Category: Art

Picture Parade Five Hundred and Twenty-Eight

The moon and the sun.

The following photographs were taken from our deck, looking Eastwards, yesterday morning.

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A wonderful poem from Bela

And I am not going to let my words interfere. Just read this.

ooOOoo

Clear the Needle

Who is she,
if she does not even know herself?

Trajectories confuse
when forced
into linear containers..

Like the cosmos —
all spirals and orbits —
we spin and dance,

sometimes skillfully,
sometimes clumsily.

The vinyl record spinning,
fine dust collecting
on the diamond needle.

We must stop
from time to time
and clear it

so that we might perceive sound
more accurately,
truer to itself.

I have collected
more than my share
of detritus.

But I have never been granted
the grace of someone or something
clearing the needle for me.

It remains a reminder
to pause.

Stop the music.
Lift the arm.
Clear the cartridge.

Begin again.

ooOOoo

Not only was Bela’s poem perfect so, too, was the comment left on Bela’s site from Shakti that I am going to share in full.

Hi Bela,

I found in the verse a striking metaphor for the human condition. 

We spend so much of life assuming the music has changed, when often it is the dust on our own needle that has altered the sound. Memory, hurt, ego, assumptions, fatigue—each leaves its fine sediment, subtly distorting how we hear ourselves, others, and the world. 

The most profound act, perhaps, is not to keep forcing the song forward, but to pause with enough honesty to ask: what in me is creating this static? The verse’s quiet power lies in rejecting rescue—no one may come to clear the needle for us. Self-awareness, then, becomes both responsibility and grace. To stop. To clean. To begin again—not as the same listener, but as a truer one

Shakti

To begin again—not as the same listener, but as a truer one

As I said, a perfect comment.

Picture Parade Five Hundred and Twenty-Five

Photographs of moss from our garden.

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I will see if I can take more nature photographs before next Sunday.

Another Bela poem

I am so impressed by Bela’s poems!

Here it is:

ooOOoo

Ungovernable

We need not allow age to define us
unless we hunger to be named
by something outside ourselves.

Mother Nature is as old as time,
yet remains a woman of mystery—
unmapped,
unmastered,
not to be taken lightly.

While many elders
have been pressed into a mold, 
muffled by expectation,
cinched into compliance—

she rises.

She takes back her ancient names:
crone, hag, witch—
titles once meant to diminish,
now worn like iron and bone.

She will not shrink.
She will not bow.

Lately, she has been speaking.

Heavy tropical rains—
record-breaking—
islands flooding,
the ground unable to drink
what the sky insists on unleashing.

And today—
thunder.

Lightning.

Rare here.
Almost unheard of.

Rain fell in sheets,
fire-hosing off corrugated roofs
into earth already swollen,
already saturated.

And then—

CRACK.
FLASH.
BOOM.

The sky split.

The dog and I
jettisoned from our bodies—
he barking, pacing,
drawn to the door
but unwilling to cross the threshold.

This was not weather.

This was visitation.

The center—
ripped out of the moment,
out of the body,
out of the small illusion of control.

This is what elder women become
when the blinders fall away:

not gentle,
not contained,
not agreeable.

We become weather.

We become voice.

We become the force
that cannot be managed
by the structures that once confined us.

Ungovernable.

Unapologetic.

Unsilenced.

We rise—
not in defiance alone,
but in remembrance.

And we will not be silenced again.

before the storm ~ bj 2026

ooOOoo

To my mind that is the power and beauty of nature – it is ungovernable.

Perfect poetry

Bela provides another stunning poem.

Bela places a beautiful photograph at the end of her poem. I am going to place it at the start.

Rio Grande at Abiquiu ~ bj 2022

A Bend in the River

 ~ BELA JOHNSON

The river winds, twists,
folds back onto itself —
or so it seems.

The current moves
one way.
Appearances deceive.

From above, the loop
looks like return.
Up close, it is
only a means
to move through
the landscape
as it must.

Ripples, eddies,
the low hum beneath —
all of it movement.

When I was younger
I wanted rapids,
white churn,
the reckless drop
into whatever came.

And once it dropped
I did not care
which fork opened.
Adventure for its own sake.
I mistook intensity
for aliveness.
The current felt like enough.

I mistook velocity
for direction.
Only later did I learn
the choosing was mine.

Others named the banks.
Called it grace.
Called it destiny.

But the river was never theirs
to direct.

It kept its own counsel.
I watched for years.

Until I understood:
no god could ford it for me.
No faith could walk
that valley in my stead.

The bend only appears
to return.

It does not.

It deepens,
and goes on —
beyond the bend,
beyond the frame.

Picture Parade Five Hundred and Twelve

In honour of July 4th and America’s 250th birthday.

(And they were to be shown on the 22nd February but the snowy scenes took priority.)

These are photographs of Mount Rushmore Natioanl Memorial.

They have not be taken by me and hopefully the photographers who did take them will allow me to republish them,

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Gutzon Borglum was the principal sculptor at Mt Rushmore

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Impressive!

Gutzon Borglum did an incredible work of sculpture. Just amazing!

Oregon – The Beaver State.

I am republishing a NextDoor News Feed created by Sammie Nolan that I read yesterday. Here is the photo that accompanied the note.

And here is that news item:

Happy Birthday, Oregon! 🥳

Today, February 14, 2026, the Beaver State officially turns 167 years old.

Oregon joined the Union as the 33rd state on Valentine’s Day in 1859, making it the only state to share its birthday with the holiday of love. 🥰

That is Sammie sitting on the bench and the photograph was taken at the Painted Hills. Some more information on Painted Hills courtesy of WikiPedia.

The Painted Hills is a geologic site in Wheeler County, Oregon that is one of the three units of the John Day Fossil Beds National Monument along with Sheep Rock and Clarno. It totals 3,132 acres and is located 9 miles northwest of Mitchell, Oregon. The Painted Hills are listed as one of the Seven Wonders of Oregon. Wikipedia