compounds (VOCs) in the breath, urine or sweat of a person with cancer, which is why some organizations are training dogs to use their noses to detect cancer in humans.

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Dogs are amazing animals, in so many ways!

Plastics in the ocean

A fascinating insight into recovered plastic.

Like so many others we do our little bit regarding plastic but do not properly think about the issue. I have to admit that I am not even sure if all plastics are harmful or just some.

But I comprehend art!

That is why I am republishing, with permission, this article from The Conversation.

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My art uses plastic recovered from beaches around the world to understand how our consumer society is transforming the ocean

Pam Longobardi amid a giant heap of fishing gear that she and volunteers from the Hawaii Wildlife Fund collected in 2008. David Rothstein, CC BY-ND

Pam Longobardi, Georgia State University

I am obsessed with plastic objects. I harvest them from the ocean for the stories they hold and to mitigate their ability to harm. Each object has the potential to be a message from the sea – a poem, a cipher, a metaphor, a warning.

My work collecting and photographing ocean plastic and turning it into art began with an epiphany in 2005, on a far-flung beach at the southern tip of the Big Island of Hawaii. At the edge of a black lava beach pounded by surf, I encountered multitudes upon multitudes of plastic objects that the angry ocean was vomiting onto the rocky shore.

I could see that somehow, impossibly, humans had permeated the ocean with plastic waste. Its alien presence was so enormous that it had reached this most isolated point of land in the immense Pacific Ocean. I felt I was witness to an unspeakable crime against nature, and needed to document it and bring back evidence.

I began cleaning the beach, hauling away weathered and misshapen plastic debris – known and unknown objects, hidden parts of a world of things I had never seen before, and enormous whalelike colored entanglements of nets and ropes.

Three large plastic art installations, the central one a cornucopia spilling plastic objects onto the floor. — ‘Bounty Pilfered’ (center), ‘Newer Laocoön’ (left) and ‘Threnody’ (right). All made of ocean plastic from the Atlantic, Pacific and Gulf of Mexico, installed at the Baker Museum in Naples, Fla., 2022. Pam Longobardi, CC BY-ND

I returned to that site again and again, gathering material evidence to study its volume and how it had been deposited, trying to understand the immensity it represented. In 2006, I formed the Drifters Project, a collaborative global entity to highlight these vagrant, translocational plastics and recruit others to investigate and mitigate ocean plastics’ impact.

My new book, “Ocean Gleaning,” tracks 17 years of my art and research around the world through the Drifters Project. It reveals specimens of striking artifacts harvested from the sea – objects that once were utilitarian, but have been changed by their oceanic voyages and come back as messages from the ocean.

Array of plastic objects, including toys, action figures and fragments of larger objects. — ‘Drifters Objects,’ a tiny sample of the plastic artifacts Pam Longobardi has collected from beaches worldwide. Pam Longobardi, CC BY-ND

Living in a plastic age

I grew up in what some now deem the age of plastic. Though it’s not the only modern material invention, plastic has had the most unforeseen consequences.

My father was a biochemist at the chemical company Union Carbide when I was a child in New Jersey. He played golf with an actor who portrayed “The Man from Glad,” a Get Smart-styled agent who rescued flustered housewives in TV commercials from inferior brands of plastic wrap that snarled and tangled. My father brought home souvenir pins of Union Carbide’s hexagonal logo, based on the carbon molecule, and figurine pencil holders of “TERGIE,” the company’s blobby turquoise mascot.

On the 2013 Gyre Expedition, Pam Longobardi traveled with a team of scientists, artists and policymakers to investigate and remove tons of oceanic plastic washing out of great gyres, or currents, in the Pacific Ocean, and make art from it.

Today I see plastic as a zombie material that haunts the ocean. It is made from petroleum, the decayed and transformed life forms of the past. Drifting at sea, it “lives” again as it gathers a biological slime of algae and protozoans, which become attachment sites for larger organisms.

When seabirds, fish and sea turtles mistake this living encrustation for food and eat it, plastic and all, the chemical load lives on in their digestive tracts. Their body tissues absorb chemicals from the plastic, which remain undigested in their stomachs, often ultimately killing them.

