Category: Art

Picture Parade Four Hundred and Thirty

Again, back to Unsplash.

Photo by Henos Solomon on Unsplash

Photo by Dineshkumar M on Unsplash

Not the usual friendly face but still a terrific photograph.

Photo by Jelena Kostic on Unsplash

Photo by Nam-Huong Nguyen on Unsplash

Photo by Photographer Frederik Trovatten on Unsplash

Photo by Erin Minuskin on Unsplash

That is all for this Sunday. You all have a good week ahead (that’s an order 😉 )

Stonehenge

A fascinating account of this English site.

Although I was born in London in 1944, as a result of an affair between my father and mother, my father had two daughters with his wife, Maud, and Rhona and Corinne, for they were their names, took me under their wing. In the 50s Maud, Rhona and Corinne all moved to Devon and I started going regularly to Totnes. When I started driving I usually stopped for a break close by Stonehenge so the site has a special interest to me.

So when I saw this article in The Conversation it had to be shared.

ooOOoo

Stonehenge may have aligned with the Moon as well as the Sun

Stonehenge during winter solstice sunset Chuta Kooanantkul/Shutterstock

Fabio Silva, Bournemouth University; Amanda Chadburn, Bournemouth University, and Erica Ellingson, University of Colorado Boulder

When it comes to its connection to the sky, Stonehenge is best known for its solar alignments. Every midsummer’s night tens of thousands of people gather at Stonehenge to celebrate and witness the rising Sun in alignment with the Heel stone standing outside of the circle. Six months later a smaller crowd congregates around the Heel stone to witness the midwinter Sun setting within the stone circle.

But a hypothesis has been around for 60 years that part of Stonehenge also aligns with moonrise and moonset at what is called a major lunar standstill. Although a correlation between the layout of certain stones and the major lunar standstill has been known about for several decades, no one has systematically observed and recorded the phenomenon at Stonehenge.

This is what we are aiming to do in a project bringing together archaeologists, astronomers and photographers from English Heritage, Oxford, Leicester and Bournemouth universities as well as the Royal Astronomical Society.

There is now an abundance of archaeological evidence that indicates the solar alignment was part of the architectural design of Stonehenge. Around 2500 BC, the people who put up the large stones and dug an avenue into the chalk seemed to want to cement the solstice axis into the architecture of Stonehenge.

Archaeological evidence from nearby Durrington Walls, the place where scientists believe the ancient people who visited Stonehenge stayed, indicates that of the two solstices it was the midwinter one that drew the largest crowd.

But Stonehenge includes other elements, such as 56 pits arranged in a circle, an earthwork bank and ditch, and other smaller features such as the four station stones. These are four sarsen stones, a form of silicified sandstone common in Wiltshire, that were carefully placed to form an almost exact rectangle encompassing the stone circle.

Only two of these stones are still there, and they pale in comparison to their larger counterparts as they are only a few feet high. So what could their purpose be?

Aerial view of Stonehenge
Only two of the station stones are still there. Drone Explorer/Shutterstock

Lunar standstill

The rectangle that they form is not just any rectangle. The shorter sides are parallel to the main axis of the stone circle and this may be a clue as to their purpose. The longer sides of the rectangle skirt the outside of the stone circle.

It is these longer sides that are thought to align with the major lunar standstill. If you marked the position of moonrise (or set) over the course of a month you would see that it moves between two points on the horizon. These southern and northern limits of moonrise (or set) change on a cycle of 18.6 years between a minimum and a maximum range – the so-called minor and major lunar standstills, respectively.

The major lunar standstill is a period of about one and a half to two years when the northernmost and southernmost moonrises (or sets) are furthest apart. When this happens the Moon rises (and sets) outside the range of sunrises and sets, which may have imbued this celestial phenomenon with meaning and significance.

Diagram showing Moonrise positions on a horizon.
The range of Moonrise positions on the horizon during minor and major lunar standstills. Fabio Silva, CC BY-NC

The strongest evidence we have for people marking the major lunar standstill comes from the US southwest. The Great House of Chimney Rock, a multi-level complex built by the ancestral Pueblo people in the San Juan National Forest, Colorado, more than 1,000 years ago.

It lies on a ridge that ends at a natural formation of twin rock pillars – an area that has cultural significance to more than 26 native American tribal nations. From the vantage point of the Great House, the Sun will never rise in the gap between the pillars.

However, during a major standstill the Moon does rise between them in awe-inspiring fashion. Excavations unearthed preserved wood that meant researchers could date to the year episodes of construction of the Great House.

Of six cutting dates, four correspond to major lunar standstill years between the years AD1018 and AD1093, indicating that the site was renewed, maintained or expanded on consecutive major standstills.

Returning to southern England, archaeologists think there is a connection between the major lunar standstill and the earliest construction phase of Stonehenge (3000-2500 BC), before the sarsen stones were brought in.

Several sets of cremated human remains from this phase of construction were found in the southeastern part of the monument in the general direction of the southernmost major standstill moonrise, where three timber posts were also set into the bank. It is possible that there was an early connection between the site of Stonehenge and the Moon, which was later emphasised when the station stone rectangle was built.

The major lunar standstill hypothesis, however, raises more questions than it answers. We don’t know if the lunar alignments of the station stones were symbolic or whether people were meant to observe the Moon through them. Neither do we know which phases of the Moon would be more dramatic to witness.

A search for answers

In our upcoming work, we will be trying to answer the questions the major lunar standstill hypothesis raises. It’s unclear whether the Moon would have been strong enough to cast shadows and how they would have interacted with the other stones. We will also need to check whether the alignments can still be seen today or if they are blocked by woods, traffic and other features.

The Moon will align with the station stone rectangle twice a month from about February 2024 to November 2025, giving us plenty of opportunities to observe this phenomenon in different seasons and phases of the Moon.

To bring our research to life, English Heritage will livestream the southernmost Moonrise in June 2024, and host a series of events throughout the year, including talks, a pop-up planetarium, stargazing and storytelling sessions.

Across the Atlantic, our partners at the US Forest Service are developing educational materials about the major lunar standstill at Chimney Rock National Monument. This collaboration will result in events showcasing and debating the lunar alignments at both Stonehenge and at Chimney Rock.

Fabio Silva, Senior Lecturer in Archaeological Modelling, Bournemouth University; Amanda Chadburn, Member of Kellogg College, University of Oxford and Visiting Fellow in Archaeology, Bournemouth University, and Erica Ellingson, Professor in Astrophysics, Emeritus, University of Colorado Boulder

This article is republished from The Conversation under a Creative Commons license. Read the original article.

ooOOoo

Well I learnt something from this, which just goes to show that we are never too old to learn.

To come back to the article, the skills of those ancient peoples were just awe-inspiring.

Picture Parade Four Hundred and Twenty-Nine, not!

It is about Whale songs and is just a fabulous sound!

Last Friday there was an item on the BBC about whale song. It appears I can publish the article for you all. It is my choice over my regular Sunday Picture Parade. I hope you agree! Update: The track just 26 seconds long cannot be reproduced in this post.

ooOOoo

Whale song mystery solved by scientists

21 February 2024, By Helen Briggs and Victoria Gill,Science correspondents, BBC News

Humpback whale breaching near Bering Island, Kamchatka, Russia – Olga Filatova, University of Southern Denmark

Scientists have worked out how some of the largest whales in the ocean produce their haunting and complex songs.

Humpbacks and other baleen whales have evolved a specialised “voice box” that enables them to sing underwater. 

The discovery, published in the journal Nature, has also revealed why the noise we make in the ocean is so disruptive for these ocean giants. 

Whale song is restricted to a narrow frequency that overlaps with the noise produced by ships. 
“Sound is absolutely crucial for their survival, because it’s the only way they can find each other to mate in the ocean,” explained Prof Coen Elemans, of the University of Southern Denmark, who led the study. 

Blue whales return to ‘safe’ tropical haven
Orcas ‘learning from adults’ to target boats
Study to measure the oceans’ ‘year of quiet’

“[These are some] of the most enigmatic animals that ever lived on the planet,” he told BBC News. “They are amongst the biggest animals, they’re smart and they’re highly social.”