Two piles of tiny particles of virtually identical sizes. — Plastic ‘nurdles,’ (left), tiny pellets that serve as raw materials for manufacturing plastic products, and herring roe, or eggs (right). These visually analogous forms exemplify how fish can mistake plastic for food. Pam Longobardi, CC BY-ND

The forensics of plastic

I see plastic objects as the cultural archaeology of our time – relics of global late-capitalist consumer society that mirror our desires, wishes, hubris and ingenuity. They become transformed as they leave the quotidian world and collide with nature. By regurgitating them ashore or jamming them into sea caves, the ocean is communicating with us through materials of our own making. Some seem eerily familiar; others are totally alien.

Two views of a degraded arm from a plastic doll, found on Playa Jaco in Costa Rica. — A degraded plastic doll arm, from the series ‘Evidence of Crimes.’ Pam Longobardi, CC BY-ND

A person engaging in ocean gleaning acts as a detective and a beacon, hunting for the forensics of this crime against the natural world and shining the light of interrogation on it. By searching for ocean plastic in a state of open receptiveness, a gleaner like me can find symbols of pop culture, religion, war, humor, irony and sorrow.

A rolling landscape covered with thousands of life vests. — ‘Division Line,’ 2016. This photograph shows the ‘life-jacket cemetary’ in Lesvos, Greece. Traumatized asylum-seekers and migrants arriving by boat from Türkiye leave the life vests on shore as they stagger inland. Most of the waste is plastic. © Pam Longobardi, CC BY-ND

In keeping with the drifting journeys of these material artifacts, I prefer using them in a transitive form as installations. All of these works can be dismantled and reconfigured, although plastic materials are nearly impossible to recycle. I display some objects as specimens on steel pins, and wire others together to form large-scale sculptures.

A plastic bottle cap inscribed 'Endless' and a photograph of a beach littered with plastic objects. — From the series ‘Prophetic Objects,’ a plastic cap from a Greek manufacturer of cleaning products, found on the Greek island of Kefalonia. Pam Longobardi, CC BY-ND

I am interested in ocean plastic in particular because of what it reveals about us as humans in a global culture, and about the ocean as a cultural space and a giant dynamic engine of life and change. Because ocean plastic visibly shows nature’s attempts to reabsorb and regurgitate it, it has profound stories to tell.

A large sculpted anchor in the center of an art gallery, with ties to life preservers mounted on the ceiling. — ‘Albatross’ and ‘Hope Floats,’ 2017. Recovered ocean plastic, survival rescue blankets, life vest straps and steel. Pam Longobardi, CC BY-ND

I believe humankind is at a crossroads with regards to the future. The ocean is asking us to pay attention. Paying attention is an act of giving, and in the case of plastic pollution, it is also an act of taking: Taking plastic out of your daily life. Taking plastic out of the environment. And taking, and spreading, the message that the ocean is laying out before our eyes.

Pam Longobardi, Regents’ Professor of Art and Design, Georgia State University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Pam at one point describes the ocean plastic”… because of what it reveals about us as humans in a global culture, and about the ocean as a cultural space and a giant dynamic engine of life and change …”. It raises questions that I can only ponder the answer. Ultimately, are there too many inhabitants on this planet? What does the next generation think? Is there an answer?

Picture Parade Four Hundred and Seventy-Three

A little different for today!

Our neighbour Dordie L. sent these across earlier in the month. Enjoy!

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Thank you, Dordie!

Burt Bacharach remembered

So many tuneful memories.

I grew up with the songs of Burt Bacharach in my heart, my mind and my ears. He was born on May 12, 1928 and lived until quite recently; namely the 8th February, 2023. This may be Valentine’s Day for 2023 but I think the obituary of Bacharach comes first.

The Conversation had a brilliant item on him, published on February 10th and I am going to republish that piece now.

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Burt Bacharach mastered the art of the perfect pop song – and that ain’t easy

Gena R. Greher, UMass Lowell

Easy on the ear, perhaps. But the label of “easy listening” often attached to the songs of Burt Bacharach belies the mastery of his talent in crafting perfect moments in music.

Yes, Bacharach’s back catalog is filled with memorable, catchy melodies – whether they were written with longtime partner and lyricist Hal David, former wife Carole Bayer Sager or in collaboration with more contemporary artists such as Elvis Costello, Adele and Dr. Dre.

But there is a harmonic and rhythmic complexity to his music that elevates it above the sweet, often saccharine arrangements that can typify easy listening. It is full of influences from jazz chord structures and progressions, as well as rhythms.

It is why Bacharach, who died on Feb. 8, 2023, at the age of 94, appealed to generations of listeners, as well as the diverse pool of singers who chose to work with him.

Cross-generational appeal

Bacharach began his long songwriting career in the 1950s, but it was the following decade that saw him come to prominence with a series of hit songs.

But with the 1960s as a backdrop – a time of immense innovation in popular music – Bacharach may not have been taken as seriously as many of his contemporaries. It was a time when rock ‘n’ roll and the British Invasion were at the forefront, with rhythm and blues, protest music and folk rock finding their way on the musical landscape.

While Bacharach’s musical counterparts were writing and performing music that responded to and reflected the political, social and cultural upheavals that defined the era, Bacharach and David’s songs focused on different themes: Theirs was music that dealt with relationships and matters of the heart.

They also stood apart from other notable songwriting partners of the age – Lennon and McCartney, Jagger and Richards, for example – in that the songs were written for others to perform. In that way, they were a throwback to an earlier age of popular music, when the likes of Rodgers and Hart provided hit after hit for a roster of singers.

Indeed, they were a late product of Tin Pan Alley – the music industry centered around midtown Manhattan. Bacharach met David in 1957 in the storied Brill Building in New York City – a place where a young songwriter could perhaps catch a break.

Not long after they began working together, Bacharach came across a young backup singer at a recording session who seemed to have promise. The first single he produced with her, “Don’t Make Me Over,” was the first of 38 songs he and David produced with Dionne Warwick.

Her warm tones and fluid phrasing made Warwick’s voice the perfect accompaniment to Bacharach’s music.

But she was one of many collaborators. Some, like Warwick, were plucked from relative obscurity. Others, like Perry Como, were already established singers.

The list of artists who found success with Bacharach songs in that era is astonishing: Aretha Franklin, The Carpenters, Dusty Springfield, Tom Jones and The 5th Dimension, to name just a few.

Through collaborators, Bacharach’s music was able to reach a fairly diverse audience. The songs were so well written that they could easily be reworked into different genres, and break the confines of “easy listening” – a genre often maligned as unhip. In the hands of Isaac Hayes, the sweet refrains of “Walk on By” becomes a psychedelic funk classic. Years later, The White Stripes transformed “I Just Don’t Know What To Do With Myself” into a stripped-down, guitar-heavy slice of rock.

Froms Oscars to revivals

The music of David and Bacharach also worked on a different level – as the background to movie soundtracks. The 1966 Michael Caine film “Alfie” is perhaps equally known today for the title track, with versions by Cher, Warwick and British singer Cilla Black all becoming hits on the back of the film.

In 1969, Bacharach and David’s “Raindrops Keep Falling on My Head,” sung by B.J. Thomas in the western “Butch Cassidy and the Sundance Kid,” won the Academy Award for best original song. Bacharach also won the Oscar for best original score.

Adding to success on the charts and on screen, Bacharach also won acclaim for his work on Broadway. The 1968 show “Promises, Promises” was groundbreaking in its use of amplification in the orchestra, which included a rock band. The show contained a number of songs that topped the charts, most notably Warwick’s version of the show-stopping “I’ll Never Fall in Love Again.”

A mana and woman sit at a recording desk. — Burt Bacharach and Dionne Warwick recording together in 1964.
Bela Zola/Mirrorpix/Getty Images

In an NPR “Fresh Air” interview in 2010 – when the musical was being revived on Broadway – Bacharach discusses the number of rhythmic meter changes in the title song, “Promises, Promises,” and the difficulties these rhythmic changes presented for singers and musicians in the show.