Humpback whale song (For whatever reason the track cannot be listened to on this blog. That is a great shame as the song is magnificent. So please go to the BBC website for this; the link is https://www.bbc.com/news/science-environment-68358414 )

Baleen whales are a group of 14 species, including the blue, humpback, right, minke and gray whale. Instead of teeth, the animals have plates of what is called baleen, through which they sieve huge mouthfuls of tiny creatures from the water.

Exactly how they produce complex, often haunting songs has been a mystery until now. Prof Elemans said it was “super-exciting” to have figured it out.

A diver descends between three juvenile humpback whales the size of buses – Karim Iliya

He and his colleagues carried out experiments using larynxes, or “voice boxes”, that had been carefully removed from three carcasses of stranded whales – a minke, a humpback and a sei whale. They then blew air through the massive structures to produce the sound. 

In humans, our voices come from vibrations when air passes over structures called vocal folds in our throat. Baleen whales, instead, have a large U-shaped structure with a cushion of fat at the top of the larynx.

This vocal anatomy allows the animals to sing by recycling air, and it prevents water from being inhaled.

Artwork indicating the cartilages of the larynx in a humpback whale – Patricia Jaqueline Matic, Vienna

The researchers produced computer models of the sounds and showed that baleen whale song is restricted to a narrow frequency which overlaps with noise produced by shipping vessels. 

“They cannot simply choose to, for example, sing higher to avoid the noise we make in the ocean,” explained Prof Elemans. 

His study demonstrated how our ocean noise could prevent whales from communicating over long distances. That knowledge could be vital for the conservation of humpbacks, blue whales and other endangered giants of the sea.

It also provides insight into questions that researchers have been asking for decades about these eerie songs, which some sailors used to attribute to ghosts or mythical sea creatures.

Whale communication expert Dr Kate Stafford, from Oregon State University, called the study “groundbreaking”. 

“The production and reception of sound is the most important sense for marine mammals, so any studies that elucidate how they make sounds has the potential to move the field forward,” she told BBC News.

Researchers say evidence of the harm ocean noise pollution can do has been building for decades –
Alamy

The research also paints an evolutionary picture – of how the ancestors of whales returned to the oceans from the land, and the adaptations that made it possible to communicate underwater.

The way so-called toothed whales produce sound is better understood, because the animals are easier to study. These marine mammals, which include dolphins, orcas, sperm whales and porpoises, blow air through a special structure in their nasal passages.

Dr Ellen Garland, from the Sea Mammal Research Unit at the University of St Andrews, said: “I’ve always wondered exactly how baleen whales – especially humpbacks, which my research is focused on – actually produce the variety of sounds they do.

“Studying large whales is extremely challenging at the best of times, but trying to uncover how they produce sound when you may not even be able to see them underwater while vocalising is an added level of difficulty, so these researchers have been very creative.”

Dr Stafford added that the mammals’ ability to make such complex vocal signals was “remarkable” and highlighted “how special these animals are”.

ooOOoo

There! I do hope you all agree that this was very worthwhile. Plus, you all got to listen to those twenty-six seconds of the very beautiful sound.

A tribute to Julie Christie

Just a fabulous video!

There were so many things that I could have written about for today but they were all swept aside by an email that came in from an old friend of mine, Chris Snuggs.

Chris and I go back many years to the time when I was a visiting teacher at Isuga in France.

But the point of this post is to share the video that Chris provided about Julie Christie. Here is the first part of a WikiPedia article:

Julie Frances Christie (born 14 April 1940)[1] is a British actress. An icon of the Swinging Sixties, Christie is the recipient of numerous accolades including an Academy Award, a BAFTA Award, a Golden Globe, and a Screen Actors Guild Award. She has appeared in six films ranked in the British Film Institute‘s BFI Top 100 British films of the 20th century, and in 1997, she received the BAFTA Fellowship for lifetime achievement.

Now to the video:

Fantastic!

Picture Parade Four Hundred and Twenty-Six

More dog photos courtesy of Unsplash.

Photo by Vincent van Zalinge

Photo by gotdaflow

Photo by Kieran White

Photo by Kinshuk Bose

Photo by Ja San Miguel

Photo by Taylor Kopel

Photo by Clarke Sanders

Apologies for the re-posting of some of these photos.