The interview is also notable in that it reunited him with David – the two had a much publicized split in 1973 after working on a failed movie. The breakdown of their successful musical partnership saw Bacharach lose interest in writing music for a spell, and affected his relationship with Warwick.

This was eventually resolved with her recording of one of Bacharach’s most memorable songs, 1985’s “That’s What Friends are For,” written with his then-wife, Carole Bayer Sager. Though the song had been first recorded by Rod Stewart for the film “Night Shift,” the Warwick & Friends’ version – the friends being none other than Elton John, Gladys Knight and Stevie Wonder – is the one that became a hit and helped revive Bacharach’s career.

Though best known for the songs he wrote in the 1960s through the 1980s, Bacharach continued to write music into his old age, collaborating with Elvis Costello, Adele and Dr. Dre.

You may have noticed the sheer number – and range – of artists Bacharach worked with. It speaks to the quality and endurance of his output. Yes, he will be remembered by some as the writer of exemplary “easy listening” songs. But Burt Bacharach’s legacy will prove that he was so much more.

Gena R. Greher, Professor of Music, UMass Lowell

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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There are so many of his melodies on YouTube and you are free to do your own searching. But I just wanted to share one with you. It is Burt Bacharach with Barbra Streisand with Close To You and Be Aware.

Perfect!

Rescue dogs in action

A powerful three-minute video from the BBC.

Just another example of the wonderful abilities of our dogs.

Fossils

A fascinating article about the fossilisation of teeth.

Change is a constant! That’s not my saying but it is still a very good one. There are many, many articles online about the pace of change and I am not going to pick a particular one; you can do that yourself if you are interested.

But I am going to republish an article about the fossilisation of teeth. It was published on January 25th, 2023 and it was an article in The Conversation.

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Fossil teeth reveal how brains developed in utero over millions of years of human evolution – new research

Any hominid fossil find with molar teeth can be plugged into a new equation that reveals its species’ prenatal growth rate. Gil Cohen-Magen/AFP via Getty Images

Tesla Monson, Western Washington University

Fossilized bones help tell the story of what human beings and our predecessors were doing hundreds of thousands of years ago. But how can you learn about important parts of our ancestors’ life cycle – like pregnancy or gestation – that leave no obvious trace in the fossil record?

The large brains, relative to overall body size, that are a defining characteristic of our species make pregnancy and gestation particularly interesting to paleoanthropologists like me. Homo sapiens’ big skulls contribute to our difficult labor and delivery. But the big brains inside are what let our species really take off.

My colleagues and I especially wanted to know how fast our ancestors’ brains grew before birth. Was it comparable to fetal brain growth today? Investigating when prenatal growth and pregnancy became humanlike can help reveal when and how our ancestors’ brains became more like ours than like our ape relatives’.

To investigate the evolution of prenatal growth rates, we focused on the in-utero development of teeth – which do fossilize. By building a mathematical model using the relative lengths of molar teeth, we were able to track evolutionary changes in prenatal growth rates in the fossil record. Based on our model, it looks as if pregnancy and prenatal growth became more humanlike than chimplike almost 1 million years ago.

pregnant woman's silhouette against sunset on landscape — Pregnancy and delivery come with a lot of risks for parent and baby. Jimy Lindner/EyeEm via Getty Images

Gestation and the human brain

Pregnancy and gestation are important periods – they guide future growth and development and set the biological course for life.

But human pregnancy, and particularly labor and delivery, cost a lot of energy and are often dangerous. The large fetal brain requires a lot of nutrients during development. The rate of embryonic growth during gestation, also known as the prenatal growth rate, exacts a metabolic and physiological toll on the gestating parent. And the tight fit of the infant’s head and shoulders through the pelvic canal during delivery can lead to death, for both the mother and child.

As a trade-off to those potential downsides, there must be a really good reason to have such large heads. The justification is all the abilities that come along with having a big human brain. The evolution of our large brain contributed to our species’ dominance and is associated with increased use of technology and tools, creation of art and the ability to survive in diverse landscapes, among other advances.

The timing and sequence of events that led to the evolution of our large brains is entangled with the ability to find and process more resources, through the use of tools and cooperative group work, for example.

By investigating changes in prenatal growth, we are also investigating changes in how parents gathered food resources and distributed them to their offspring. These increasing resources would have also helped drive the evolution of an even bigger brain. Understanding more about when prenatal growth and pregnancy became humanlike at the same time reveals information about when and how our brains did too.

Humans have the highest prenatal growth rate of all primates living today, at 0.41 ounces/day (11.58 grams/day). Gorillas, for example, have a much larger adult body size than humans, but their prenatal growth rate is only 0.29 ounces/day (8.16 grams/day). Because more than a quarter of all human brain growth is completed during gestation, the rate of prenatal growth directly relates to how big an adult brain grows. How and when Homo sapiens‘ high prenatal growth rate evolved has been a mystery, until now.

What teeth can tell about prenatal growth

Researchers have spent centuries investigating variation in fossilized skeletal remains. Unfortunately brains – let alone gestation and prenatal growth rate – don’t fossilize.

ultrasound of a baby in utero — The developing brain of a human being gestating at 26 weeks. Tesla Monson

But my colleagues and I started thinking about how teeth develop very, very early in utero. Your permanent adult teeth started developing long before you were born, when you were just a 20-week-old fetus. Tooth enamel is more than 95% inorganic, and the vast majority of everything we see in the vertebrate fossil record is teeth, or has teeth.

Building off this realization, we decided to investigate the relationship between prenatal growth rate, brain size and the lengths of teeth.

We measured the teeth of 608 recently living primates from skeletal collections all around the world. We compared those measurements to rates of prenatal growth that we calculated from average gestation length and mass at birth for each species. We also looked at endocranial volume – essentially how much space is inside the skull – as a proxy for brain size.

We found that the rate of prenatal growth is significantly correlated with both adult brain size and relative tooth lengths, across apes and monkeys.

Because prenatal growth is so tightly correlated with relative molar lengths, we were able to use this statistical relationship to generate a mathematical equation that predicts prenatal growth rate from teeth alone. With this equation, we can take a few molar teeth from an extinct fossil species and reconstruct exactly how fast their offspring grew during gestation.

alt — Using the new equation, researchers found that prenatal growth rates increased over millions of years of human and hominid evolution. Tesla Monson, CC BY-ND

Using our new method, we then reconstructed prenatal growth rates for 13 fossil species, building a timeline of changes over the past 6 million years of human and hominid evolution. “Hominid” describes all the species on the human side of the family tree after the split about 6 million to 8 million years ago from the common ancestor we shared with chimpanzees. From our new research, we now know that prenatal growth rates increased throughout hominid evolution, reaching a humanlike rate that exceeds what we see in all other apes less than 1 million years ago.

A fully human prenatal growth rate appeared with the evolution of our species Homo sapiens only around 200,000 years ago. But other hominid species living in the past 200,000 years, such as Neanderthals, also had “human” prenatal growth rates. Which genes were involved in these changes in growth rate remains to be investigated.

Equation means teeth now reveal even more

Even with only a few teeth and some of the jaw, a trained expert can tell countless things about an extinct individual – what species it was, what kind of diet it ate, whether it competed for mates through fighting, how old it was when it died, whether or not it had any serious health issues and more.

Now, for the first time, we can add to that list knowing what pregnancy and gestation were like for that individual and other members of its species. Teeth can even indirectly hint at the emergence of human consciousness, via evolving brain size.

Interestingly, our model suggests that prenatal growth rates started increasing well before the emergence of our Homo sapiens species. We can hypothesize that having a fast prenatal growth rate was necessary for growing that big brain and evolving human consciousness and cognitive abilities.

These are the sorts of big-picture questions this research lets us start to formulate now – all from just a few teeth.

Tesla Monson, Assistant Professor of Anthropology, Western Washington University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Tesla Monson is the Assistant Professor of Anthropology at Western Washington University.

This may not make the daily headlines but, personally, I think that is a shame. The discovery has all sorts of implications for life, including ancient life, on this planet. And speaking of life let us bear a thought for the carnage that is happening in Turkey at this present time. A BBC headline:

A rescue operation is under way across much of southern Turkey and northern Syria following a huge earthquake that has killed more than 2,300 people